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	<item>
		<title>Nokia</title>
		<link>http://mcquire.bloghi.com/2009/10/31/nokia.html</link>
		<comments>http://mcquire.bloghi.com/2009/10/31/nokia.html#comments</comments>
		<pubDate>Sat, 31 Oct 2009 06:37:16 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2009/10/31/nokia.html</guid>
		<description> Nokia Mobile Phone Unlock &amp;amp; Hidden Feature codes


		
		
				
									
								
		            
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					by Neerav Bhatt on March...</description>
		<content:encoded><![CDATA[<h1 class="entry-title">Nokia Mobile Phone Unlock &amp; Hidden Feature codes</h1>


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					<p class="headline_meta">by <span class="author vcard fn">Neerav Bhatt</span> on <abbr class="published" title="2007-03-30">March 30, 2007</abbr> · <span><a href="http://www.bhatt.id.au/blog/nokia-mobile-phone-service-codes-activate-hidden-features/#comments" rel="nofollow">154 comments</a></span> in Topic: <span><a href="http://www.bhatt.id.au/blog/category/technology-reviews/" title="View all posts in Technology &amp; Gadget Reviews" rel="category tag">Technology &amp; Gadget Reviews</a></span></p>
				
				<div class="format_text entry-content">
<img src="http://www.bhatt.id.au/blogimg/top-20.gif" alt="top 20 article" vspace="10" width="138" align="right" height="137" hspace="10">
<p>These codes will work on most Nokia Mobile Phones to
activate/deactivate advanced hidden functions that you can’t change
through the phone menu</p>
<p>One useful function that all Nokia’s I’ve owned have is “Cell Info
Display” which can usually be found in the phones “Display settings”
(eg: in a Nokia 1600) or “Phone Settings” (eg: in a Nokia 3315)</p>
<p>If your network supports it, when “Cell Info Display” is enabled, it
will display the name of the base station your mobile is currently
connected to on the screen eg: when i’m walking around the city it says
“Sydney CBD” and when i’m at home it displays the name of my suburb.</p>
<p>Note:<br>
To display “p” press “*” three times within one second, To display “w”
press “*” four times within one second, To display “+” press twice “*”
within less than a second</p>
<p>Code Function<br>
<strong>*3370# / #3370#</strong> Activate / Deactivate Enhanced Full
Rate Codec (EFR) – Your phone uses the best sound quality but talk time
is reduced my approx. 5%<br>
<strong>*#4720# / *#4720#</strong> Activate / Deactivate Half Rate Codec – Your phone uses a lower quality sound but you should gain approx 30% more Talk Time<br>
<strong>*#7220# / *#7230#</strong> Enable / Disable PCCCPH support (faster GPRS)</p>
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</span>
<p><strong>#pw+1234567890+1#</strong> Provider Lock Status. (use the “*” button to obtain the “p,w” and “+” symbols)<br>
<strong>#pw+1234567890+2#</strong> Network Lock Status. (use the “*” button to obtain the “p,w” and “+” symbols)<br>
<strong>#pw+1234567890+3#</strong> Country Lock Status. (use the “*” button to obtain the “p,w” and “+” symbols)<br>
<strong>#pw+1234567890+4#</strong> SIM Card Lock Status. (use the “*” button to obtain the “p,w” and “+” symbols)<br>
<strong>12345</strong> This is the default security code</p>
<p><strong>*#0000#</strong> Displays your phones software version, 1st
Line : Software Version, 2nd Line : Software Release Date, 3rd Line :
Compression Type<br>
<strong>*#9999#</strong> Phones software version if *#0000# does not work<br>
<strong>*#06#</strong> For checking the International Mobile Equipment Identity (IMEI Number)</p>
<p><strong>*#67705646#</strong> Removes operator logo on 3310 &amp; 3330<br>
<strong>*#73#</strong> Reset phone timers and game scores<br>
<strong>*#746025625#</strong> Displays the SIM Clock status, if your
phone supports this power saving feature “SIM Clock Stop Allowed”, it
means you will get the best standby time possible<br>
<strong>press and hold #</strong> Lets you switch between lines</p>
<p><strong>*#7760#</strong> Manufacturers code<br>
<strong>*#7780#</strong> Restore factory settings<br>
<strong>*#8110#</strong> Software version for the nokia 8110<br>
<strong>*#92702689#</strong> Displays – 1.Serial Number, 2.Date Made,
3.Purchase Date, 4.Date of last repair (0000 for no repairs),
5.Transfer User Data. To exit this mode you need to switch your phone
off then on again</p>
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</span>
<h4>Instructions to Network Unlock Your Mobile</h4>
<p><strong>Once you have bought or found a network unlock code for your phone</strong>, this <a href="http://www.bhatt.id.au/blogimg/network-unlock-guide.pdf">Network unlocking guide</a> will give you step by step instructions to enter it into your:</p>
<ul><li>Nokia 1100/2100/3100/3120/3200/3220/3315/6610i</li><li>Sony Ericcson A2618/T230/T610/T630/Z200/</li><li>Motorola T180/T190/T300/V171/V220</li><li>Panasonic GD35, Philips Savvy, Siemens A35/55/65, LG C1100</li></ul>
<h4>Nokia Error Messages</h4>
<p><strong>Code error</strong> – appears if the unlock password entered
is incorrect. You need to go through the whole process again, ensuring
you enter the correct 10-digit code.</p>
<p><strong>SIM was not restricted</strong> – appears if the handset has not been locked to a network. You should be able to use any SIM card in this handset.</p>
<p><strong>Not allowed</strong> – If the syntax while entering the
unlock password is incorrect, nothing happens. If you have tried to
unlock the phone 5 times with an incorrect password any further
attempts to unlock the phone will generate this message. The phone will
need to be electronically unlocked at a Nokia service centre.</p>
<p><strong style="color: rgb(255, 0, 0);">Note: There are dozens of different nokia phones, some of the codes above work on some phones and not on others.</strong></p>
<p><strong style="color: rgb(255, 0, 0);">Please don’t post your
phone’s IMEI number in a comment or email me for unlock codes as all
the information I can offer has been given in this blog entry.</strong></p>
<p><strong style="color: rgb(255, 0, 0);">NOTE: There are many websites
and applications which claim to generate unlocking codes for nokia
phones for free, I don’t know if they work but you can certainly try
them at your own risk:<br>
</strong></p>
<ul><li><a href="http://www.trycktill.com/eng/unlock_swe.asp">http://www.trycktill.com/eng/unlock_swe.asp</a></li><li><a href="http://www.download.com/NokiaFree-Unlock-Codes-Calculator/3000-2641_4-10500223.html">http://www.download.com/NokiaFree-Unlock-Codes-Calculator/3000-2641_4-10500223.html</a></li><li><a href="http://www.peters1.dk/webtools/nokia/nokia.php?sprog=en">http://www.peters1.dk/webtools/nokia/nokia.php?sprog=en</a></li><li><a href="http://nfader.z-host.ru/">http://nfader.z-host.ru/</a></li><li><a href="http://unlock.nokiafree.org/">http://unlock.nokiafree.org/</a></li><li><a href="http://www.theunlocker.co.uk/mobile_phone_unlocking.php">http://www.theunlocker.co.uk/mobile_phone_unlocking.php</a></li><li><a href="http://www.ldmstudio.com/go/free.php?id=153">http://www.ldmstudio.com/goFfree.php?i3D153</a></li></ul>
<p>If you want free ringtones and have a mobile cell phone with the
ability to compose ringtones by entering in notes then check out my <a href="http://www.bhatt.id.au/blog/free-ringtones-for-your-mobile-cell-phone/">Free Ringtones for Mobile Cell Phone</a> page</p>
<p>PS my <a href="http://www.bhatt.id.au/blog/nokia-6300-mobile-phone-review-camera-mp3-player-radio-organiser-series-40/">Nokia 6300 camera phone review also includes links to free Themes, Wallpapers, Ring Tones, Games</a></p></div>

]]></content:encoded>
		<wfw:commentRSS>http://mcquire.bloghi.com/2009/10/31/nokia.html#comments</wfw:commentRSS>
	</item>
	<item>
		<title>Nokia phone info</title>
		<link>http://mcquire.bloghi.com/2009/10/31/nokia-phone-info.html</link>
		<comments>http://mcquire.bloghi.com/2009/10/31/nokia-phone-info.html#comments</comments>
		<pubDate>Sat, 31 Oct 2009 06:05:19 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2009/10/31/nokia-phone-info.html</guid>
		<description> How to Format a Nokia 6600 Device									
Re-formatting your Nokia phone is quite simple. This guide gives an instructed overview of the process.




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		<content:encoded><![CDATA[<h1 class="firstHeading"><a href="http://www.wikihow.com/Format-a-Nokia-6600-Device">How to Format a Nokia 6600 Device</a></h1>									<div class="floatright"><span><a href="http://www.wikihow.com/Image:Nokia-6600-7493.jpg" class="image" title="Nokia 6600 7493.jpg"><img alt="" src="http://pad.wikihow.com/images/thumb/3/3e/Nokia-6600-7493.jpg/150px-Nokia-6600-7493.jpg" width="150" border="0" height="100"></a></span></div>
<p>Re-formatting your Nokia phone is quite simple. This guide gives an instructed overview of the process.</p>


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<div id="steps">


<a name="Steps" id="Steps"></a>
<h2><span id="gatEditSection" class="editsection1">[<a href="http://www.wikihow.com/index.php?title=Format-a-Nokia-6600-Device&amp;action=edit&amp;section=1" title="Edit section: Steps">edit</a>]</span> <span>Steps</span></h2>
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<div><a name="Primary_Method" id="Primary_Method"></a>
<h3><span>Primary Method</span></h3>
<ol><li>Turn your device off.</li><li>Remove SIM card and MMC card (actually, you do not need to remove
these, but after format remember to format memory card and reboot
phone).</li><li>Press and hold 3 keys; Green dial key, * Star key, no. 3 key on keypad Together.</li><li>Turn your device on while you are pressing the three buttons.</li><li>You should now see "Formatting .." on the Screen! Leave the buttons now.</li></ol>
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<div><a name="Alternate_Method" id="Alternate_Method"></a>
<h3><span>Alternate Method</span></h3>
<ol><li>You can remove the mmc but keep the sim card and restart your phone.</li><li>Then press the keys *#7370#.</li><li>The phone would ask a confirmation.</li><li>Select yes.</li><li>Then it will ask for a code.</li><li>The code is 12345 (the default).</li><li>There you are! your phone will restart with all the phone memory formatted.</li></ol>
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<h2><span id="gatEditSection" class="editsection1">[<a href="http://www.wikihow.com/index.php?title=Format-a-Nokia-6600-Device&amp;action=edit&amp;section=4" title="Edit section: Tips">edit</a>]</span> <span>Tips</span></h2>
<ul><li>You can also use some programs to format the device for you.</li><li>The format will not include the MMC Card, only the device (C Drive)...</li><li>The above method isn't always easy. You can do the format using
this simple key combination *#7370# and the phone will prompt you to
enter the phone lock code which is 12345 by default.</li><li>Also remember that you can reset your phone but not loose any of
your personal files (I.E restore the settings that came when you bought
the phone while keeping contacts etc) by <b>RINKU</b></li></ul>
<p><br></p>
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<h2><span id="gatEditSection" class="editsection1">[<a href="http://www.wikihow.com/index.php?title=Format-a-Nokia-6600-Device&amp;action=edit&amp;section=5" title="Edit section: Warnings">edit</a>]</span> <span>Warnings</span></h2>
<ul><li>Don't apply these steps if you are not sure what you are doing.</li><li>Make sure you have enough battery power before beginning this procedure.</li><li>Formatting will erase all your contacts/messages, so make a backup of your phone before formatting.</li><li>If have MMC-card make a backup on mmcstore file&nbsp;!</li></ul>
<p><br></p>
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<div id="relatedwikihows">


<a name="Related_wikiHows" id="Related_wikiHows"></a>
<h2><span id="gatEditSection" class="editsection1">[<a href="http://www.wikihow.com/index.php?title=Format-a-Nokia-6600-Device&amp;action=edit&amp;section=6" title="Edit section: Related wikiHows">edit</a>]</span> <span>Related wikiHows</span></h2>
<ul><li><a href="http://www.wikihow.com/Format-Nokia-Symbian-Series-60-Phones" title="Format Nokia Symbian Series 60 Phones">How to Format Nokia Symbian Series 60 Phones</a></li><li><a href="http://www.wikihow.com/Open-a-Nokia-6230i-Back-Cover" title="Open a Nokia 6230i Back Cover">How to Open a Nokia 6230i Back Cover</a></li><li><a href="http://www.wikihow.com/Download-POP3-Email-with-a-Nokia-Symbian-Series-60-Smart-Phone-for-Free" title="Download POP3 Email with a Nokia Symbian Series 60 Smart Phone for Free">How to Download POP3 Email with a Nokia Symbian Series 60 Smart Phone for Free</a></li><li><a href="http://www.wikihow.com/Unlock-Your-Nokia-Cell-Phone" title="Unlock Your Nokia Cell Phone">How to Unlock Your Nokia Cell Phone</a></li></ul>
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<div id="suggested_titles">


<h2>Articles for You to Write</h2>Here is a list of suggested articles that have not yet been written. You can 
help by researching and writing one of these articles.
<br><br>
<ul id="gatSuggestedTitle"><li><a href="http://www.wikihow.com/Special:CreatePage/Reset-My-Nokia" class="new">How to Reset My Nokia</a></li><li><a href="http://www.wikihow.com/Special:CreatePage/Unlock-Excel-Files" class="new">How to Unlock Excel Files</a></li><li><a href="http://www.wikihow.com/Special:CreatePage/Unlock-Mmc" class="new">How to Unlock Mmc</a></li><li><a href="http://www.wikihow.com/Special:CreatePage/Unlock-Excel" class="new">How to Unlock Excel</a></li><li><a href="http://www.wikihow.com/Special:CreatePage/Flash-Nokia-Phones" class="new">How to Flash Nokia Phones</a></li></ul>
</div>

]]></content:encoded>
		<wfw:commentRSS>http://mcquire.bloghi.com/2009/10/31/nokia-phone-info.html#comments</wfw:commentRSS>
	</item>
	<item>
		<title>My Personal Profile</title>
		<link>http://mcquire.bloghi.com/2007/06/14/my-personal-profile.html</link>
		<comments>http://mcquire.bloghi.com/2007/06/14/my-personal-profile.html#comments</comments>
		<pubDate>Thu, 14 Jun 2007 23:39:16 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2007/06/14/my-personal-profile.html</guid>
		<description> Name: Armando Macgui-ing Martin Date of Birth: November 24, 1986 E-mail: cyrusmcquire@yahoo.com/armandomartin1986@yahoo.com.ph Webpages: www.mcquire.bloghi.com, www.cyrusmcquire.bloghi.com, Country: Philippines Mobile number: 639102609432
          </description>
		<content:encoded><![CDATA[<img src="http://img88.imageshack.us/img88/5738/enzor.jpg" alt="http://img88.imageshack.us/img88/5738/enzor.jpg" title="http://img88.imageshack.us/img88/5738/enzor.jpg" border="0"><p>Name: Armando Macgui-ing Martin</p> <p>Date of Birth: November 24, 1986</p> <p>E-mail: <a href="mailto:cyrusmcquire@yahoo.com/armandomartin1986@yahoo.com.ph">cyrusmcquire@yahoo.com/armandomartin1986@yahoo.com.ph</a></p> <p>Webpages: <a href="http://www.mcquire.bloghi.com">www.mcquire.bloghi.com</a>, <a href="http://www.cyrusmcquire.bloghi.com">www.cyrusmcquire.bloghi.com</a>,</p> <p>Country: Philippines</p> <p>Mobile number: 639102609432</p>
]]></content:encoded>
		<wfw:commentRSS>http://mcquire.bloghi.com/2007/06/14/my-personal-profile.html#comments</wfw:commentRSS>
	</item>
	<item>
		<title>invitation to readers...</title>
		<link>http://mcquire.bloghi.com/2006/08/29/invitation-to-readers.html</link>
		<comments>http://mcquire.bloghi.com/2006/08/29/invitation-to-readers.html#comments</comments>
		<pubDate>Tue, 29 Aug 2006 06:36:54 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/08/29/invitation-to-readers.html</guid>
		<description> invite me to:
friendster &amp;gt; mcquire@gma.com
y.m. &amp;gt; cyrusmcquire@yahoo.com
http://world4.monstersgame.co.uk/?ac=vid&amp;amp;vid=47110390
thank you...                                                                                                 </description>
		<content:encoded><![CDATA[<P>invite me to:</P>
<P>friendster &gt; <A href="mailto:mcquire@gma.com">mcquire@gma.com</A></P>
<P>y.m. &gt; <A href="mailto:cyrusmcquire@yahoo.com">cyrusmcquire@yahoo.com</A></P>
<P>http://world4.monstersgame.co.uk/?ac=vid&amp;vid=47110390</P>
<P>thank you...</P>]]></content:encoded>
		<wfw:commentRSS>http://mcquire.bloghi.com/2006/08/29/invitation-to-readers.html#comments</wfw:commentRSS>
	</item>
	<item>
		<title>TelNet</title>
		<link>http://mcquire.bloghi.com/2006/06/24/telnet.html</link>
		<comments>http://mcquire.bloghi.com/2006/06/24/telnet.html#comments</comments>
		<pubDate>Sat, 24 Jun 2006 04:14:12 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/06/24/telnet.html</guid>
		<description> TelNet
(tel´net) (n.) A terminal emulation program for TCP/IP networks such as the Internet. The Telnet program runs on your computer and connects your PC to a server on the network. You can then enter commands through the Telnet program and they...</description>
		<content:encoded><![CDATA[<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN style="FONT-SIZE: 18pt"><FONT face="Times New Roman">TelNet<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p></o:p></FONT></SPAN></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT face="Times New Roman" size=3>(tel´net) <SPAN style="mso-bidi-font-weight: bold">(n.)</SPAN> A </FONT><A href="http://www.webopedia.com/TERM/T/terminal_emulation.html"><FONT face="Times New Roman" color=#000033 size=3>terminal emulation</FONT></A><FONT face="Times New Roman" size=3> </FONT><A href="http://www.webopedia.com/TERM/T/Telnet.html##" target=_blank><SPAN style="COLOR: #333333"><FONT face="Times New Roman" size=3>program</FONT></SPAN></A><FONT face="Times New Roman" size=3> for </FONT><A href="http://www.webopedia.com/TERM/T/TCP_IP.html"><FONT face="Times New Roman" color=#000033 size=3>TCP/IP</FONT></A><FONT face="Times New Roman" size=3> </FONT><A href="http://www.webopedia.com/TERM/T/network.html"><FONT face="Times New Roman" color=#000033 size=3>networks</FONT></A><FONT face="Times New Roman" size=3> such as the </FONT><A href="http://www.webopedia.com/TERM/T/Internet.html"><FONT face="Times New Roman" color=#000033 size=3>Internet</FONT></A><FONT face="Times New Roman" size=3>. The </FONT><A href="http://www.webopedia.com/TERM/T/Telnet.html##" target=_blank><SPAN style="COLOR: #333333"><FONT face="Times New Roman" size=3>Telnet</FONT></SPAN></A><FONT face="Times New Roman" size=3> program runs on your computer and connects your PC to a </FONT><A href="http://www.webopedia.com/TERM/T/server.html"><FONT face="Times New Roman" color=#000033 size=3>server</FONT></A><FONT face="Times New Roman" size=3> on the </FONT><A href="http://www.webopedia.com/TERM/T/Telnet.html##" target=_blank><SPAN style="COLOR: #333333"><FONT face="Times New Roman" size=3>network</FONT></SPAN></A><FONT face="Times New Roman" size=3>. You can then enter </FONT><A href="http://www.webopedia.com/TERM/T/command.html"><FONT face="Times New Roman" color=#000033 size=3>commands</FONT></A><FONT face="Times New Roman" size=3> through the Telnet program and they will be executed as if you were entering them directly on the </FONT><A href="http://www.webopedia.com/TERM/T/Telnet.html##" target=_blank><SPAN style="COLOR: #333333"><FONT face="Times New Roman" size=3>server</FONT></SPAN></A><FONT face="Times New Roman" size=3> </FONT><A href="http://www.webopedia.com/TERM/T/console.html"><FONT face="Times New Roman" color=#000033 size=3>console</FONT></A><FONT face="Times New Roman" size=3>. This enables you to control the server and communicate with other </FONT><A href="http://www.webopedia.com/TERM/T/Telnet.html##" target=_blank><SPAN style="COLOR: #333333"><FONT face="Times New Roman" size=3>servers</FONT></SPAN></A><FONT face="Times New Roman" size=3> on the network. To start a Telnet session, you must log in to a server by entering a valid </FONT><A href="http://www.webopedia.com/TERM/T/username.html"><FONT face="Times New Roman" color=#000033 size=3>username</FONT></A><FONT face="Times New Roman" size=3> and </FONT><A href="http://www.webopedia.com/TERM/T/password.html"><FONT face="Times New Roman" color=#000033 size=3>password</FONT></A><FONT face="Times New Roman" size=3>. Telnet is a common way to </FONT><A href="http://www.webopedia.com/TERM/T/remote_control.html"><FONT face="Times New Roman" color=#000033 size=3>remotely control</FONT></A><FONT face="Times New Roman" size=3> </FONT><A href="http://www.webopedia.com/TERM/T/Web_server.html"><FONT face="Times New Roman" color=#000033 size=3>Web servers</FONT></A><FONT face="Times New Roman" size=3>.</FONT></P>
<P style="BACKGROUND: #f8fcff"><FONT size=3><FONT face="Times New Roman"><SPAN lang=EN style="mso-bidi-font-weight: bold; mso-ansi-language: EN">TELNET</SPAN><SPAN lang=EN style="mso-ansi-language: EN"> is a <A title="Network protocol" href="http://en.wikipedia.org/wiki/Network_protocol"><FONT color=#000033>network protocol</FONT></A> used on the <A title=Internet href="http://en.wikipedia.org/wiki/Internet"><FONT color=#000033>Internet</FONT></A> or local area network <A title=LAN href="http://en.wikipedia.org/wiki/LAN"><FONT color=#000033>LAN</FONT></A> connections. <A title=IETF href="http://en.wikipedia.org/wiki/IETF"><FONT color=#000033>IETF</FONT></A> document <A title="STD 8" href="http://en.wikipedia.org/w/index.php?title=STD_8&amp;action=edit"><SPAN style="COLOR: #cc2200">STD 8</SPAN></A> (aka <A title=http://www.faqs.org/rfcs/rfc854.html href="http://www.faqs.org/rfcs/rfc854.html"></A><A title=http://tools.ietf.org/html/854 href="http://tools.ietf.org/html/854"><FONT color=#000033>RFC 854</FONT></A> and <A title=http://www.faqs.org/rfcs/rfc855.html href="http://www.faqs.org/rfcs/rfc855.html"></A><A title=http://tools.ietf.org/html/855 href="http://tools.ietf.org/html/855"><FONT color=#000033>RFC 855</FONT></A>) states:<o:p></o:p></SPAN></FONT></FONT></P>
<P style="BACKGROUND: #f8fcff"><SPAN lang=EN style="mso-ansi-language: EN"><FONT face="Times New Roman" size=3>The purpose of the TELNET Protocol is to provide a fairly general, bi-directional, eight-</FONT><A title=Bit href="http://en.wikipedia.org/wiki/Bit"><FONT face="Times New Roman" color=#000033 size=3>bit</FONT></A><FONT face="Times New Roman" size=3> </FONT><A title="Byte oriented" href="http://en.wikipedia.org/wiki/Byte_oriented"><FONT face="Times New Roman" color=#000033 size=3>byte oriented</FONT></A><FONT size=3><FONT face="Times New Roman"> communications facility.<o:p></o:p></FONT></FONT></SPAN></P>
<P style="BACKGROUND: #f8fcff"><SPAN lang=EN style="mso-ansi-language: EN"><FONT size=3><FONT face="Times New Roman">It is typically used to provide user oriented command line login sessions between hosts on the Internet. The name is derived from the words <SPAN style="mso-bidi-font-weight: bold">telephone network</SPAN>, since the program is designed to emulate a single terminal attached to the other computer.<o:p></o:p></FONT></FONT></SPAN></P>
<P style="BACKGROUND: #f8fcff"><SPAN lang=EN style="mso-ansi-language: EN"><FONT face="Times New Roman" size=3>By extension, "telnet" also refers to the program which provides the client part of the protocol. TELNET clients have been available on most </FONT><A title=Unix href="http://en.wikipedia.org/wiki/Unix"><FONT face="Times New Roman" color=#000033 size=3>Unix</FONT></A><FONT face="Times New Roman" size=3> systems for many years, however with recent advancements </FONT><A title="Secure Shell" href="http://en.wikipedia.org/wiki/Secure_Shell"><FONT face="Times New Roman" color=#000033 size=3>SSH</FONT></A><FONT face="Times New Roman" size=3> has become more dominant in remote access for Unix-based machines, and are available for virtually all types of computers. On many systems, this "telnet" program may also be used to make interactive raw-</FONT><A title="Transmission Control Protocol" href="http://en.wikipedia.org/wiki/Transmission_Control_Protocol"><FONT face="Times New Roman" color=#000033 size=3>TCP</FONT></A><FONT face="Times New Roman" size=3> sessions and is used to communicate to services such as </FONT><A title=POP3 href="http://en.wikipedia.org/wiki/POP3"><FONT face="Times New Roman" color=#000033 size=3>POP3</FONT></A><FONT size=3><FONT face="Times New Roman"> servers without specialized client software.<o:p></o:p></FONT></FONT></SPAN></P>
<P style="BACKGROUND: #f8fcff"><SPAN lang=EN style="mso-ansi-language: EN"><FONT face="Times New Roman" size=3>"To telnet" is also used as a </FONT><A title=Verb href="http://en.wikipedia.org/wiki/Verb"><FONT face="Times New Roman" color=#000033 size=3>verb</FONT></A><FONT face="Times New Roman" size=3> meaning to establish or use a <I>TELNET</I> connection, as in, "To change your password, telnet to the server and run the </FONT><A title=Passwd href="http://en.wikipedia.org/wiki/Passwd"><FONT face="Times New Roman" color=#000033 size=3>passwd</FONT></A><FONT size=3><FONT face="Times New Roman"> command".<o:p></o:p></FONT></FONT></SPAN></P>
<P style="BACKGROUND: #f8fcff"><SPAN lang=EN style="mso-ansi-language: EN"><FONT size=3><FONT face="Times New Roman">It is also a means to connect to the new style Telnet Bulletin Board Systems (that once upon a time were dialup in the 1980's and 1990's) that allow for nostalgia over TCP / IP as well as most supporting all of the well known and other commonly used protocols on the Internet today as a full blown multi-protocol server suite.<o:p></o:p></FONT></FONT></SPAN></P>
<H2 style="BACKGROUND: #f8fcff; MARGIN: auto 0in"><SPAN lang=EN style="mso-ansi-language: EN"><FONT face="Times New Roman">Protocol details<o:p></o:p></FONT></SPAN></H2>
<P style="BACKGROUND: #f8fcff"><SPAN lang=EN style="mso-ansi-language: EN"><FONT face="Times New Roman" size=3>TELNET is a </FONT><A title="Client-server protocol" href="http://en.wikipedia.org/wiki/Client-server_protocol"><FONT face="Times New Roman" color=#000033 size=3>client-server protocol</FONT></A><FONT face="Times New Roman" size=3>, based on </FONT><A title="Transmission Control Protocol" href="http://en.wikipedia.org/wiki/Transmission_Control_Protocol"><FONT face="Times New Roman" color=#000033 size=3>TCP</FONT></A><FONT face="Times New Roman" size=3>, and clients generally connect to </FONT><A title="TCP and UDP port" href="http://en.wikipedia.org/wiki/TCP_and_UDP_port"><FONT face="Times New Roman" color=#000033 size=3>port</FONT></A><FONT face="Times New Roman" size=3> 23 on the host providing the service ( programs, it is also possible to use a TELNET program to establish an interactive TCP connection of the protocol and a means of defining and implementing extensions. There are many extensions, some of which have been adopted as </FONT><A title="Internet Standard" href="http://en.wikipedia.org/wiki/Internet_Standard"><FONT face="Times New Roman" color=#000033 size=3>Internet Standards</FONT></A><FONT face="Times New Roman" size=3>. IETF STD document numbers from 27 through to 32 define various TELNET extensions (most of which are extremely common). Of the remaining extensions the most useful ones are probably those that are on the IETF standards track as proposed standards; details can be found in </FONT><A title="STD 1" href="http://en.wikipedia.org/w/index.php?title=STD_1&amp;action=edit"><SPAN style="COLOR: #cc2200"><FONT face="Times New Roman" size=3>STD 1</FONT></SPAN></A><FONT size=3><FONT face="Times New Roman">.<o:p></o:p></FONT></FONT></SPAN></P>
<H2 style="BACKGROUND: #f8fcff; MARGIN: auto 0in"><SPAN lang=EN style="mso-ansi-language: EN"><o:p><FONT face="Times New Roman">&nbsp;</FONT></o:p></SPAN></H2>
<H2 style="BACKGROUND: #f8fcff; MARGIN: auto 0in"><SPAN lang=EN style="mso-ansi-language: EN"><FONT face="Times New Roman">Security<o:p></o:p></FONT></SPAN></H2>
<P style="BACKGROUND: #f8fcff"><SPAN lang=EN style="mso-ansi-language: EN"><FONT face="Times New Roman" size=3>There are three main reasons why TELNET is a bad choice for modern systems from the point of view of </FONT><A title="Computer security" href="http://en.wikipedia.org/wiki/Computer_security"><FONT face="Times New Roman" color=#000033 size=3>computer security</FONT></A><FONT size=3><FONT face="Times New Roman">:<o:p></o:p></FONT></FONT></SPAN></P>
<UL type=disc lastCheckbox="null">
<LI class=MsoNormal style="BACKGROUND: #f8fcff; MARGIN: 0in 0in 0pt; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; mso-list: l0 level1 lfo1; tab-stops: list .5in"><SPAN lang=EN style="mso-ansi-language: EN"><FONT face="Times New Roman" size=3>Commonly used TELNET </FONT><A title="Daemon (computer software)" href="http://en.wikipedia.org/wiki/Daemon_%28computer_software%29"><FONT face="Times New Roman" color=#000033 size=3>daemons</FONT></A><FONT face="Times New Roman" size=3> have several </FONT><A title="Vulnerability (computer science)" href="http://en.wikipedia.org/wiki/Vulnerability_%28computer_science%29"><FONT face="Times New Roman" color=#000033 size=3>vulnerabilities</FONT></A><FONT size=3><FONT face="Times New Roman"> discovered over the years, and probably several more still exist. <o:p></o:p></FONT></FONT></SPAN></LI>
<LI class=MsoNormal style="BACKGROUND: #f8fcff; MARGIN: 0in 0in 0pt; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; mso-list: l0 level1 lfo1; tab-stops: list .5in"><SPAN lang=EN style="mso-ansi-language: EN"><FONT face="Times New Roman" size=3>TELNET, by default, does not </FONT><A title=Encryption href="http://en.wikipedia.org/wiki/Encryption"><FONT face="Times New Roman" color=#000033 size=3>encrypt</FONT></A><FONT size=3><FONT face="Times New Roman"> any data sent over the connection (including passwords), and so it is trivial to eavesdrop on the communications and use the password later for malicious purposes. <o:p></o:p></FONT></FONT></SPAN></LI>
<LI class=MsoNormal style="BACKGROUND: #f8fcff; MARGIN: 0in 0in 0pt; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; mso-list: l0 level1 lfo1; tab-stops: list .5in"><SPAN lang=EN style="mso-ansi-language: EN"><FONT face="Times New Roman" size=3>TELNET lacks an authentication scheme that makes it possible to ensure that communication is carried out between the two desired </FONT><A title="Server (computing)" href="http://en.wikipedia.org/wiki/Server_%28computing%29"><FONT face="Times New Roman" color=#000033 size=3>hosts</FONT></A><FONT face="Times New Roman" size=3>, and not intercepted in the middle (see also </FONT><A title="Man-in-the-middle attack" href="http://en.wikipedia.org/wiki/Man-in-the-middle_attack"><FONT face="Times New Roman" color=#000033 size=3>Man-in-the-middle attacks</FONT></A><FONT size=3><FONT face="Times New Roman">). <o:p></o:p></FONT></FONT></SPAN></LI></UL>
<P style="BACKGROUND: #f8fcff"><SPAN lang=EN style="mso-ansi-language: EN"><FONT face="Times New Roman" size=3>In environments where security is important, such as on the public </FONT><A title=Internet href="http://en.wikipedia.org/wiki/Internet"><FONT face="Times New Roman" color=#000033 size=3>Internet</FONT></A><FONT face="Times New Roman" size=3>, TELNET should not be used. TELNET sessions are </FONT><A title=Encryption href="http://en.wikipedia.org/wiki/Encryption"><FONT face="Times New Roman" color=#000033 size=3>unencrypted</FONT></A><FONT face="Times New Roman" size=3>. This means that anybody who has access to any </FONT><A title=Router href="http://en.wikipedia.org/wiki/Router"><FONT face="Times New Roman" color=#000033 size=3>router</FONT></A><FONT face="Times New Roman" size=3>, </FONT><A title=Switch href="http://en.wikipedia.org/wiki/Switch"><FONT face="Times New Roman" color=#000033 size=3>switch</FONT></A><FONT face="Times New Roman" size=3>, or </FONT><A title=Gateway href="http://en.wikipedia.org/wiki/Gateway"><FONT face="Times New Roman" color=#000033 size=3>gateway</FONT></A><FONT face="Times New Roman" size=3> located on the network between the two hosts where telnet is being used can intercept the TELNET packets passing by and easily obtain login and password information (and whatever else is typed) with any of several common utilities like </FONT><A title=Tcpdump href="http://en.wikipedia.org/wiki/Tcpdump"><FONT face="Times New Roman" color=#000033 size=3>tcpdump</FONT></A><FONT face="Times New Roman" size=3> and </FONT><A title=Wireshark href="http://en.wikipedia.org/wiki/Wireshark"><FONT face="Times New Roman" color=#000033 size=3>Wireshark</FONT></A><FONT size=3><FONT face="Times New Roman">.<o:p></o:p></FONT></FONT></SPAN></P>
<P style="BACKGROUND: #f8fcff"><SPAN lang=EN style="mso-ansi-language: EN"><FONT face="Times New Roman" size=3>These flaws have seen the usage of the TELNET protocol drop rapidly in favor of a more secure and functional protocol called </FONT><A title=SSH href="http://en.wikipedia.org/wiki/SSH"><FONT face="Times New Roman" color=#000033 size=3>SSH</FONT></A><FONT face="Times New Roman" size=3>, released in </FONT><A title=1995 href="http://en.wikipedia.org/wiki/1995"><FONT face="Times New Roman" color=#000033 size=3>1995</FONT></A><FONT face="Times New Roman" size=3>. SSH provides all functionality present in telnet, with the addition of strong encryption to prevent sensitive data such as passwords from being intercepted, and </FONT><A title="Public key" href="http://en.wikipedia.org/wiki/Public_key"><FONT face="Times New Roman" color=#000033 size=3>public key</FONT></A><FONT size=3><FONT face="Times New Roman"> authentication, to ensure that the remote computer is actually who it claims to be.<o:p></o:p></FONT></FONT></SPAN></P>
<P style="BACKGROUND: #f8fcff"><SPAN lang=EN style="mso-ansi-language: EN"><FONT face="Times New Roman" size=3>Experts in </FONT><A title="Computer security" href="http://en.wikipedia.org/wiki/Computer_security"><FONT face="Times New Roman" color=#000033 size=3>computer security</FONT></A><FONT face="Times New Roman" size=3>, such as </FONT><A title="SANS Institute" href="http://en.wikipedia.org/wiki/SANS_Institute"><FONT face="Times New Roman" color=#000033 size=3>SANS Institute</FONT></A><FONT face="Times New Roman" size=3>, and the members of the </FONT><A title=Comp.os.linux.security href="http://en.wikipedia.org/w/index.php?title=Comp.os.linux.security&amp;action=edit"><SPAN style="COLOR: #cc2200"><FONT face="Times New Roman" size=3>comp.os.linux.security</FONT></SPAN></A><FONT face="Times New Roman" size=3> </FONT><A title=Newsgroup href="http://en.wikipedia.org/wiki/Newsgroup"><FONT face="Times New Roman" color=#000033 size=3>newsgroup</FONT></A><FONT size=3><FONT face="Times New Roman"> recommend that the use of TELNET for remote logins should be discontinued under all normal circumstances.<o:p></o:p></FONT></FONT></SPAN></P>
<P style="BACKGROUND: #f8fcff"><SPAN lang=EN style="mso-ansi-language: EN"><FONT face="Times New Roman" size=3>When TELNET was initially developed in </FONT><A title=1969 href="http://en.wikipedia.org/wiki/1969"><FONT face="Times New Roman" color=#000033 size=3>1969</FONT></A><FONT face="Times New Roman" size=3>, most users of networked computers were in the computer departments of academic institutions, or at large private and government research facilities. In this environment, security was not nearly as much of a concern as it became after the bandwidth explosion of the </FONT><A title=1990s href="http://en.wikipedia.org/wiki/1990s"><FONT face="Times New Roman" color=#000033 size=3>1990s</FONT></A><FONT face="Times New Roman" size=3>. With the exponential rise in the number of people with access to the Internet, and by extension, the number of people attempting to </FONT><A title="Black hat" href="http://en.wikipedia.org/wiki/Black_hat"><FONT face="Times New Roman" color=#000033 size=3>crack</FONT></A><FONT face="Times New Roman" size=3> into other people's </FONT><A title="Server (computing)" href="http://en.wikipedia.org/wiki/Server_%28computing%29"><FONT face="Times New Roman" color=#000033 size=3>servers</FONT></A><FONT size=3><FONT face="Times New Roman">, TELNET should generally not ever be used on networks with Internet connectivity.<o:p></o:p></FONT></FONT></SPAN></P>]]></content:encoded>
		<wfw:commentRSS>http://mcquire.bloghi.com/2006/06/24/telnet.html#comments</wfw:commentRSS>
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		<title>picturetrail images</title>
		<link>http://mcquire.bloghi.com/2006/05/01/picturetrail-images.html</link>
		<comments>http://mcquire.bloghi.com/2006/05/01/picturetrail-images.html#comments</comments>
		<pubDate>Mon, 01 May 2006 21:19:22 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/05/01/picturetrail-images.html</guid>
		<description> &amp;nbsp;Chery Santos
&amp;nbsp;
Armando Martin &amp;amp; Karen Brett

Sagada NHS Batch 2004

Armando Martin
&amp;nbsp;
Beside the Sagada's Basketball Court

Alfred Mayocyoc and Adler...</description>
		<content:encoded><![CDATA[<P><FONT style="BACKGROUND-COLOR: #ffffff"><IMG title=http://img313.imageshack.us/img313/1237/untitled2lt.jpg alt=http://img313.imageshack.us/img313/1237/untitled2lt.jpg src="http://img313.imageshack.us/img313/1237/untitled2lt.jpg" border=4>&nbsp;</FONT><IFRAME src="http://www.dPolls.com/DisplayPoll.aspx?PollID=5209" frameBorder=0 width=250 scrolling=no height=150 allowTransparency></IFRAME><FONT size=4><FONT style="BACKGROUND-COLOR: #ffffff"><STRONG>Chery Santos</STRONG><BR></FONT></FONT><A title="Create polls and vote for free. dPolls.com" href="http://www.dpolls.com/" target=_blank><FONT style="BACKGROUND-COLOR: #ffffff"><IMG alt="Create polls and vote for free. dPolls.com" src="http://www.dpolls.com/dPollsLink.aspx" border=0></FONT></A></P>
<P><FONT style="BACKGROUND-COLOR: #ffffff">&nbsp;<IMG title=http://img217.imageshack.us/img217/9674/1314681807da.jpg alt=http://img217.imageshack.us/img217/9674/1314681807da.jpg src="http://img217.imageshack.us/img217/9674/1314681807da.jpg" border=0></FONT></P>
<P><FONT style="BACKGROUND-COLOR: #ffffff"><STRONG><FONT size=3>Armando Martin &amp; Karen Brett</FONT></STRONG></FONT></P>
<P><FONT style="BACKGROUND-COLOR: #ffffff"><IMG title=http://img217.imageshack.us/img217/2063/1304417351fv.jpg alt=http://img217.imageshack.us/img217/2063/1304417351fv.jpg src="http://img217.imageshack.us/img217/2063/1304417351fv.jpg" border=0></FONT></P>
<P><FONT style="BACKGROUND-COLOR: #ffffff"><STRONG><FONT size=3>Sagada NHS Batch 2004</FONT></STRONG></FONT></P>
<P><FONT style="BACKGROUND-COLOR: #ffffff"><IMG title=http://img217.imageshack.us/img217/1458/1304417441fh.jpg alt=http://img217.imageshack.us/img217/1458/1304417441fh.jpg src="http://img217.imageshack.us/img217/1458/1304417441fh.jpg" border=0></FONT></P>
<P><FONT style="BACKGROUND-COLOR: #ffffff"><STRONG><FONT size=3>Armando Martin</FONT></STRONG></FONT></P>
<P><FONT style="BACKGROUND-COLOR: #ffffff"><IMG title=http://img217.imageshack.us/img217/4956/1304417268xi.jpg alt=http://img217.imageshack.us/img217/4956/1304417268xi.jpg src="http://img217.imageshack.us/img217/4956/1304417268xi.jpg" border=0>&nbsp;</FONT></P>
<P><FONT style="BACKGROUND-COLOR: #ffffff"><STRONG><FONT size=2>Beside the Sagada's Basketball Court</FONT></STRONG></FONT></P>
<P><FONT style="BACKGROUND-COLOR: #ffffff"><IMG title=http://img217.imageshack.us/img217/8927/1304417183hj.jpg style="WIDTH: 264px; HEIGHT: 322px" height=563 alt=http://img217.imageshack.us/img217/8927/1304417183hj.jpg src="http://img217.imageshack.us/img217/8927/1304417183hj.jpg" width=446 border=0><IMG title=http://img217.imageshack.us/img217/7666/1304416787bp.jpg style="WIDTH: 213px; HEIGHT: 322px" height=428 alt=http://img217.imageshack.us/img217/7666/1304416787bp.jpg src="http://img217.imageshack.us/img217/7666/1304416787bp.jpg" width=309 border=0></FONT></P>
<P><FONT size=3><STRONG>Alfred Mayocyoc and Adler Calabias&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Wilma Valencia and Kimberly Kolnog</STRONG></FONT></P>
<P><FONT style="BACKGROUND-COLOR: #ffffff"><IMG title=http://img217.imageshack.us/img217/9082/1304416896vk.jpg alt=http://img217.imageshack.us/img217/9082/1304416896vk.jpg src="http://img217.imageshack.us/img217/9082/1304416896vk.jpg" border=0></FONT></P>
<P><FONT style="BACKGROUND-COLOR: #ffffff"><STRONG><FONT size=3>Hehehe.. What can You say?</FONT></STRONG></FONT></P>
<P><FONT style="BACKGROUND-COLOR: #ffffff"><IMG title=http://img217.imageshack.us/img217/240/1304416675co.jpg alt=http://img217.imageshack.us/img217/240/1304416675co.jpg src="http://img217.imageshack.us/img217/240/1304416675co.jpg" border=0></FONT></P>
<P><FONT style="BACKGROUND-COLOR: #ffffff"><STRONG><FONT size=3>Hephep... bad to the eyes...... that child is my little sister named Jesseca..</FONT></STRONG></FONT></P>
<P><FONT size=3><STRONG>for more pictures, visit </STRONG><A href="http://picturetrail.com"><STRONG><A href="http://picturetrail.com/victor-webster">http://picturetrail.com</STRONG></A><STRONG>/victor-webster</A> </STRONG></FONT></P>
<P><FONT size=3><STRONG>(if the password is needed, type <U><FONT size=4>scrounger</FONT></U>).</STRONG></FONT></P>
<P><STRONG><FONT size=3>post your Comments or e-Mail me at <A href="mailto:joshdavidduhamel@yahoo.com">joshdavidduhamel@yahoo.com</A>, </FONT></STRONG></P>
<P><STRONG><FONT size=3><A href="mailto:cyrusmartin@yahoo.com">cyrusmartin@yahoo.com</A>&nbsp;or <A href="mailto:raven_mcquire@yahoo.com">raven_mcquire@yahoo.com</A>&nbsp;either.</FONT></STRONG></P>
<P><STRONG><FONT size=3>HTML will be accepted by the management... THANK YOU......</FONT></STRONG></P>]]></content:encoded>
		<wfw:commentRSS>http://mcquire.bloghi.com/2006/05/01/picturetrail-images.html#comments</wfw:commentRSS>
	</item>
	<item>
		<title>Alchemist</title>
		<link>http://mcquire.bloghi.com/2006/04/18/alchemist.html</link>
		<comments>http://mcquire.bloghi.com/2006/04/18/alchemist.html#comments</comments>
		<pubDate>Tue, 18 Apr 2006 18:38:50 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/04/18/alchemist.html</guid>
		<description> 








&amp;nbsp;










@


@

ƒvƒŒƒCƒXƒe[ƒVƒ‡ƒ“2ê—pƒ\ƒtƒgw|‚Ì˜B‹àpŽt3 _‚ðŒp‚®&amp;shy;—x...</description>
		<content:encoded><![CDATA[<DIV align=center>
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<P><IMG height=25 src="http://www.bandaigames.channel.or.jp/list/hagane/ds_01/images/header.jpg" width=980 border=0><BR>&nbsp;</P>
<P><IMG height=140 src="http://www.sonymusic.co.jp/Animation/hagaren/image/navtv0.gif" width=133 name=navtv0></P><MAP name=copylight_Map>
<DIV align=right><IMG height=40 alt="FULLMETAL ALCHEMIST" src="http://www.sonymusic.co.jp/Animation/hagaren/image/full.gif" width=276></DIV><AREA shape=RECT alt="" coords=379,38,539,84 href="http://www.bandaigames.channel.or.jp/"><AREA shape=RECT alt="" coords=62,41,104,79 href="http://www.bandai.co.jp/"></MAP></TD></TR></TBODY></TABLE></DIV><IMG height=53 alt=ƒQ[ƒ€î•ñ src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/hagagame.gif" width=171><BR>
<TABLE cellSpacing=3 cellPadding=0 border=0>
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<TABLE cellSpacing=0 cellPadding=0 width=330 border=0>
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<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa01.gif" width=20></TD>
<TD background=image/nwa022.gif>@</TD>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa03.gif" width=20></TD></TR>
<TR>
<TD background=image/nwa04.gif>@</TD>
<TD vAlign=top width=300>
<DIV align=center><B>ƒvƒŒƒCƒXƒe[ƒVƒ‡ƒ“2ê—pƒ\ƒtƒg<BR>w|‚Ì˜B‹àpŽt3 _‚ðŒp‚®&shy;—x </B></DIV><BR>
<TABLE cellSpacing=0 cellPadding=5 border=0>
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<TD><IMG height=200 alt="|‚Ì˜B‹àpŽt3 _‚ðŒp‚®&shy;—" src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/haganeps3.jpg" width=140 border=1></TD>
<TD><FONT size=2>”&shy;”„“úF7ŒŽ21“ú<BR><BR>‰¿ŠiF7,140‰~(Å”²‰¿Ši 6,800‰~)<BR><BR>”&shy;”„FƒXƒNƒEƒFƒAEƒGƒjƒbƒNƒX<BR><BR>ƒWƒƒƒ“ƒ‹FRPG<BR><BR>ƒvƒŒƒCl”F2l<BR></FONT><BR></TD></TR></TBODY></TABLE><FONT size=2>
<DIV align=center><B>`‚±‚Ì‰ÄAŒZ’í‚ªŒ©‚½‚à‚¤ˆê‚Â‚Ì•¨Œê`</B></DIV>Š´“®‚Ì•¨Œê‚ÆA‘u‰õ‚ÈƒAƒNƒVƒ‡ƒ“‚ªD•]‚ÌuƒnƒKƒŒƒ“vƒAƒNƒVƒ‡ƒ“RPGƒVƒŠ[ƒY‚ÌW‘å¬‚Æ‚È‚éÅVì‚ª‚±‚Ì‰Ä“oêI<BR>u|‚Ì˜B‹àpŽtvŒ´ìŽÒErìO Ž‚É‚æ‚éAƒVƒiƒŠƒIŠÄC‚¨‚æ‚ÑƒIƒŠƒWƒiƒ‹ƒLƒƒƒ‰ƒNƒ^[ƒfƒUƒCƒ“‚ÅAƒQ[ƒ€‚Å‚µ‚©–¡‚í‚¦‚È‚¢Š®‘SƒIƒŠƒWƒiƒ‹ƒXƒg[ƒŠ[‚ª“WŠJ‚µ‚Ü‚·I<BR>‚à‚¿‚ë‚ñA•¨Œê‚ðÊ‚éOVAƒNƒIƒŠƒeƒB‚ÌƒAƒjƒ[ƒVƒ‡ƒ“‚ð’·ŽÚŽû˜^I<BR>‚»‚µ‚ÄAƒƒC‚ðŽn‚ß‚Æ‚·‚él‹CƒLƒƒƒ‰ƒNƒ^[‚ðŽg—p‚µ‚½Aƒtƒ@ƒ“‘Ò–]‚Ì“ñl“¯ŽžƒvƒŒƒC‚ð‚Â‚¢‚ÉŽÀŒ»‚µAƒVƒŠ[ƒY‘æ3’e‚ª“oê‚µ‚Ü‚·!</FONT><BR>
<HR>

<DIV align=center><B>ŒöŽ®HPƒI[ƒvƒ“!</B></FONT></DIV><BR><FONT size=2>7/21(–Ø)”&shy;”„‚ÌPS2ê—pƒQ[ƒ€ƒ\ƒtƒgw|‚Ì˜B‹àpŽt3 _‚ðŒp‚®&shy;—x‚Ì‘S—e‚ª–¾‚ç‚©‚ÉI<BR>ƒQ[ƒ€ƒIƒŠƒWƒiƒ‹u—&nbsp;|ƒƒEƒ‰ƒnƒKƒl„v‚ð“Á•ÊŽû˜^I<BR>—\–ñ“Á“TF“Á•Ê•ÒW¬ûŽquPS2|‚Ì˜B‹àpŽt‘å‘Sv<BR>¦”‚ÉŒÀ‚è‚ª‚&nbsp;‚è‚Ü‚·‚Ì‚Å‚²’ˆÓ‚&shy;‚¾‚³‚¢B</FONT><BR><BR>
<DIV align=center><A href="http://www.square-enix.co.jp/hagaren3/" target=index><IMG height=80 alt="PS2 |‚Ì˜B‹àpŽt3 _‚ðŒp‚®&shy;—" src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/ps2hagaren3.jpg" width=200 border=0></A></DIV></TD>
<TD background=image/nwa05.gif>@</TD></TR>
<TR>
<TR>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa06.gif" width=20></TD>
<TD background=image/nwa072.gif>@</TD>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa08.gif" width=20></TD></TR></TBODY></TABLE><BR>
<TABLE cellSpacing=0 cellPadding=0 width=330 border=0>
<TBODY>
<TR>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa01.gif" width=20></TD>
<TD background=image/nwa022.gif>@</TD>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa03.gif" width=20></TD></TR>
<TR>
<TD background=image/nwa04.gif>@</TD>
<TD vAlign=top align=middle width=300><B>ƒvƒŒƒCƒXƒe[ƒVƒ‡ƒ“2ê—pƒ\ƒtƒg<BR>w|‚Ì˜B‹àpŽt2 Ô‚«ƒGƒŠƒNƒVƒ‹‚Ìˆ«–‚x</B><BR><BR>
<TABLE cellSpacing=0 cellPadding=5 border=0>
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<TD><IMG height=200 alt="|‚Ì˜B‹àpŽt2 Ô‚«ƒGƒŠƒNƒVƒ‹‚Ìˆ«–‚" src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/haganeps23.jpg" width=140 border=1></TD>
<TD><FONT size=2>”&shy;”„“úFD•]”&shy;”„’†!<BR><BR>‰¿ŠiF7,140‰~(Å”²‰¿Ši 6,800‰~)<BR><BR>”&shy;”„FƒXƒNƒEƒFƒAEƒGƒjƒbƒNƒX<BR><BR>ƒWƒƒƒ“ƒ‹FRPG<BR><BR>ƒvƒŒƒCl”F1l<BR></FONT></TD></TR></TBODY></TABLE><BR><A href="http://www.square-enix.co.jp/games/ps2/hagaren2/" target=index><IMG height=80 alt="PS2 |‚Ì˜B‹àpŽt2 Ô‚«ƒGƒŠƒNƒVƒ‹‚Ìˆ«–‚" src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/ps2hagaren2.gif" width=200 border=0></A> </TD>
<TD background=image/nwa05.gif>@</TD></TR>
<TR>
<TR>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa06.gif" width=20></TD>
<TD background=image/nwa072.gif>@</TD>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa08.gif" width=20></TD></TR></TBODY></TABLE><BR>
<TABLE cellSpacing=0 cellPadding=0 width=330 border=0>
<TBODY>
<TR>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa01.gif" width=20></TD>
<TD background=image/nwa022.gif>@</TD>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa03.gif" width=20></TD></TR>
<TR>
<TD background=image/nwa04.gif>@</TD>
<TD vAlign=top align=middle width=300><B>ƒvƒŒƒCƒXƒe[ƒVƒ‡ƒ“2ê—pƒ\ƒtƒg<BR>w|‚Ì˜B‹àpŽt |ãÄ‚×‚È‚¢“VŽg|x</B><BR><BR>
<TABLE cellSpacing=0 cellPadding=5 border=0>
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<TD><IMG height=200 alt="|‚Ì˜B‹àpŽt |ãÄ‚×‚È‚¢“VŽg|" src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/haganeps2.jpg" width=140 border=1></TD>
<TD><FONT size=2>”&shy;”„“úFD•]”&shy;”„’†!<BR><BR>‰¿ŠiF7,140‰~(Å”²‰¿Ši 6,800‰~)<BR><BR>”&shy;”„FƒXƒNƒEƒFƒAEƒGƒjƒbƒNƒX<BR><BR>ƒWƒƒƒ“ƒ‹FRPG<BR><BR>ƒvƒŒƒCl”F1l<BR></FONT></TD></TR></TBODY></TABLE><BR><A href="http://www.square-enix.co.jp/games/ps2/hagaren/" target=index><IMG height=80 alt="u|‚Ì˜B‹àpŽt |ãÄ‚×‚È‚¢“VŽg|vPS2—pŒöŽ®ƒz[ƒ€ƒy[ƒW" src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/PS2game.jpg" width=200 border=0><BR></A></TD>
<TD background=image/nwa05.gif>@</TD></TR>
<TR>
<TR>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa06.gif" width=20></TD>
<TD background=image/nwa072.gif>@</TD>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa08.gif" width=20></TD></TR></TBODY></TABLE></TD>
<TD vAlign=top>
<TABLE cellSpacing=0 cellPadding=0 width=330 border=0>
<TBODY>
<TR>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa01.gif" width=20></TD>
<TD background=image/nwa022.gif>@</TD>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa03.gif" width=20></TD></TR>
<TR>
<TD background=image/nwa04.gif>@</TD>
<TD vAlign=top align=middle width=300><B>ƒjƒ“ƒeƒ“ƒh[DSê—pƒ\ƒtƒg<BR>u|‚Ì˜B‹àpŽt@Dual Sympathyv</B><BR><BR>
<TABLE cellSpacing=0 cellPadding=5 border=0>
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<TD><IMG height=180 alt="|‚Ì˜B‹àpŽt@Dual Sympathy" src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/haganeds1.jpg" width=200 border=1><BR></TD></TR>
<TR>
<TD><FONT size=2>”&shy;”„“úF7ŒŽ21“ú<BR>‰¿ŠiF5,040‰~(Å”²‰¿Ši 4,800‰~)<BR>”&shy;”„Œ³Fƒoƒ“ƒ_ƒC<BR>ƒWƒƒƒ“ƒ‹ FTouch!ƒAƒNƒVƒ‡ƒ“ƒAƒhƒxƒ“ƒ`ƒƒ[<BR></FONT></TD></TR></TBODY></TABLE><A href="http://www.bandaigames.channel.or.jp/list/hagane/" target=index><B>ƒoƒ“ƒ_ƒC<BR>ƒQ[ƒ€|‚Ì˜B‹àpŽtƒTƒCƒg</B></A><BR></TD>
<TD background=image/nwa05.gif>@</TD></TR>
<TR>
<TR>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa06.gif" width=20></TD>
<TD background=image/nwa072.gif>@</TD>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa08.gif" width=20></TD></TR></TBODY></TABLE>
<TABLE cellSpacing=0 cellPadding=0 width=330 border=0>
<TBODY>
<TR>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa01.gif" width=20></TD>
<TD background=image/nwa022.gif>@</TD>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa03.gif" width=20></TD></TR>
<TR>
<TD background=image/nwa04.gif>@</TD>
<TD vAlign=top align=middle width=300><B>ƒvƒŒƒCƒXƒe[ƒVƒ‡ƒ“2ê—pƒ\ƒtƒg<BR>u|‚Ì˜B‹àpŽt@ƒhƒŠ[ƒ€ƒJ[ƒjƒoƒ‹v</B><BR><BR>
<TABLE cellSpacing=0 cellPadding=5 border=0>
<TBODY>
<TR>
<TD><IMG height=200 alt=|‚Ì˜B‹àpŽt@ƒhƒŠ[ƒ€ƒJ[ƒjƒoƒ‹ src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/haganeps22.jpg" width=140 border=1></TD>
<TD><FONT size=2>”&shy;”„“úF2004”N8ŒŽ26“ú D•]”&shy;”„’†!<BR><BR>‰¿ŠiF7,140‰~(Å”²‰¿Ši 6,800‰~)<BR><BR>”&shy;”„Œ³Fƒoƒ“ƒ_ƒC<BR><BR>ƒWƒƒƒ“ƒ‹Fƒ^ƒbƒO‘ÎíƒAƒNƒVƒ‡ƒ“<BR><BR>ƒvƒŒƒCl”F1`4l<BR><BR>¦PS2ê—pƒ}ƒ‹ƒ`ƒ^ƒbƒv‘Î‰ž<BR></FONT></TD></TR></TBODY></TABLE><BR><A href="http://www.bandaigames.channel.or.jp/list/hagane/" target=index><B>ƒoƒ“ƒ_ƒC<BR>ƒQ[ƒ€|‚Ì˜B‹àpŽtƒTƒCƒg</B></A><BR></TD>
<TD background=image/nwa05.gif>@</TD></TR>
<TR>
<TR>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa06.gif" width=20></TD>
<TD background=image/nwa072.gif>@</TD>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa08.gif" width=20></TD></TR></TBODY></TABLE>
<TABLE cellSpacing=0 cellPadding=0 width=330 border=0>
<TBODY>
<TR>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa01.gif" width=20></TD>
<TD background=image/nwa022.gif>@</TD>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa03.gif" width=20></TD></TR>
<TR>
<TD background=image/nwa04.gif>@</TD>
<TD vAlign=top align=middle width=300><B>ƒQ[ƒ€ƒ{[ƒCƒAƒhƒoƒ“ƒXê—pƒ\ƒtƒg<BR>w|‚Ì˜B‹àpŽt@‘z‚¢o‚Ì‘t–Â‹È(ƒ\ƒiƒ^)x</B><BR><BR><IMG height=157 alt=|‚Ì˜B‹àpŽt@‘z‚¢o‚Ì‘t–Â‹È(ƒ\ƒiƒ^) src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/hagane2GBA.jpg" width=250 border=1><BR>
<TABLE cellSpacing=5 cellPadding=0 width=250 border=0>
<TBODY>
<TR>
<TD vAlign=top><FONT size=2>”&shy;”„“úF2004”N7ŒŽ22“ú D•]”&shy;”„’†!<BR>‰¿ŠiF5,040‰~(Å”² 4,800‰~)<BR>”&shy;”„Œ³Fƒoƒ“ƒ_ƒC<BR>ƒWƒƒƒ“ƒ‹FRPG<BR>ƒvƒŒƒCl”F1`2l@<FONT size=1>¦ƒQ[ƒ€ƒ{[ƒCƒAƒhƒoƒ“ƒXê—p’ÊMƒP[ƒuƒ‹‘Î‰ž</FONT><BR><BR>
<TABLE cellSpacing=5 cellPadding=5 border=0>
<TBODY>
<TR>
<TD vAlign=top align=middle width=120 bgColor=#333333><FONT color=#ffff00 size=3><B>—\–ñw“üŽÒ“Á“T</B></FONT><BR><IMG height=100 alt=‹âŽžŒv‰t»ƒNƒŠ[ƒi[•t‚«Œg‘ÑƒXƒgƒ‰ƒbƒv src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/hagastrap.jpg" width=80><BR><FONT size=2>‹âŽžŒv‰t»ƒNƒŠ[ƒi[•t‚«Œg‘ÑƒXƒgƒ‰ƒbƒv</FONT><BR></TD>
<TD vAlign=top align=middle width=120 bgColor=#333333><FONT color=#ffff00 size=3><B>‰‰ñw“üŽÒ“Á“T</B></FONT><BR><IMG height=100 alt=GBAƒXƒyƒVƒƒƒ‹ƒJ[ƒhƒ_ƒX src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/tokutencard.jpg" width=70><BR><FONT size=2>GBAƒXƒyƒVƒƒƒ‹ƒJ[ƒhƒ_ƒX</FONT><BR></TD></TR></TBODY></TABLE>
<DIV align=center><FONT size=1>¦”‚ÉŒÀ‚è‚ª‚&nbsp;‚è‚Ü‚·‚Ì‚ÅA‚²’ˆÓ‚&shy;‚¾‚³‚¢B</FONT></DIV><BR></FONT></TD></TR></TBODY></TABLE><A href="http://www.bandaigames.channel.or.jp/list/hagane/" target=index><B>ƒoƒ“ƒ_ƒC<BR>ƒQ[ƒ€|‚Ì˜B‹àpŽtƒTƒCƒg</B></A><BR></TD>
<TD background=image/nwa05.gif>@</TD></TR>
<TR>
<TR>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa06.gif" width=20></TD>
<TD background=image/nwa072.gif>@</TD>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa08.gif" width=20></TD></TR></TBODY></TABLE>
<TABLE cellSpacing=0 cellPadding=0 width=330 border=0>
<TBODY>
<TR>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa01.gif" width=20></TD>
<TD background=image/nwa022.gif>@</TD>
<TD vAlign=top><IMG height=20 src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/nwa03.gif" width=20></TD></TR>
<TR>
<TD background=image/nwa04.gif>@</TD>
<TD vAlign=top align=middle width=300><B>ƒQ[ƒ€ƒ{[ƒCƒAƒhƒoƒ“ƒXê—pƒ\ƒtƒg<BR>w|‚Ì˜B‹àpŽt@–À‘–‚Ì—Ö•‘‹È(ƒƒ“ƒh)x</B><BR><BR><IMG height=157 alt=|‚Ì˜B‹àpŽt@–À‘–‚Ì—Ö•‘‹È(ƒƒ“ƒh) src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/haganeGBA.jpg" width=250 border=1><BR>
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<TD vAlign=top><FONT size=2>”&shy;”„“úF2004”N3ŒŽ26“ú D•]”&shy;”„’†!<BR>‰¿ŠiF5,040‰~(Å”²‰¿Ši 4,800‰~)<BR>”&shy;”„Fƒoƒ“ƒ_ƒC<BR>ƒWƒƒƒ“ƒ‹FRPG<BR>ƒvƒŒƒCl”F1`2l@<FONT size=1>¦ƒQ[ƒ€ƒ{[ƒCƒAƒhƒoƒ“ƒXê—p’ÊMƒP[ƒuƒ‹‘Î‰ž</FONT><BR><BR><BR><IMG height=100 alt=GBAƒXƒyƒVƒƒƒ‹ƒJ[ƒhƒ_ƒX src="http://www.sonymusic.co.jp/Animation/hagaren/game/image/GBAcard.jpg" width=71 align=left> <FONT color=#ffff00 size=3><B>‰‰ñ“Á“T</B></FONT><BR><BR>yGBAƒXƒyƒVƒƒƒ‹ƒJ[ƒhƒ_ƒXz•t‚«!<BR><BR><FONT size=1>¦”‚ÉŒÀ‚è‚ª‚&nbsp;‚è‚Ü‚·‚Ì‚ÅA<BR>@‚²’ˆÓ‚&shy;‚¾‚³‚¢B</FONT></FONT></TD></TR></TBODY></TABLE><BR><A href="http://www.bandaigames.channel.or.jp/list/hagane/" target=index><B>ƒoƒ“ƒ_ƒC<BR>ƒQ[ƒ€|‚Ì˜B‹àpŽtƒTƒCƒg</B></A><BR></TD>
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		<wfw:commentRSS>http://mcquire.bloghi.com/2006/04/18/alchemist.html#comments</wfw:commentRSS>
	</item>
	<item>
		<title>Our Lives</title>
		<link>http://mcquire.bloghi.com/2006/04/06/our-lives.html</link>
		<comments>http://mcquire.bloghi.com/2006/04/06/our-lives.html#comments</comments>
		<pubDate>Thu, 06 Apr 2006 21:20:51 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/04/06/our-lives.html</guid>
		<description> Our Lives
The Calling
Verse 1A&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; F#mIs it love tonight&amp;nbsp;&amp;nbsp;...</description>
		<content:encoded><![CDATA[<P align=left><STRONG><FONT size=4>Our Lives</FONT></STRONG></P>
<P align=left><FONT size=3><STRONG>The Calling</STRONG></FONT></P>
<P align=left><STRONG><FONT size=2>Verse 1<BR><BR></FONT></STRONG><A class=ch onmousemove='showAcc("A",event)' id=ch1 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>A</FONT></STRONG></A><STRONG><FONT size=2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("F#m",event)' id=ch22 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>F#m</FONT></STRONG></A><BR><STRONG><FONT size=2>Is it love tonight&nbsp;&nbsp; <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("D",event)' id=ch34 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>D</FONT></STRONG></A><BR><STRONG><FONT size=2>When everyone's dreaming<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("E",event)' id=ch54 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>E</FONT></STRONG></A><BR><STRONG><FONT size=2>Of a better life<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("A",event)' id=ch2 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>A</FONT></STRONG></A><BR><STRONG><FONT size=2>In this world<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("F#m",event)' id=ch23 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>F#m</FONT></STRONG></A><BR><STRONG><FONT size=2>Divided by fear<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("D",event)' id=ch35 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>D</FONT></STRONG></A><BR><STRONG><FONT size=2>We've gotta believe that<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("E",event)' id=ch55 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>E</FONT></STRONG></A><STRONG><FONT size=2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("D",event)' id=ch36 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>D</FONT></STRONG></A><STRONG><FONT size=2> </FONT></STRONG><A class=ch onmousemove='showAcc("Dsus2",event)' id=ch67 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>Dsus2</FONT></STRONG></A><STRONG><FONT size=2> </FONT></STRONG><A class=ch onmousemove='showAcc("D",event)' id=ch37 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>D</FONT></STRONG></A><STRONG><FONT size=2> </FONT></STRONG><A class=ch onmousemove='showAcc("Dsus2",event)' id=ch68 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>Dsus2</FONT></STRONG></A><STRONG><FONT size=2> </FONT></STRONG><A class=ch onmousemove='showAcc("D",event)' id=ch38 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>D</FONT></STRONG></A><STRONG><FONT size=2> </FONT></STRONG><A class=ch onmousemove='showAcc("Dsus2",event)' id=ch69 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>Dsus2</FONT></STRONG></A><STRONG><FONT size=2> </FONT></STRONG><A class=ch onmousemove='showAcc("D",event)' id=ch39 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>D</FONT></STRONG></A><STRONG><FONT size=2> </FONT></STRONG><A class=ch onmousemove='showAcc("Dsus2",event)' id=ch70 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>Dsus2</FONT></STRONG></A><BR><STRONG><FONT size=2>There's a reason we're here There's a reason we're here<BR><BR><BR>Chorus<BR><BR></FONT></STRONG><A class=ch onmousemove='showAcc("A",event)' id=ch3 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>A</FONT></STRONG></A><BR><STRONG><FONT size=2>'Cause these are the days worth livin'<BR></FONT></STRONG><A class=ch onmousemove='showAcc("F#m",event)' id=ch24 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>F#m</FONT></STRONG></A><BR><STRONG><FONT size=2>These are the years we're given<BR></FONT></STRONG><A class=ch onmousemove='showAcc("Dsus2",event)' id=ch71 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>Dsus2</FONT></STRONG></A><STRONG><FONT size=2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("D",event)' id=ch40 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>D</FONT></STRONG></A><BR><STRONG><FONT size=2>And these are the moments<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("A",event)' id=ch4 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>A</FONT></STRONG></A><BR><STRONG><FONT size=2>These are the times<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("E",event)' id=ch56 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>E</FONT></STRONG></A><BR><STRONG><FONT size=2>Let's make the best out of our lives<BR><BR><BR>Verse 2<BR><BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("A",event)' id=ch5 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>A</FONT></STRONG></A><STRONG><FONT size=2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("F#m",event)' id=ch25 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>F#m</FONT></STRONG></A><BR><STRONG><FONT size=2>See the truth all around<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("D",event)' id=ch41 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>D</FONT></STRONG></A><BR><STRONG><FONT size=2>Our faith can be broken<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("E",event)' id=ch57 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>E</FONT></STRONG></A><BR><STRONG><FONT size=2>And our hands can be bound<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("A",event)' id=ch6 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>A</FONT></STRONG></A><STRONG><FONT size=2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("F#m",event)' id=ch26 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>F#m</FONT></STRONG></A><BR><STRONG><FONT size=2>But open our hearts and fill up the emptyness<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("D",event)' id=ch42 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>D</FONT></STRONG></A><BR><STRONG><FONT size=2>With nothing to stop us<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("E",event)' id=ch58 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>E</FONT></STRONG></A><STRONG><FONT size=2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("D",event)' id=ch43 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>D</FONT></STRONG></A><STRONG><FONT size=2> </FONT></STRONG><A class=ch onmousemove='showAcc("Dsus2",event)' id=ch72 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>Dsus2</FONT></STRONG></A><STRONG><FONT size=2> </FONT></STRONG><A class=ch onmousemove='showAcc("D",event)' id=ch44 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>D</FONT></STRONG></A><STRONG><FONT size=2> </FONT></STRONG><A class=ch onmousemove='showAcc("Dsus2",event)' id=ch73 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>Dsus2</FONT></STRONG></A><STRONG><FONT size=2> </FONT></STRONG><A class=ch onmousemove='showAcc("D",event)' id=ch45 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>D</FONT></STRONG></A><STRONG><FONT size=2> </FONT></STRONG><A class=ch onmousemove='showAcc("Dsus2",event)' id=ch74 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>Dsus2</FONT></STRONG></A><STRONG><FONT size=2> </FONT></STRONG><A class=ch onmousemove='showAcc("D",event)' id=ch46 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>D</FONT></STRONG></A><STRONG><FONT size=2> </FONT></STRONG><A class=ch onmousemove='showAcc("Dsus2",event)' id=ch75 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>Dsus2</FONT></STRONG></A><BR><STRONG><FONT size=2>Is it not worth the risk? Is it not worth the risk?<BR><BR>Chorus<BR><BR></FONT></STRONG><A class=ch onmousemove='showAcc("A",event)' id=ch7 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>A</FONT></STRONG></A><BR><STRONG><FONT size=2>'Cause these are the days worth livin'<BR></FONT></STRONG><A class=ch onmousemove='showAcc("F#m",event)' id=ch27 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>F#m</FONT></STRONG></A><BR><STRONG><FONT size=2>These are the years we're given<BR></FONT></STRONG><A class=ch onmousemove='showAcc("Dsus2",event)' id=ch76 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>Dsus2</FONT></STRONG></A><STRONG><FONT size=2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("D",event)' id=ch47 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>D</FONT></STRONG></A><BR><STRONG><FONT size=2>And these are the moments<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("A",event)' id=ch8 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>A</FONT></STRONG></A><BR><STRONG><FONT size=2>These are the times<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("E",event)' id=ch59 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>E</FONT></STRONG></A><BR><STRONG><FONT size=2>Let's make the best out of our lives<BR></FONT></STRONG><A class=ch onmousemove='showAcc("A",event)' id=ch9 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>A</FONT></STRONG></A><BR><STRONG><FONT size=2>Even if hope was shattered<BR></FONT></STRONG><A class=ch onmousemove='showAcc("F#m",event)' id=ch28 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>F#m</FONT></STRONG></A><BR><STRONG><FONT size=2>I know it wouldn't matter<BR></FONT></STRONG><A class=ch onmousemove='showAcc("Dsus2",event)' id=ch77 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>Dsus2</FONT></STRONG></A><STRONG><FONT size=2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("D",event)' id=ch48 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>D</FONT></STRONG></A><BR><STRONG><FONT size=2>'Cause these are the moments<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("A",event)' id=ch10 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>A</FONT></STRONG></A><BR><STRONG><FONT size=2>These are the times<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("E",event)' id=ch60 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>E</FONT></STRONG></A><BR><STRONG><FONT size=2>Let's make the best out of our lives<BR><BR>Bridge<BR><BR></FONT></STRONG><A class=ch onmousemove='showAcc("A",event)' id=ch11 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>A</FONT></STRONG></A><STRONG><FONT size=2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("E",event)' id=ch61 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>E</FONT></STRONG></A><BR><STRONG><FONT size=2>We can't go on<BR><BR>Thinking it's wrong<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("A",event)' id=ch12 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>A</FONT></STRONG></A><BR><STRONG><FONT size=2>To speak our minds<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("E",event)' id=ch62 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>E</FONT></STRONG></A><BR><STRONG><FONT size=2>I've gotta let out what's inside<BR><BR><BR>Verse 3<BR><BR></FONT></STRONG><A class=ch onmousemove='showAcc("A",event)' id=ch13 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>A</FONT></STRONG></A><STRONG><FONT size=2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("F#m",event)' id=ch29 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>F#m</FONT></STRONG></A><BR><STRONG><FONT size=2>Is it love tonight&nbsp;&nbsp; <BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("D",event)' id=ch49 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>D</FONT></STRONG></A><BR><STRONG><FONT size=2>When everyone's dreaming<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("E",event)' id=ch63 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>E</FONT></STRONG></A><BR><STRONG><FONT size=2>Can we get it right? Can we get it right?<BR><BR>Chorus<BR><BR></FONT></STRONG><A class=ch onmousemove='showAcc("A",event)' id=ch14 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>A</FONT></STRONG></A><BR><STRONG><FONT size=2>'Cause these are the days worth livin'<BR></FONT></STRONG><A class=ch onmousemove='showAcc("F#m",event)' id=ch30 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>F#m</FONT></STRONG></A><BR><STRONG><FONT size=2>These are the years we're given<BR></FONT></STRONG><A class=ch onmousemove='showAcc("Dsus2",event)' id=ch78 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>Dsus2</FONT></STRONG></A><STRONG><FONT size=2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("D",event)' id=ch50 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>D</FONT></STRONG></A><BR><STRONG><FONT size=2>And these are the moments<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("A",event)' id=ch15 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>A</FONT></STRONG></A><BR><STRONG><FONT size=2>These are the times<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("E",event)' id=ch64 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>E</FONT></STRONG></A><BR><STRONG><FONT size=2>Let's make the best out of our lives<BR></FONT></STRONG><A class=ch onmousemove='showAcc("A",event)' id=ch16 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>A</FONT></STRONG></A><BR><STRONG><FONT size=2>Even if hope was shattered<BR></FONT></STRONG><A class=ch onmousemove='showAcc("F#m",event)' id=ch31 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>F#m</FONT></STRONG></A><BR><STRONG><FONT size=2>I know it wouldn't matter<BR></FONT></STRONG><A class=ch onmousemove='showAcc("Dsus2",event)' id=ch79 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>Dsus2</FONT></STRONG></A><STRONG><FONT size=2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("D",event)' id=ch51 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>D</FONT></STRONG></A><BR><STRONG><FONT size=2>'Cause these are the moments<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("A",event)' id=ch17 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>A</FONT></STRONG></A><BR><STRONG><FONT size=2>These are the times<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("E",event)' id=ch65 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>E</FONT></STRONG></A><BR><STRONG><FONT size=2>Let's make the best out of our lives<BR></FONT></STRONG><A class=ch onmousemove='showAcc("A",event)' id=ch18 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>A</FONT></STRONG></A><STRONG><FONT size=2>&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("F#m",event)' id=ch32 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>F#m</FONT></STRONG></A><STRONG><FONT size=2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("D",event)' id=ch52 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>D</FONT></STRONG></A><STRONG><FONT size=2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("A",event)' id=ch19 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>A</FONT></STRONG></A><BR><STRONG><FONT size=2>Yeah&nbsp;&nbsp; oh yeah lets make the best out of our lives<BR></FONT></STRONG><A class=ch onmousemove='showAcc("A",event)' id=ch20 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>A</FONT></STRONG></A><STRONG><FONT size=2>&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("F#m",event)' id=ch33 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>F#m</FONT></STRONG></A><STRONG><FONT size=2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("D",event)' id=ch53 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>D</FONT></STRONG></A><STRONG><FONT size=2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("A",event)' id=ch21 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>A</FONT></STRONG></A><STRONG><FONT size=2>&nbsp; </FONT></STRONG><A class=ch onmousemove='showAcc("E",event)' id=ch66 onclick="return false" onmouseout="tc('tip') " href=""><STRONG><FONT size=2>E</FONT></STRONG></A><BR><STRONG><FONT size=2>Yeah&nbsp;&nbsp; oh yeah lets make the best out of our lives<BR></P></FONT></STRONG>]]></content:encoded>
		<wfw:commentRSS>http://mcquire.bloghi.com/2006/04/06/our-lives.html#comments</wfw:commentRSS>
	</item>
	<item>
		<title>Abstract paint</title>
		<link>http://mcquire.bloghi.com/2006/03/24/abstract-paint.html</link>
		<comments>http://mcquire.bloghi.com/2006/03/24/abstract-paint.html#comments</comments>
		<pubDate>Fri, 24 Mar 2006 00:32:04 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/03/24/abstract-paint.html</guid>
		<description> http://www.dafoto.net/slideshow.php?set_albumName=abstract                                                                                                                                                                                                </description>
		<content:encoded><![CDATA[<A href="http://www.dafoto.net/slideshow.php?set_albumName=abstract">http://www.dafoto.net/slideshow.php?set_albumName=abstract</A> ]]></content:encoded>
		<wfw:commentRSS>http://mcquire.bloghi.com/2006/03/24/abstract-paint.html#comments</wfw:commentRSS>
	</item>
	<item>
		<title>Memento mori : Remember the dead</title>
		<link>http://mcquire.bloghi.com/2006/03/23/memento-mori-remember-the-dead.html</link>
		<comments>http://mcquire.bloghi.com/2006/03/23/memento-mori-remember-the-dead.html#comments</comments>
		<pubDate>Thu, 23 Mar 2006 23:39:59 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/03/23/memento-mori-remember-the-dead.html</guid>
		<description>  
The Temple

The temple of my own visions... of my own fears...
&amp;nbsp;
Click on the thumbnails to enlarge them!
 Thanatos... have you ever seen the Death?
 Memento
 In hoc signo vinces....you'll winou'll win!
 Dante.....A travel in the...</description>
		<content:encoded><![CDATA[<P><IMG style="WIDTH: 685px; HEIGHT: 500px" height=500 alt="Memento Mori" src="http://www.carbonhaze.net/img/art/mori.jpg" width=500 border=0> </P>
<H1 align=center><FONT face="Tempus Sans ITC" color=#008080>The Temple</FONT></H1>
<P align=center><FONT face="Tempus Sans ITC" color=#008000>
<MARQUEE>The temple of my own visions... of my own fears...</MARQUEE></FONT></P>
<P align=left>&nbsp;</P>
<P align=left><FONT face="Tempus Sans ITC" color=#008080><B>Click on the thumbnails to enlarge them!</B></FONT></P>
<P align=left><A href="http://www.geocities.com/Tokyo/Subway/4794/Thanatos.jpg" target=_blank><IMG height=141 alt="Thanatos.jpg (58606 byte)" src="http://www.geocities.com/Tokyo/Subway/4794/Thanatos_small.jpg" width=100 border=0></A> <FONT face="Tempus Sans ITC"><FONT color=#008080>Thanatos</FONT><FONT color=#ffffff>... have you ever seen the Death?</FONT></FONT></P>
<P align=left><A href="http://www.geocities.com/Tokyo/Subway/4794/Memento_mori.jpg" target=_blank><IMG height=141 alt="Memento_mori.jpg (89421 byte)" src="http://www.geocities.com/Tokyo/Subway/4794/Memento_mori_small.jpg" width=100 border=0></A> <FONT face="Tempus Sans ITC"><FONT color=#008080>Memento</FONT></FONT></P>
<P align=left><A href="http://www.geocities.com/Tokyo/Subway/4794/Inhocsigno.jpg" target=_blank><IMG height=141 alt="Inhocsigno.jpg (43430 byte)" src="http://www.geocities.com/Tokyo/Subway/4794/Inhocsigno_small.jpg" width=100 border=0></A> <FONT face="Tempus Sans ITC"><FONT color=#008080>In hoc signo vinces....you'll win</FONT><FONT color=#ffffff>ou'll win!</FONT></FONT></P>
<P align=left><A href="http://www.geocities.com/Tokyo/Subway/4794/Dante.jpg" target=_blank><IMG height=141 alt="Dante.jpg (45859 byte)" src="http://www.geocities.com/Tokyo/Subway/4794/Dante_small.jpg" width=100 border=0></A> <FONT face="Tempus Sans ITC"><FONT color=#008080>Dante.....A travel in the afterworld.....</FONT></FONT></P>
<P align=left><A href="http://www.geocities.com/Tokyo/Subway/4794/Gargoyle.jpg" target=_blank><IMG height=141 alt="Gargoyle.jpg (109647 byte)" src="http://www.geocities.com/Tokyo/Subway/4794/Gargoyle_small.jpg" width=100 border=0></A> A guardian <FONT face="Tempus Sans ITC"><FONT face="Tempus Sans ITC" color=#008080>Gargoyle </FONT>protects this Shrine</FONT></P>
<P align=left>&nbsp;</P>
<P class=bf align=center><IMG height=24 src="http://www.prozac.pe.kr/xfiles/image/ptitle_3.gif" width=139 border=0> &nbsp;</P>
<P class=bf align=center><B>&nbsp;Go To : [</B><A href="http://www.prozac.pe.kr/xfiles/pds/theme.htm"><B>Å×¸¶</B></A><B>] [</B><A href="http://www.prozac.pe.kr/xfiles/pds/wall_n.htm"><B>¹ÙÅÁÈ&shy;¸é1</B></A><B>/</B><A href="http://www.prozac.pe.kr/xfiles/pds/wall_1.htm"><B>2/</B></A><A href="http://www.prozac.pe.kr/xfiles/pds/wall_2.htm"><B>3</B></A><B>] [</B><A href="http://www.prozac.pe.kr/xfiles/pds/icon.htm"><B>¾ÆÀÌÄÜ/ÆùÆ®</B></A><B>] [</B><A href="http://www.prozac.pe.kr/xfiles/pds/skin.htm"><B>À©¿¥ÇÁ½ºÅ²</B></A><B>]</B> 
<DIV align=center>
<TABLE borderColor=navy cellSpacing=0 borderColorDark=navy width="95%" borderColorLight=navy border=1>
<TBODY>
<TR>
<TD width=459>
<P class=bf><IMG height=150 src="http://www.prozac.pe.kr/xfiles/image/pdsimg/wall/p_full_circle.jpg" width=200 align=left border=1>"Full Circle" by <A href="http://marina.without.nu/deuce/" target=_blank><B>Marina from Florida</B></A><BR><A href="http://www.thexfiles.com/features/scrapbook/scrapbook3.htm" target=_blank>From OS Scrapbook</A><BR><A href="http://www.prozac.pe.kr/xfiles/pds/files/full_circle_800.jpg">[800X600]</A><A href="http://www.prozac.pe.kr/xfiles/pds/files/full_circle_1024.jpg">[1024X768]</A></P></TD>
<TD width=459>
<P class=bf><IMG height=150 src="http://www.prozac.pe.kr/xfiles/image/pdsimg/wall/p_oswallpaper.jpg" width=200 align=left border=1>"The Truth is Out There" <BR>by <A href="http://kim.fredfarm.com/" target=_blank><B>Kim from Canada</B></A><BR><A href="http://www.thexfiles.com/features/scrapbook/scrapbook3.htm" target=_blank>From OS Scrapbook</A><BR><A href="http://www.prozac.pe.kr/xfiles/pds/files/oswallpaper_800.jpg">[800X600]</A><A href="http://www.prozac.pe.kr/xfiles/pds/files/oswallpaper_1024.jpg">[1024X768]</A></P></TD></TR>
<TR>
<TD width=459>
<P class=bf><IMG height=150 src="http://www.prozac.pe.kr/xfiles/image/pdsimg/wall/p_quests.jpg" width=200 align=left border=1>"Evolving Quests" by <A href="http://www.idealistshaven.com/" target=_blank><B>Amy from Virginia</B></A><BR><A href="http://www.thexfiles.com/features/scrapbook/scrapbook3.htm" target=_blank>From OS Scrapbook</A><BR><A href="http://www.prozac.pe.kr/xfiles/pds/files/quests_800.jpg">[800X600]</A><A href="http://www.prozac.pe.kr/xfiles/pds/files/quests_1024.jpg">[1024X768]</A></P></TD>
<TD width=459>
<P class=bf><IMG height=150 src="http://www.prozac.pe.kr/xfiles/image/pdsimg/wall/p_mementomori.jpg" width=200 align=left border=1>"Memento Mori" by <A href="http://veredgf.fredfarm.com/" target=_blank><B>Vered from Israel</B></A><BR><A href="http://www.thexfiles.com/features/scrapbook/scrapbook3.htm" target=_blank>From OS Scrapbook</A><BR><A href="http://www.prozac.pe.kr/xfiles/pds/files/mementomori_800.jpg">[800X600]</A><A href="http://www.prozac.pe.kr/xfiles/pds/files/mementomori_1024.jpg">[1024X768]</A></P></TD></TR>
<TR>
<TD width=459>
<P class=bf><IMG height=150 src="http://www.prozac.pe.kr/xfiles/image/pdsimg/wall/p_doggett.jpg" width=200 align=left border=1>"untitled Doggett" by <A href="http://linzee.philedom2k.com/" target=_blank><B>Linzee from USA</B></A><BR><A href="http://www.thexfiles.com/features/scrapbook/scrapbook3.htm" target=_blank>From OS Scrapbook</A><BR><A href="http://www.prozac.pe.kr/xfiles/pds/files/doggett_wallpaper_800.jpg">[800X600]</A><A href="http://www.prozac.pe.kr/xfiles/pds/files/doggett_wallpaper_1024.jpg">[1024X768]</A></P></TD>
<TD width=459>
<P class=bf><IMG height=150 src="http://www.prozac.pe.kr/xfiles/image/pdsimg/wall/p_annabeth2c.jpg" width=200 align=left border=1>"Reyes in Retrospect" by <A href="http://www.deslea.com/" target=_blank><B>Deslea from Australia</B></A><BR><A href="http://www.thexfiles.com/features/scrapbook/scarapbook3.htm" target=_blank>From OS Scrapbook</A><BR><A href="http://www.prozac.pe.kr/xfiles/pds/files/annabeth2c_800.jpg">[800X600]</A> <A href="http://www.prozac.pe.kr/xfiles/pds/files/annabeth2c_1024.jpg">[1024X768]</A></P></TD></TR>
<TR>
<TD width=459>
<P class=bf><IMG height=150 src="http://www.prozac.pe.kr/xfiles/image/pdsimg/wall/p_krycekopportunist.jpg" width=200 align=left border=1>"Justify the Means" by <A href="http://touchstone.fredfarm.com/updates.html" target=_blank><B>Val from New Hampshire</B></A><BR><A href="http://www.thexfiles.com/features/scrapbook/scrapbook3.htm" target=_blank>From OS Scrapbook</A><BR><A href="http://www.prozac.pe.kr/xfiles/pds/files/krycekopportunist_800.jpg">[800X600]</A><A href="http://www.prozac.pe.kr/xfiles/pds/files/krycekopportunist_1024.jpg">[1024X768]</A></P></TD>
<TD width=459>
<P class=bf><IMG height=150 src="http://www.prozac.pe.kr/xfiles/image/pdsimg/wall/p_abduction.jpg" width=200 align=left border=1>"Apart" by <A href="http://tere.fredfarm.com/" target=_blank><B>Tere from Italy</B></A><BR><A href="http://www.thexfiles.com/features/scrapbook/scrapbook3.htm" target=_blank>From OS Scrapbook</A><BR><A href="http://www.prozac.pe.kr/xfiles/pds/files/abduction_800.jpg">[800X600]</A><A href="http://www.prozac.pe.kr/xfiles/pds/files/abduction_1024.jpg">[1024X768]</A></P></TD></TR>
<TR>
<TD width=459>
<P class=bf><IMG height=150 src="http://www.prozac.pe.kr/xfiles/image/pdsimg/wall/p_lookingup_black.jpg" width=200 align=left border=1>"Looking up" by <A href="http://damnapple.fredfarm.com/" target=_blank><B>Rose from Maryland</B></A><BR><A href="http://www.thexfiles.com/features/scrapbook/scrapbook3.htm" target=_blank>From OS Scrapbook</A><BR><A href="http://www.prozac.pe.kr/xfiles/pds/files/lookingup_black_800.jpg">[800X600]</A><A href="http://www.prozac.pe.kr/xfiles/pds/files/lookingup_black_1024.jpg">[1024X768]</A></P></TD>
<TD width=459>
<P class=bf><IMG height=150 src="http://www.prozac.pe.kr/xfiles/image/pdsimg/wall/p_impetus.jpg" width=200 align=left border=1>"Impetus Veritatis" by <A href="http://surefinewhatever.net/fan_art/" target=_blank><B>Mels from France</B></A><BR><A href="http://www.thexfiles.com/features/scrapbook/scrapbook3.htm" target=_blank>From OS Scrapbook</A><BR><A href="http://www.prozac.pe.kr/xfiles/pds/files/impetus_800.jpg">[800X600]</A><A href="http://www.prozac.pe.kr/xfiles/pds/files/impetus_1024.jpg">[1024X768]</A></P></TD></TR>
<TR>
<TD width=459>
<P class=bf><IMG height=150 src="http://www.prozac.pe.kr/xfiles/image/pdsimg/wall/p_conspire.jpg" width=200 align=left border=1>"Gunmen Conspire" by <A href="http://www.geocities.com/lgmkungfooart/" target=_blank><B>Tre</B></A><BR><A href="http://www.thexfiles.com/features/scrapbook/scrapbook3.htm" target=_blank>From OS Scrapbook</A><BR><A href="http://www.prozac.pe.kr/xfiles/pds/files/conspire_800.jpg">[800X600]</A><A href="http://www.prozac.pe.kr/xfiles/pds/files/conspire_1024.jpg">[1024X768]</A></P></TD>
<TD width=459>
<P class=bf><IMG height=150 src="http://www.prozac.pe.kr/xfiles/image/pdsimg/wall/p_dance.jpg" width=200 align=left border=1>"The Dance We Shared" by <A href="http://www.llano.net/%7Eexduck/x.htm" target=_blank><B>Erin from Texas</B></A><BR><A href="http://www.thexfiles.com/features/scrapbook/scrapbook3.htm" target=_blank>From OS Scrapbook</A><BR><A href="http://www.prozac.pe.kr/xfiles/pds/files/dance_800.jpg">[800X600]</A><A href="http://www.prozac.pe.kr/xfiles/pds/files/dance_1024.jpg">[1024X768]</A></P></TD></TR>
<TR>
<TD width=459>
<P class=bf><IMG height=150 src="http://www.prozac.pe.kr/xfiles/image/pdsimg/wall/p_tributetoscully_800.jpg" width=200 align=left border=1>"Tribute to Scully" by <A href="http://www.geocities.com/ririn1013" target=_blank><B>Ririn from Indonesia</B></A><BR><A href="http://www.thexfiles.com/features/scrapbook/scrapbook3.htm" target=_blank>From OS Scrapbook</A><BR><A href="http://www.prozac.pe.kr/xfiles/pds/files/tributetoscully_800.jpg">[800X600]</A><A href="http://www.prozac.pe.kr/xfiles/pds/files/tributetoscully_1024.jpg">[1024X768]</A></P></TD>
<TD width=459>
<P class=bf><IMG height=150 src="http://www.prozac.pe.kr/xfiles/image/pdsimg/wall/p_xfile_800.jpg" width=200 align=left border=1>"Our File" by <A href="http://fredfarm.com/%7Eforty-two/" target=_blank><B>Shannon from Southeast, USA</B></A><BR><A href="http://www.thexfiles.com/features/scrapbook/scrapbook3.htm" target=_blank>From OS Scrapbook</A><BR><A href="http://www.prozac.pe.kr/xfiles/pds/files/xfile_800.jpg">[800X600]</A><A href="http://www.prozac.pe.kr/xfiles/pds/files/xfile_1024.jpg">[1024X768]</A></P></TD></TR></TBODY></TABLE></DIV>
<P align=center><A href="http://www.prozac.pe.kr/xfiles/pds/wall_1.htm"><FONT size=3><B>NEXT &gt;&gt;</B></FONT></A></P>]]></content:encoded>
		<wfw:commentRSS>http://mcquire.bloghi.com/2006/03/23/memento-mori-remember-the-dead.html#comments</wfw:commentRSS>
	</item>
	<item>
		<title>Final Destination</title>
		<link>http://mcquire.bloghi.com/2006/03/23/final-destination.html</link>
		<comments>http://mcquire.bloghi.com/2006/03/23/final-destination.html#comments</comments>
		<pubDate>Thu, 23 Mar 2006 23:35:49 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/03/23/final-destination.html</guid>
		<description> 
                                                                                                                                                                                                                                                        </description>
		<content:encoded><![CDATA[<CENTER><IMG id=Bild1 height=768 alt="The Final Destination-Düstere Legenden 2/Wallpaper " src="http://www.blacksign.de/assets/images/k_TFD-Wallpaper_002.jpg" width=1024 border=0></CENTER>
<CENTER><IMG id=Bild1 height=768 alt="The Final Destination-The Final/Wallpaper " src="http://www.blacksign.de/assets/images/k_TFD-Wallpaper_5.jpg" width=1024 border=0></CENTER>]]></content:encoded>
		<wfw:commentRSS>http://mcquire.bloghi.com/2006/03/23/final-destination.html#comments</wfw:commentRSS>
	</item>
	<item>
		<title>Five for fighting</title>
		<link>http://mcquire.bloghi.com/2006/03/21/five-for-fighting.html</link>
		<comments>http://mcquire.bloghi.com/2006/03/21/five-for-fighting.html#comments</comments>
		<pubDate>Tue, 21 Mar 2006 04:18:42 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/03/21/five-for-fighting.html</guid>
		<description> 100 years
Five for fighting
Intro:
G&amp;nbsp; C&amp;nbsp; Am&amp;nbsp; D
G&amp;nbsp; Em&amp;nbsp; C&amp;nbsp; D
&amp;nbsp;
G&amp;nbsp;&amp;nbsp;&amp;nbsp; C
I'm 15 for a moment
Am&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; D
Caught in between 10 and...</description>
		<content:encoded><![CDATA[<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><SPAN style="FONT-SIZE: 14pt">100 years<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p></o:p></SPAN></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><SPAN style="FONT-SIZE: 14pt">Five for fighting<o:p></o:p></SPAN></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Intro:<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>C<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>Am<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>D<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>Em<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>C<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>D<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><o:p><FONT size=2>&nbsp;</FONT></o:p></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp; </SPAN>C<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>I'm 15 for a moment<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Am<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>D<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Caught in between 10 and 20<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2><SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>G<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>Em<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>And I'm just dreaming<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2><SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>Am<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>D<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Counting the ways to where you are <o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>C<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>I'm 22 for a moment<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Am<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>D<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>She feels better than ever<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2><SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>G<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>Em<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>And we're on fire<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2><SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>Am<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>D<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Making our way back from Mars <o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><o:p><FONT size=2>&nbsp;</FONT></o:p></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp; </SPAN>D<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>C<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN><o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>15 there's still time for you<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>D<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>C<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN><o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Time to buy and time to lose<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>D<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>Em<SPAN style="mso-spacerun: yes">&nbsp;&nbsp; </SPAN>D<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>C<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>15,<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>there's never a wish better than this<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><o:p><FONT size=2>&nbsp;</FONT></o:p></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>When you only got 100 years to live <o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><o:p><FONT size=2>&nbsp;</FONT></o:p></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Instrumental<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G/B<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>C<SPAN style="mso-spacerun: yes">&nbsp;&nbsp; </SPAN>Em<SPAN style="mso-spacerun: yes">&nbsp;&nbsp; </SPAN>D <o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G/B<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>C<SPAN style="mso-spacerun: yes">&nbsp;&nbsp; </SPAN>Em<SPAN style="mso-spacerun: yes">&nbsp;&nbsp; </SPAN>D<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><o:p><FONT size=2>&nbsp;</FONT></o:p></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp; </SPAN>C<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>I'm 33 for a moment<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Am<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>D<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>G/B<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Still the man, but you see I'm a they<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2><SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>Em<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>A kid on the way<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2><SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp; </SPAN>Am<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>D<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>A family on my mind <o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp; </SPAN>C<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>I'm 45 for a moment<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Am<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>D<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>The sea is high<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2><SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>G/B<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>Em<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>And I'm heading into a crisis<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2><SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>Am<SPAN style="mso-spacerun: yes">&nbsp; </SPAN><SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</SPAN>D<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Chasing the years of my life <o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>D<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>C<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>15 there's still time for you<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>D<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>C<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>Em<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Time to buy, and time to lose yourself<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2><SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp; </SPAN>D<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>C<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Within a morning star <o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp; </SPAN>D<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>C<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>15 I'm all right with you<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>D<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN><SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</SPAN>Em<SPAN style="mso-spacerun: yes">&nbsp;&nbsp; </SPAN>D<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>C<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>15, there's never a wish better than this<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2><SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN><o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>When you only got 100 years to live <o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><o:p><FONT size=2>&nbsp;</FONT></o:p></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>C<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>D<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Half time goes by<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2><SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>Bm<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Suddenly you're wise<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2><SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>F<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Another blink of an eye 67 is gone<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>C<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>D<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>The sun is getting high<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2><SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>G<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>We're moving on... <o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><o:p><FONT size=2>&nbsp;</FONT></o:p></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><o:p><FONT size=2>&nbsp;</FONT></o:p></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Instrumental<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>C<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>Am<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>D<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><o:p><FONT size=2>&nbsp;</FONT></o:p></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp; </SPAN>C<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>I'm 99 for a moment<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Am<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>D<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN><o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Dying for just another moment<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2><SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>G/B<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>Em<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>And I'm just dreaming<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2><SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN><SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;</SPAN>Am<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>D<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Counting the ways to where you are <o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp; </SPAN>D<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>C<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>15 there's still time for you<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>D<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp; </SPAN>C<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN><o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>22<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>I feel her too<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>D<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>C<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN><o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>33<SPAN style="mso-spacerun: yes">&nbsp;&nbsp; </SPAN>you're on your way<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>D<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>C<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN><o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Every day's a new day... <o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><o:p><FONT size=2>&nbsp;</FONT></o:p></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>D<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>G/B<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>C<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Ooh....<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>D<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>G/B<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>C<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Ooh....<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><o:p><FONT size=2>&nbsp;</FONT></o:p></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp; </SPAN>D<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN><o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>15 there's still time for you<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Em<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>C<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Time to buy and time to choose<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>D<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>Em<SPAN style="mso-spacerun: yes">&nbsp;&nbsp; </SPAN>D<SPAN style="mso-spacerun: yes">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </SPAN>C<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Hey 15, there's never a wish better than this<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>When you only got 100 years to live<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><o:p><FONT size=2>&nbsp;</FONT></o:p></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>Instrumental<o:p></o:p></FONT></B></PRE></DIV>
<DIV align=left><PRE style="MARGIN-LEFT: 1in; TEXT-INDENT: -27pt; tab-stops: 1.0in 91.6pt 137.4pt 183.2pt 229.0pt 274.8pt 320.6pt 366.4pt 412.2pt 458.0pt 503.8pt 549.6pt 595.4pt 641.2pt 687.0pt 732.8pt"><B style="mso-bidi-font-weight: normal"><FONT size=2>G<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>C<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>Am<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>D<o:p></o:p></FONT></B></PRE></DIV>]]></content:encoded>
		<wfw:commentRSS>http://mcquire.bloghi.com/2006/03/21/five-for-fighting.html#comments</wfw:commentRSS>
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	<item>
		<title>Info sheet: Outbound Script</title>
		<link>http://mcquire.bloghi.com/2006/03/20/info-sheet-outbound-script.html</link>
		<comments>http://mcquire.bloghi.com/2006/03/20/info-sheet-outbound-script.html#comments</comments>
		<pubDate>Mon, 20 Mar 2006 05:27:32 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/03/20/info-sheet-outbound-script.html</guid>
		<description> Info SheetOutbound ScriptHello Mr./Mrs. _____________ this is _____________ from Trendwest South Pacific. You have been selected to receive complimentary accomodation with your choice of many amazing destinations or either - a Digital Camera, a CD...</description>
		<content:encoded><![CDATA[<div style="text-align: center;"><span style="font-weight: bold;">Info Sheet</span><br style="font-weight: bold;"><br style="font-weight: bold;"><div style="text-align: left;"><span style="font-weight: bold;">Outbound Script</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span style="font-weight: bold;">Hello Mr./Mrs. _____________ this is _____________ from Trendwest South Pacific. You have been selected to </span><br style="font-weight: bold;"><span style="font-weight: bold;">receive complimentary accomodation with your choice of many amazing destinations or either - a Digital Camera, </span><br style="font-weight: bold;"><span style="font-weight: bold;">a CD Player, a Teac Discman or a DVD Player.</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span style="font-weight: bold;">Have you heard of Trendwest? (Yes/No)</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span style="font-weight: bold;">&nbsp;&nbsp;&nbsp; *Trendwest is part of the hospitality arm of CENDANT CORPORATION: the world's largest hotel franchisor with </span><br style="font-weight: bold;"><span style="font-weight: bold;">&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; brand such as Ramada and Travelodge, just to name a few.</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span style="font-weight: bold;">In our fantastic propmotion, there are easy and simple requirement you need to meet to receive your reward.</span><br style="font-weight: bold;"><span style="font-weight: bold;">&nbsp;&nbsp;&nbsp; *Have you visited or received a reward from Trendwest?</span><br style="font-weight: bold;"><span style="font-weight: bold;">&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;  (If they answer yes: ask WHEN, if outside of 12 months: book them in)</span><br style="font-weight: bold;"><span style="font-weight: bold;">&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;  (If inside 12 months: explain 12 month rule)</span><br style="font-weight: bold;"><span style="font-weight: bold;">&nbsp;&nbsp;&nbsp; *Are you married, single or do you have a signififcant other half?</span><br style="font-weight: bold;"><span style="font-weight: bold;">&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;  (If married - What is your husband's/wife's name?) (If de-facto or partner - What is your partner's name?)</span><br style="font-weight: bold;"><span style="font-weight: bold;">&nbsp;&nbsp;&nbsp; *And is your income over $45,000 in a year gross(if single)? </span><br style="font-weight: bold;"><span style="font-weight: bold;">&nbsp;&nbsp;&nbsp; *And is your income over $45,000 in a year combined with your wife/husband/partner (if married or with partner)?</span><br style="font-weight: bold;"><span style="font-weight: bold;">&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;  &nbsp;&nbsp; </span><span style="text-decoration: underline; font-weight: bold;">If don't qualify&nbsp; </span><span style="font-weight: bold;">- Unfortunately you do have to meet the requirements to receive the rewards, but the good </span><br style="font-weight: bold;"><span style="font-weight: bold;">&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp; news is we will put you in a draw for our competition "Dare to Dream".</span><br style="font-weight: bold;"><span style="font-weight: bold;">&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;  &nbsp;&nbsp;  &nbsp;&nbsp;  &nbsp;&nbsp;  &nbsp;&nbsp;  &nbsp;&nbsp;  &nbsp;&nbsp;  &nbsp;&nbsp;  &nbsp;&nbsp;  &nbsp;&nbsp;  (Details of Participation at www.trendwest.com.au)</span><br style="font-weight: bold;"><span style="font-weight: bold;">&nbsp;&nbsp;&nbsp; *Are you aged between 25-72?</span><br style="font-weight: bold;"><span style="font-weight: bold;">&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;  (If over or under age, go to objection handling) (if under age, ask WHEN will he/she be turning 25?)</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span style="font-weight: bold;">Fantastic! Congratulations Mr./Mrs. ____________, you've got a choice of Fantastic Electronic Equipment or fabulous </span><br style="font-weight: bold;"><span style="font-weight: bold;">holiday accomodation valued up to one thousand two hundred dollars for the holiday package!</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span style="font-weight: bold;">OPTIONAL:</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span style="font-weight: bold;">***When was the last time you had a break away?</span><br style="font-weight: bold;"><span style="font-weight: bold;">We have fly and drive to destinations! It's off-season accomodation and exclude school or public holidays and is </span><br style="font-weight: bold;"><span style="font-weight: bold;">available from Sunday - Friday. The only cost to you Mr./Mrs. ___________ is a once only booking fee of $24.95 </span><br style="font-weight: bold;"><span style="font-weight: bold;">for domestic destinations or $39.95 for international destinations and that is only payable when you book your</span><br style="font-weight: bold;"><span style="font-weight: bold;">accomodation. The airfares are not inculded, it's the holiday accomodation that we are providing for you and it's </span><br style="font-weight: bold;"><span style="font-weight: bold;">valid for 2 adults and 2 children (12 years and under). You have 12 months to use your holiday and can select from </span><br style="font-weight: bold;"><span style="font-weight: bold;">3 - 5 days. (If they want more details, give them the choices from the list; make sure you mention how many nights </span><br style="font-weight: bold;"><span style="font-weight: bold;">each destination is valid for!)</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span style="font-weight: bold;">To receive your reward, you and __________ need to attend an informative timeshare sales presentation where you</span><br style="font-weight: bold;"><span style="font-weight: bold;">will be made an offer to purchase our product. The presentation only lasts approximately 90 minutes and showcases</span><br style="font-weight: bold;"><span style="font-weight: bold;">how you can save money on your future holidays within Australia and overseas. You do not have to purchase</span><br style="font-weight: bold;"><span style="font-weight: bold;">anything from us to receive the reward.</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span style="font-weight: bold;">As you can imagine our seating books up really quickly with this special promotion, therefore we don't have facilities</span><br style="font-weight: bold;"><span style="font-weight: bold;">for children under the age of 12 at the presentation. Please hold on the line and I will transfer you to our appointment</span><br style="font-weight: bold;"><span style="font-weight: bold;">advisor who will arrange your booking.***</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span style="font-weight: bold;">***Now let me do this for you Mr./Mrs. ____________, I have here my appoinment advisor who will give you the details </span><br style="font-weight: bold;"><span style="font-weight: bold;">on how you can collect your reward. Hold on a second I'll get back to you.***</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span style="font-weight: bold;">*******transferring the call to the next Advisor (Agent in-charge) for the appointment of delivery...........</span><br style="font-weight: bold;"><span style="font-weight: bold;">(If you are waiting for the verifier then talk up the rewards! Make sure you put the phone on hold before passing the call</span><br style="font-weight: bold;"><span style="font-weight: bold;">onto the verifier)</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span style="font-weight: bold;">*******If the receiver of the call is NOT interested, and he/she refused 3 times, end the call..................</span><br style="font-weight: bold;"><span style="font-weight: bold;">Thank you for accomodating this call, You have a lovely time.</span><br style="font-weight: bold;"><br style="font-weight: bold;"><span style="font-weight: bold;">continuation up next....</span><br></div></div><div style="text-align: center;">

</div>]]></content:encoded>
		<wfw:commentRSS>http://mcquire.bloghi.com/2006/03/20/info-sheet-outbound-script.html#comments</wfw:commentRSS>
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	<item>
		<title>Simple Plan: Meet You there</title>
		<link>http://mcquire.bloghi.com/2006/03/18/simple-plan-meet-you-there.html</link>
		<comments>http://mcquire.bloghi.com/2006/03/18/simple-plan-meet-you-there.html#comments</comments>
		<pubDate>Sat, 18 Mar 2006 05:57:00 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/03/18/simple-plan-meet-you-there.html</guid>
		<description> 
   &quot;Meet You There&quot;Verse 1&amp;nbsp;CNow you're gone,I wonder why&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; FYou left me here,&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; C I think about it on, and...</description>
		<content:encoded><![CDATA[
   <div style="font-weight: bold; font-family: Arial,Helvetica,sans-serif; text-align: left;"><font size="3">"Meet You There"</font><br><br><font size="3">Verse 1</font><br><br><font size="3"><span style="">&nbsp;</span>C</font><br><br><font size="3">Now you're gone,</font><font size="3"><br><br></font><br><font size="3">I wonder why</font><br><br><font size="3"><span style="">&nbsp;&nbsp;&nbsp;&nbsp; </span>F</font><br><br><font size="3">You left me here,</font><br><br><font size="3"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>C </font><br><br><font size="3">I think about it on, and on,</font><br><br><font size="3"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>F</font><br><br><font size="3">and on, and on, and on, again.</font><br><br><font size="3">C<span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>F</font><br><br><font size="3"><span style="">&nbsp; </span>I know you're never coming back,</font><br><br><font size="3"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>C</font><br><br><font size="3">I hope that you can hear me,</font><br><br><font size="3"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>F</font><br><br><font size="3">I'm waiting to hear from you..</font><br><br><br><br><font size="3">Until i do,</font><br><br><font size="3"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>Am<span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></font><br><br><font size="3">You're gone away,</font><br><br><font size="3"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>Em</font><br><br><font size="3">I'm left alone,</font><br><br><font size="3"><span style="">&nbsp;&nbsp; </span>F</font><br><br><font size="3">A part of me is gone,</font><br><br><font size="3"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>Am</font><br><br><font size="3">And I'm not moving on,</font><br><br><font size="3"><span style="">&nbsp;&nbsp;&nbsp; </span>Em</font><br><br><font size="3">So wait for me,</font><br><br><font size="3"><span style="">&nbsp;&nbsp; </span>F</font><br><br><font size="3">I know the day will come..</font><br><br><br><br><br style="font-family: Arial,Helvetica,sans-serif;"><font style="font-family: Arial,Helvetica,sans-serif;" size="3">CHORUS</font><br style="font-family: Arial,Helvetica,sans-serif;"><br style="font-family: Arial,Helvetica,sans-serif;"><font style="font-family: Arial,Helvetica,sans-serif;" size="3"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>C</font><br style="font-family: Arial,Helvetica,sans-serif;"><br style="font-family: Arial,Helvetica,sans-serif;"><font style="font-family: Arial,Helvetica,sans-serif;" size="3">I'll meet you there,</font><br style="font-family: Arial,Helvetica,sans-serif;"><br style="font-family: Arial,Helvetica,sans-serif;"><font style="font-family: Arial,Helvetica,sans-serif;" size="3"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>F</font><br style="font-family: Arial,Helvetica,sans-serif;"><br style="font-family: Arial,Helvetica,sans-serif;"><font style="font-family: Arial,Helvetica,sans-serif;" size="3">No matter where life takes me to,</font><br style="font-family: Arial,Helvetica,sans-serif;"><br style="font-family: Arial,Helvetica,sans-serif;"><font style="font-family: Arial,Helvetica,sans-serif;" size="3"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>C</font><br style="font-family: Arial,Helvetica,sans-serif;"><br style="font-family: Arial,Helvetica,sans-serif;"><font style="font-family: Arial,Helvetica,sans-serif;" size="3">I'll meet you there,</font><br style="font-family: Arial,Helvetica,sans-serif;"><br style="font-family: Arial,Helvetica,sans-serif;"><font style="font-family: Arial,Helvetica,sans-serif;" size="3"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>F</font><br style="font-family: Arial,Helvetica,sans-serif;"><br style="font-family: Arial,Helvetica,sans-serif;"><font style="font-family: Arial,Helvetica,sans-serif;" size="3">And even if I need you here,</font><br style="font-family: Arial,Helvetica,sans-serif;"><br style="font-family: Arial,Helvetica,sans-serif;"><font style="font-family: Arial,Helvetica,sans-serif;" size="3"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>C</font><br style="font-family: Arial,Helvetica,sans-serif;"><br style="font-family: Arial,Helvetica,sans-serif;"><font style="font-family: Arial,Helvetica,sans-serif;" size="3">I'll meet you there.</font><br></div><div style="text-align: left;"><pre style="font-weight: bold; font-family: Arial,Helvetica,sans-serif;"><font size="3"><br></font><!--[if !supportLineBreakNewLine]--><!--[endif]--></pre></div><div style="font-weight: bold; font-family: Arial,Helvetica,sans-serif; text-align: left;"><pre><font size="3"><br><br></font></pre><font size="3">Verse 2</font><br><br><br><br><font size="3"><span style="">&nbsp;&nbsp;&nbsp; </span>C<span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>F</font><br><br><font size="3">I wish I could have told you,</font><br><br><font size="3"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>C</font><br><br><font size="3">The things I kept inside,</font><br><br><font size="3"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>F</font><br><br><font size="3">But now I guess its just too late.</font><br><br><font size="3">C<span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>F</font><br><br><font size="3"><span style="">&nbsp;</span>So many things remind me of you,</font><br><br><font size="3"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>C</font><br><br><font size="3">I hope that you can hear me,</font><br><br><font size="3"><span style="">&nbsp;&nbsp;&nbsp; </span></font><br><br><font size="3">I miss you,</font><br><br><font size="3"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>F<span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></font><br><br><font size="3">This is goodbye,</font><br><br><font size="3"><span style="">&nbsp; </span></font><br><br><font size="3">One last time..</font><br><br><br><br><font size="3"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>Am<span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></font><br><br><font size="3">You're gone away,</font><br><br><font size="3"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>Em</font><br><br><font size="3">I'm left alone,</font><br><br><font size="3"><span style="">&nbsp;&nbsp; </span>F</font><br><br><font size="3">A part of me is gone,</font><br><br><font size="3"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>Am</font><br><br><font size="3">And I'm not moving on,</font><br><br><font size="3"><span style="">&nbsp;</span><span style="">&nbsp;&nbsp; </span>Em</font><br><br><font size="3">So wait for me,</font><br><br><font size="3"><span style="">&nbsp;&nbsp; </span>F</font><br><br><font size="3">I know the day will come..</font><br><br><br><br><br><font size="3">I'll meet you there....</font><br><br><br><br><font size="3">And where I go you'll be there with me,</font><br><br><font size="3">Forever you'll be right here with me..<o:p></o:p></font></div><div style="font-family: Arial,Helvetica,sans-serif; text-align: left;"><pre style="font-weight: bold;"><font size="3"><o:p>&nbsp;<br><br></o:p></font></pre></div>   
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		<title>RATE ME!!!!!!!!!!!!</title>
		<link>http://mcquire.bloghi.com/2006/03/17/rate-me.html</link>
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		<pubDate>Fri, 17 Mar 2006 04:27:34 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/03/17/rate-me.html</guid>
		<description> My Web PageTHANK YOU!!!!!!!!!!!!!!!

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		<content:encoded><![CDATA[<div style="text-align: center;"><span style="font-weight: bold;"><font size="7">My Web Page</font></span><br><span style="font-weight: bold;"></span><iframe allowtransparency="true" src="http://www.dpolls.com/DisplayPoll.aspx?PollID=3448" frameborder="0" height="150" scrolling="no" width="250"></iframe><br><br><a href="http://www.dpolls.com/" target="_blank" title="Create polls and vote for free. dPolls.com"><img src="http://www.dpolls.com/dPollsLink.aspx" alt="Create polls and vote for free. dPolls.com" border="0"></a><br><span style="font-weight: bold;"></span><br><span style="font-weight: bold;">THANK YOU!!!!!!!!!!!!!!!</span><br><span style="font-weight: bold;"></span></div>

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		<title>2 word verbs</title>
		<link>http://mcquire.bloghi.com/2006/03/15/2-word-verbs.html</link>
		<comments>http://mcquire.bloghi.com/2006/03/15/2-word-verbs.html#comments</comments>
		<pubDate>Wed, 15 Mar 2006 05:14:22 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/03/15/2-word-verbs.html</guid>
		<description> Phrasal or Two-Word Verbs
This lesson introduces you to common 2-word verbs. After studying the verbs, you will take a quiz to see how well you have learned them. 

 
©1997 INTERLINK LanguageCenters - Created by Mark Feder 

 &amp;nbsp; &amp;nbsp;...</description>
		<content:encoded><![CDATA[<CENTER style="COLOR: rgb(255,255,0); BACKGROUND-COLOR: rgb(255,0,0)"><FONT size=+2>Phrasal or Two-Word Verbs</FONT></CENTER>
<P style="COLOR: rgb(255,255,0); BACKGROUND-COLOR: rgb(255,0,0)"><FONT size=+1>This lesson introduces you to common <A href="http://eslus.com/LESSONS/GRAMMAR/PHRASALS/Pv0.htm#def">2-word verbs</A>. After studying the verbs, you will take a quiz to see how well you have learned them.</FONT> </P>
<CENTER style="COLOR: rgb(255,255,0); BACKGROUND-COLOR: rgb(255,0,0)">
<P><A href="http://eslus.com/LESSONS/GRAMMAR/Gram.htm"><IMG height=17 src="http://eslus.com/LESSONS/GRAMMAR/PHRASALS/1back.jpg" width=79 border=0></A><A href="http://eslus.com/LESSONS/GRAMMAR/PHRASALS/Pv.htm"><IMG height=17 src="http://eslus.com/LESSONS/GRAMMAR/PHRASALS/1next.jpg" width=79 border=0></A> </P>
<P><B><FONT size=-1>©1997 INTERLINK LanguageCenters - Created by Mark Feder</FONT></B> </P>
<P><A href="http://eslus.com/"><IMG height=99 src="http://eslus.com/LESSONS/GRAMMAR/PHRASALS/1banner.jpg" width=318></A></P></CENTER>
<P style="COLOR: rgb(255,255,0); BACKGROUND-COLOR: rgb(255,0,0)"><IMG height=1 src="http://eslus.com/LESSONS/GRAMMAR/PHRASALS/COLORBAR.GIF" width=600> <BR>&nbsp; <BR>&nbsp; <BR>&nbsp; <BR>&nbsp; <BR>&nbsp; <BR>&nbsp; <BR>&nbsp; <BR>&nbsp; <BR>&nbsp; <BR>&nbsp; <BR>&nbsp; </P>
<P style="COLOR: rgb(255,255,0); BACKGROUND-COLOR: rgb(255,0,0)"><A name=def></A><FONT size=+1>A 2-word verb, also called a phrasal verb, is a special type of idiom made up of a verb plus a preposition or adverb. Like most idioms, the 2-word verb usually has a meaning different from the words it is composed of. For example, when you look up a word in the dictionary, you are not really looking up - you may even be looking down. It is important to study 2-word verbs because they are very common, especially in everyday speech.</FONT> </P>
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		<title>The Dark Stream</title>
		<link>http://mcquire.bloghi.com/2006/03/15/the-dark-stream.html</link>
		<comments>http://mcquire.bloghi.com/2006/03/15/the-dark-stream.html#comments</comments>
		<pubDate>Wed, 15 Mar 2006 04:43:08 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/03/15/the-dark-stream.html</guid>
		<description> From the Dark Stream

Everything is a Conspiracy... and nothing is what it seems to be.
2006/3/5

The Haunted Hollywood Sign
@ 11:07 PM (3 hours, 42 minutes ago) 

 
Read the rest of this entry ... (20 words left)
 Permalink |  E-mail this...</description>
		<content:encoded><![CDATA[<H1 id=header><A href="http://fromthedarkstream.bloghi.com/">From the Dark Stream</A></H1>
<DIV id=content>
<H3>Everything is a Conspiracy... and nothing is what it seems to be.</H3>
<H2 style="FONT-WEIGHT: bold">2006/3/5</H2>
<DIV class=post>
<H3 class=storytitle id=post-36 style="FONT-WEIGHT: bold"><A title="Permanent Link: The Haunted Hollywood Sign" href="http://fromthedarkstream.bloghi.com/2006/03/05/the-haunted-hollywood-sign.html" rel=bookmark>The Haunted Hollywood Sign</A></H3>
<DIV class=meta><SPAN style="FONT-WEIGHT: bold">@ 11:07 PM (3 hours, 42 minutes ago)</SPAN> </DIV>
<DIV class=storycontent>
<P><IMG height=300 src="http://www.seeing-stars.com/Images/slides/HollywoodSign2.JPG" width=476 border=3> </P>
<P style="FONT-WEIGHT: bold"><A href="http://fromthedarkstream.bloghi.com/2006/03/05/the-haunted-hollywood-sign.html">Read the rest of this entry </A>... (20 words left)</P></DIV><!-- storycontent -->
<DIV class=feedback style="FONT-WEIGHT: bold"><IMG style="WIDTH: 11px; HEIGHT: 11px" src="http://fromthedarkstream.bloghi.com/images/icons/permalink.gif"> <A title="permanent link" href="http://fromthedarkstream.bloghi.com/2006/03/05/the-haunted-hollywood-sign.html">Permalink</A> | <IMG style="WIDTH: 11px; HEIGHT: 11px" src="http://fromthedarkstream.bloghi.com/images/icons/envelope_ver1.gif"> <A title="tell a friend about 'The Haunted Hollywood Sign'" href="http://fromthedarkstream.bloghi.com/emailpost/the-haunted-hollywood-sign">E-mail this</A> | <IMG style="WIDTH: 11px; HEIGHT: 11px" src="http://fromthedarkstream.bloghi.com/images/icons/comments_up.gif"> <A href="http://fromthedarkstream.bloghi.com/2006/03/05/the-haunted-hollywood-sign.html#comments">Comments (0)</A> | <IMG style="WIDTH: 9px; HEIGHT: 9px" src="http://fromthedarkstream.bloghi.com/images/icons/trackback_light.gif"> <A title='This link is not meant to be clicked. It contains the trackback URI for this entry. You can use this URI to send ping- &amp; trackbacks from your own blog to this entry. To copy the link, right click and select "Copy Shortcut" in Internet Explorer or "Copy Link Location" in Mozilla.' onclick="alert('This link is not meant to be clicked. It contains the trackback URI for this entry. You can use this URI to send ping- &amp; trackbacks from your own blog to this entry. To copy the link, right click and select &quot;Copy Shortcut&quot; in Internet Explorer or &quot;Copy Link Location&quot; in Mozilla.'); return false;" href="http://fromthedarkstream.bloghi.com/trackback-6386980">Trackback</A></DIV></DIV><!-- post -->
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<H3 class=storytitle id=post-36 style="FONT-WEIGHT: bold"><A title="Permanent Link: The Yowie" href="http://fromthedarkstream.bloghi.com/2006/03/05/the-yowie.html" rel=bookmark>The Yowie</A></H3>
<DIV class=meta><SPAN style="FONT-WEIGHT: bold">@ 10:53 PM (3 hours, 56 minutes ago)</SPAN> </DIV>
<DIV class=storycontent style="FONT-WEIGHT: bold">
<P><IMG src="http://users.chariot.net.au/%7Ekwray/images/yowie.gif"> </P>
<P><A href="http://fromthedarkstream.bloghi.com/2006/03/05/the-yowie.html">Read the rest of this entry </A>... (49 words left)</P></DIV><!-- storycontent -->
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<H3 class=storytitle id=post-36><A title="Permanent Link: Bush and Jeff Gannon" href="http://fromthedarkstream.bloghi.com/2006/03/05/bush-and-jeff-gannon.html" rel=bookmark>Bus</A></H3><!-- storycontent -->
<DIV class=feedback><IMG style="WIDTH: 11px; HEIGHT: 11px" src="http://fromthedarkstream.bloghi.com/images/icons/permalink.gif"> <A title="permanent link" href="http://fromthedarkstream.bloghi.com/2006/03/05/bush-and-jeff-gannon.html">Permalink</A> | <IMG style="WIDTH: 11px; HEIGHT: 11px" src="http://fromthedarkstream.bloghi.com/images/icons/envelope_ver1.gif"> <A title="tell a friend about 'Bush and Jeff Gannon'" href="http://fromthedarkstream.bloghi.com/emailpost/bush-and-jeff-gannon">E-mail this</A> | <IMG style="WIDTH: 11px; HEIGHT: 11px" src="http://fromthedarkstream.bloghi.com/images/icons/comments_up.gif"> <A href="http://fromthedarkstream.bloghi.com/2006/03/05/bush-and-jeff-gannon.html#comments">Comments (0)</A> | <IMG style="WIDTH: 9px; HEIGHT: 9px" src="http://fromthedarkstream.bloghi.com/images/icons/trackback_light.gif"> <A title='This link is not meant to be clicked. It contains the trackback URI for this entry. You can use this URI to send ping- &amp; trackbacks from your own blog to this entry. To copy the link, right click and select "Copy Shortcut" in Internet Explorer or "Copy Link Location" in Mozilla.' onclick="alert('This link is not meant to be clicked. It contains the trackback URI for this entry. You can use this URI to send ping- &amp; trackbacks from your own blog to this entry. To copy the link, right click and select &quot;Copy Shortcut&quot; in Internet Explorer or &quot;Copy Link Location&quot; in Mozilla.'); return false;" href="http://fromthedarkstream.bloghi.com/trackback-6385350">Trackback</A></DIV></DIV><!-- post -->
<DIV class=post>
<H3 class=storytitle id=post-36 style="FONT-WEIGHT: bold"><A title="Permanent Link: The Angels of Mons" href="http://fromthedarkstream.bloghi.com/2006/03/05/the-angels-of-mons.html" rel=bookmark>The Angels of Mons</A></H3>
<DIV class=meta><SPAN style="FONT-WEIGHT: bold">@ 07:04 PM (7 hours, 45 minutes ago)</SPAN> </DIV>
<DIV class=storycontent>
<P><IMG height=226 alt="" hspace=6 src="http://www.forteantimes.com/articles/170/angel1.jpg" width=200 align=left vspace=6 border=0> </P>
<P style="FONT-WEIGHT: bold"><A href="http://fromthedarkstream.bloghi.com/2006/03/05/the-angels-of-mons.html">Read the rest of this entry </A>... (30 words left)</P></DIV><!-- storycontent -->
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<DIV class=post>
<H3 class=storytitle id=post-36 style="FONT-WEIGHT: bold"><A title="Permanent Link: The Handwriting on the Wall" href="http://fromthedarkstream.bloghi.com/2006/03/05/the-handwriting-on-the-wall.html" rel=bookmark>The Handwriting on the Wall</A></H3>
<DIV class=meta><SPAN style="FONT-WEIGHT: bold">@ 02:22 PM (12 hours, 27 minutes ago)</SPAN> </DIV>
<DIV class=storycontent>
<P><IMG class=illustration title="Belshazzar Sees the Writing on the Wall, by Rembrandt" height=264 src="http://www.cyberhymnal.org/img/b/e/BelshazzarSeesTheWritingOnTheWallByRembrandt.jpg" width=350> </P>
<P style="FONT-WEIGHT: bold"><A href="http://fromthedarkstream.bloghi.com/2006/03/05/the-handwriting-on-the-wall.html">Read the rest of this entry </A>... (96 words left)</P></DIV><!-- storycontent -->
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<H3 class=storytitle id=post-36 style="FONT-WEIGHT: bold"><A title="Permanent Link: Song of the Day: Nothing to Say by Flotsam &amp; Jetsam" href="http://fromthedarkstream.bloghi.com/2006/03/05/song-of-the-day-nothing-to-say-by-flotsam-jetsam.html" rel=bookmark>Song of the Day: Nothing to Say by Flotsam &amp; Jetsam</A></H3>
<DIV class=meta><SPAN style="FONT-WEIGHT: bold">@ 01:42 PM (13 hours, 7 minutes ago)</SPAN> </DIV>
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<P><STRONG><FONT style="COLOR: rgb(221,221,221)"><IMG height=414 src="http://truemetal.org/metalwallpaper/images/flotsamandjetsammygod.jpg" width=424><IMG height=414 src="http://www.russianshanson.com/images/eb/flotsam_&amp;_jetsam_my_god_2.jpg" width=413></FONT></STRONG> </P>
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<H3 class=storytitle id=post-36 style="FONT-WEIGHT: bold"><A title="Permanent Link: Oscar Picks Suck Again" href="http://fromthedarkstream.bloghi.com/2006/03/05/oscar-picks-suck-again.html" rel=bookmark>Oscar Picks Suck Again</A></H3>
<DIV class=meta><SPAN style="FONT-WEIGHT: bold">@ 01:24 PM (13 hours, 25 minutes ago)</SPAN> </DIV>
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<P><IMG height=414 src="http://funnynews.free.fr/photos/1374.jpg" width=341> </P>
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<UL>
<LI id=about style="FONT-WEIGHT: bold"><LABEL for=a>About:</LABEL> 
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<LI><IMG alt="Dugg's pic" src="http://fromthedarkstream.bloghi.com/img.hi?id=6625" border=1> 
<LI><FONT size=2>About: I'm Darkstream Dugg - my talent in life is the ability to link something weird to virually any possible topic. This blog is my random dark stream of thoughts on everything and anything and a place to gather all the craziest and wildest articles I come across surfing the W.orld W.ide W.eird. NOT that I personally believe or endorse every word or idea in every article - but we live in a strange world - and to simply dismiss every mystery would take away all the beauty of it. </FONT>
<LI><FONT size=3><FONT size=2>Interests: I love and find interesting everything weird and strange in the world - conspiracies, the unexplained and phenomena of all kinds. I dig David Lynch &amp; 80's horror movies, Poe, H.P Lovecraft, arcade machines, bobbleheads, politics, Labatt Blue, 4:20, The Twilight Zone, The Baltimore Ravens and Orioles, Hanna Barbera &amp; Warner Bros. cartoons, Flotsam &amp; Jetsam, 80-90's Thrash Metal, Garden Gnomes, Cherry Snoballs, Necco Wafers, Jesus Christ, PROTESTants and a certain redhead (Red Dayna). I'm a Conan comics geek who will never grow up. 4/8/15/16/23/42</FONT> </FONT></LI></UL>
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<P style="FONT-WEIGHT: bold"><FONT style="FONT-WEIGHT: bold" size=5>Recent posts:</FONT> </P>
<UL id=recent_posts>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/05/the-haunted-hollywood-sign.html">The Haunted Hollywood Sign</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/05/the-yowie.html">The Yowie</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/05/bush-and-jeff-gannon.html">Bush and Jeff Gannon</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/05/the-angels-of-mons.html">The Angels of Mons</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/05/the-handwriting-on-the-wall.html">The Handwriting on the Wall</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/05/song-of-the-day-nothing-to-say-by-flotsam-jetsam.html">Song of the Day: Nothing to Say by Flotsam &amp; Jetsam</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/05/oscar-picks-suck-again.html">Oscar Picks Suck Again</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/05/ex-dea-agent-says-bush-41-ollie-north-are-drug-smugglers.html">Ex-DEA Agent says Bush 41, Ollie North are Drug Smugglers</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/04/the-gingerdead-man.html">The GingerDead Man</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/04/pharaoh-s-chariots-found-in-the-red-sea.html">Pharaoh's Chariots Found in the Red Sea?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/04/flotsam-jetsam-live-in-japan-dvd.html">FLOTSAM &amp; JETSAM - Live in Japan DVD</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/04/america-s-secret-civilian-prison-camps.html">America's Secret Civilian Prison Camps</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/04/republican-congressman-ron-paul-says-u-s-close-to-dictatorship.html">Republican Congressman Ron Paul says U.S Close to Dictatorship</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/04/alpine-tatzelworms.html">Alpine Tatzelworms</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/04/conan-saga-12.html">Conan Saga #12</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/04/the-monument-on-cydonia-mars.html">The Monument on Cydonia, Mars</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/03/d-c-beyond-corrupt.html">D.C Beyond Corrupt</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/03/president-schwarzenegger.html">President Schwarzenegger??</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/03/sirens.html">Sirens</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/03/the-human-fly-the-world-s-first-and-only-real-superhero.html">The Human Fly - The World's First (and only)Real Superhero</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/03/vikings-in-america.html">Vikings in America</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/03/the-mad-gasser-of-mattoon-illinois.html">The Mad Gasser of Mattoon, Illinois</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/03/unknown-worlds-of-science-fiction.html">Unknown Worlds of Science Fiction</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/03/the-seven-wonders-of-the-ancient-world.html">The Seven Wonders of the Ancient World</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/03/the-burning-times-the-european-witch-hunts-1400-1792.html">The Burning Times: The European Witch Hunts 1400 - 1792</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/03/rat-kings.html">Rat Kings</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/02/surviving-the-new-world-order.html">Surviving The New World Order</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/02/dvd-review-the-ultimate-avengers.html">DVD Review - The Ultimate Avengers</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/02/song-of-the-day-chemi-kill-by-exodus.html">Song of the Day:Chemi-kill by Exodus</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/02/bill-clinton-s-criminal-background.html">Bill Clinton's Criminal BackGround</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/02/who-s-the-enemy.html">Who's the Enemy?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/02/ogopogo-the-canadian-lake-monster.html">Ogopogo - the Canadian Lake Monster</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/02/the-firewalkers-of-fiji.html">The FireWalkers of Fiji</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/01/aleister-crowley-and-lam.html">Aleister Crowley and Lam</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/01/the-police-ghost-in-the-machine-has-a-subliminal-666.html">The Police: Ghost in the Machine has a Subliminal 666</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/01/the-big-grey-man-of-ben-macdhui-scotland.html">The Big Grey Man of Ben Macdhui, Scotland</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/01/who-was-count-st-germain.html">Who Was Count St. Germain?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/01/abraham-lincoln-conspiracy-theories.html">Abraham Lincoln Conspiracy Theories</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/01/shadow-people.html">Shadow People</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/03/01/a-cesspool-in-your-whirlpool.html">A Cesspool in your Whirlpool</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/28/the-voodoo-queen-of-new-orleans-marie-laveau.html">The Voodoo Queen of New Orleans - Marie Laveau</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/28/powermad.html">POWERMAD</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/28/the-weight-of-the-soul.html">The Weight of the Soul</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/28/about-zapruder.html">About Zapruder</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/28/the-zapruder-film-conspiracy.html">The Zapruder Film Conspiracy</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/28/pwdre-ser-what-is-star-jelly.html">PWDRE SER: What Is Star Jelly?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/28/the-gulf-of-mexico-dead-zone.html">The Gulf of Mexico Dead Zone</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/27/the-deadly-hands-of-kung-fu.html">The Deadly Hands of Kung Fu</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/27/blues-legend-robert-johnson-and-his-crossroads-pact-with-the-devil.html">Blues Legend Robert Johnson and his Crossroads Pact with the Devil</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/27/why-americans-refuse-to-believe-911-truth.html">Why Americans Refuse to Believe 911 Truth</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/26/r-i-p-kolchak-the-night-stalker.html">R.I.P - Kolchak The Night Stalker</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/26/illuminati-devil-year-666.html">Illuminati Devil Year 666</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/26/the-london-bombings-conspiracy.html">The London Bombings Conspiracy</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/26/america-s-stonehenge-in-salem-new-hampshire.html">America's Stonehenge in Salem, New Hampshire</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/26/who-built-stonehenge-and-why.html">Who Built Stonehenge and Why?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/26/song-of-the-day-damned-for-all-time-by-corrosion-of-conformity.html">Song of the Day: Damned for All Time by Corrosion of Conformity</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/26/the-illuminati-playing-cards-that-predicted-911-in-1995.html">The Illuminati Playing Cards That Predicted 911...in 1995</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/25/the-wendigo-ghost-of-the-north-woods.html">The Wendigo:Ghost of the North Woods</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/25/drive-in-theaters.html">Drive In Theaters</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/25/avionics-expert-says-remote-control-antenna-visible-on-911-airliner.html">Avionics Expert Says Remote Control Antenna Visible on 911 Airliner</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/25/trolls.html">Trolls</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/25/miniature-villages-of-the-world.html">Miniature Villages of the World</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/25/the-midget-village-of-san-diego.html">The Midget Village of San Diego</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/25/old-hag-syndrome.html">Old Hag Syndrome</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/24/the-dover-demon.html">The Dover Demon</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/24/the-punisher-48.html">The Punisher#48</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/24/condoleeza-rice-warned-the-mayor-of-s-f-not-to-fly-on-911.html">Condoleeza Rice Warned the Mayor of S.F Not to Fly on 911</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/24/the-statue-of-liberty-is-the-pagan-goddess-isis.html">The Statue of Liberty is the Pagan goddess Isis</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/24/ghost-towns.html">Ghost Towns</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/24/nasa-masonic-conspiracy.html">NASA Masonic Conspiracy</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/24/song-of-the-day-the-ripper-by-judas-priest.html">Song of the Day:The Ripper by Judas Priest</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/24/was-jack-the-ripper-a-royal.html">Was Jack the Ripper a Royal?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/23/the-brown-mountain-ghost-lights.html">The Brown Mountain Ghost Lights</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/23/were-the-moon-landing-photos-faked.html">Were the Moon Landing Photos Faked?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/23/secret-service-agents-say-cheney-was-drunk-when-he-capped-the-lawyer.html">Secret Service Agents Say Cheney was Drunk When He Capped the Lawyer</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/23/the-apocrypha-hidden-biblical-truths.html">The Apocrypha - Hidden Biblical Truths</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/23/winged-cats.html">Winged Cats</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/22/decoding-mason-symbolism.html">Decoding Mason Symbolism</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/22/remains-of-10-bodies-found-beneath-ben-franklin-s-home.html">Remains of 10 Bodies Found Beneath Ben Franklin's Home</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/22/the-phenomena-of-stone-entombed-frogs.html">The Phenomena of Stone Entombed Frogs</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/22/song-of-the-day-slither-by-earth-crisis.html">Song of the Day: Slither by Earth Crisis</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/22/chemtrail-illness.html">Chemtrail Illness</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/22/carnivale.html">Carnivale</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/22/a-real-zombie.html">A Real Zombie</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/22/is-a-i-d-s-man-made.html">Is A.I.D.S Man Made?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/22/h-p-lovecraft-writing-the-hidden-truth.html">H.P Lovecraft - Writing the Hidden Truth?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/21/from-the-ashes-of-wwii.html">From the Ashes of WWII</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/21/the-la-brea-dinosaur-tar-pits-in-california.html">The La Brea Dinosaur Tar Pits in California</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/21/hilarious-flash-video-cheney-s-got-a-gun.html">Hilarious Flash Video: Cheney's Got A Gun</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/21/serpents-in-the-sky.html">Serpents in the Sky</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/21/mummies-of-ancient-egypt.html">Mummies of Ancient Egypt</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/21/oz-controlling-the-news-from-behind-the-curtain.html">Oz: Controlling the News From Behind the Curtain</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/21/spook-hill-in-florida-were-your-car-rolls-uphill.html">Spook Hill in Florida - Were Your Car Rolls Uphill</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/20/foo-fighters-of-wwii.html">Foo Fighters of WWII</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/20/chemtrails-again-today.html">Chemtrails Again Today</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/20/vampire-tales.html">Vampire Tales</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/20/new-bin-laden-tape-is-recycled-propaganda.html">"New" Bin Laden Tape is Recycled Propaganda</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/20/loose-change-dvd-explosive-911-evidence.html">LOOSE CHANGE DVD - EXPLOSIVE 911 EVIDENCE</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/20/911-gun-coverup.html">911 Gun Coverup</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/20/the-911-hijackers-what-are-they-up-to-now.html">The 911 Hijackers - What Are They Up To Now?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/20/the-sleeping-prophet-edgar-cayce.html">The Sleeping Prophet - Edgar Cayce</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/20/the-malaysian-bigfoot-enigma.html">The Malaysian Bigfoot Enigma</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/20/song-of-the-day-dreaming-in-columbian-by-overkill.html">Song of the Day: Dreaming in Columbian by Overkill</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/20/the-bimini-road-to-atlantis.html">The Bimini Road to Atlantis</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/20/the-stone-spheres-of-costa-rica.html">The Stone Spheres of Costa Rica</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/19/overkill-show-tonight-in-towson-maryland.html">Overkill show tonight in Towson, Maryland</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/19/the-real-feejee-mermaids.html">The Real Feejee Mermaids</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/19/mermaids.html">Mermaids</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/18/my-review-of-curious-george.html">My Review of Curious George</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/18/was-hunter-s-thompson-suicided-for-his-upcoming-911-story.html">Was Hunter S. Thompson "Suicided" for His Upcoming 911 Story?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/18/the-hills-have-eyes.html">The Hills Have Eyes</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/18/the-history-of-elves.html">The History of Elves</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/17/central-maryland-under-a-heavy-chemtrail-assault.html">Central Maryland Under a Heavy Chemtrail Assault</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/17/ass-kickin-women.html">Ass Kickin' Women</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/17/cheney-gun-story-a-proven-lie.html">Cheney Gun Story a Proven Lie</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/16/hidden-pictures-on-u-s-currency.html">Hidden Pictures on U.S Currency</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/16/sleep-walking-world.html">Sleep Walking World</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/16/crossing-the-rubicon-is-cheney-911-suspect-1.html">Crossing the Rubicon - Is Cheney 911 Suspect #1??</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/16/more-to-cheney-gun-story-than-meets-the-eye-of-course.html">More to Cheney Gun Story than Meets the Eye (of course)</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/15/conan-the-barbarian-35.html">Conan the Barbarian #35</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/15/secret-nasa-videos-ufo-s-everywhere-see-for-yourself.html">Secret NASA Videos - UFO'S Everywhere - See For Yourself</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/15/hard-science-and-the-collapse-of-the-wtc.html">Hard Science and the Collapse of the WTC</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/15/dopplegangers-and-bi-location.html">Dopplegangers and Bi-location</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/14/is-sedna-planet-x.html">Is Sedna Planet X?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/14/walk-ins-nation-wide-demon-possession.html">Walk-Ins - - - Nation Wide Demon Possession</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/13/superheroes-you-never-heard-of-woodgod.html">Superheroes you never heard of: Woodgod</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/13/the-willow-creek-china-flat-museum-s-bigfoot-sasquatch-wing.html">The Willow Creek-China Flat Museum's Bigfoot/Sasquatch Wing</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/13/the-beast-of-gevaudan-france.html">The Beast of Gevaudan, France</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/13/still-doubt-there-was-a-911-conspiracy.html">Still doubt there was a 911 Conspiracy?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/13/the-dropas-china-s-ancient-alien-astronauts.html">The Dropas - China's Ancient Alien Astronauts</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/12/famous-monsters-of-filmland.html">Famous Monsters of Filmland</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/12/pope-antichrist.html">Pope Antichrist?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/12/or-is-prince-charles-the-anti-christ.html">Or is Prince Charles the Anti-Christ?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/12/is-prince-william-the-antichrist.html">Is Prince William the AntiChrist?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/11/shrunken-heads.html">Shrunken Heads</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/11/23-intel-pros-say-bush-lying-about-l-a-terror-plot.html">23 Intel Pros Say Bush Lying About L.A Terror Plot</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/11/phish-the-beatles-and-mind-control-music.html">Phish the Beatles and Mind Control Music</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/11/the-kentucky-alien-invasion-of-1955.html">The Kentucky Alien Invasion of 1955</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/11/conan-red-nails-animated-movie.html">Conan: Red Nails - Animated Movie</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/11/the-antichrist-symbolism-of-the-2002-winter-olympics.html">The Antichrist Symbolism of the 2002 Winter Olympics</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/11/a-doctor-s-analysis-of-the-shroud-of-turin.html">A Doctor's Analysis of the Shroud of Turin</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/10/mysterious-easter-island.html">Mysterious Easter Island</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/10/legend-of-the-white-buffalo.html">Legend of the White Buffalo</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/10/the-mysterious-sliding-boulders-of-death-valley.html">The Mysterious Sliding Boulders of Death Valley</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/10/song-of-the-day-lake-of-fire-by-nirvana.html">Song of the Day:Lake of Fire by Nirvana</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/09/the-evil-truth-about-kurt-cobain-nirvana.html">The Evil Truth About Kurt Cobain &amp; Nirvana</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/09/were-the-n-o-levees-blown-up.html">Were the N.O Levees Blown Up?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/09/white-magic-catholicism.html">White Magic Catholicism</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/09/russian-mp-says-us-to-attack-iran-in-march.html">Russian MP Says US to Attack Iran in March</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/09/the-mohammed-cartoons-readying-the-world-for-war.html">The Mohammed Cartoons - Readying the World for War</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/09/the-reptoids-are-coming.html">The Reptoids are Coming!</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/08/song-of-the-day-timothy-leary-by-nevermore.html">Song of the Day: Timothy Leary by Nevermore</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/08/micro-chipping-the-population.html">Micro-chipping the Population</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/08/pendulum-dowsing.html">Pendulum Dowsing</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/08/the-kecksburg-pennsylvania-ufo-crash.html">The Kecksburg, Pennsylvania UFO Crash</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/07/arnold-exposed.html">Arnold Exposed</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/07/the-j-f-k-mysterious-death-list.html">The J.F.K Mysterious Death List</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/07/bush-linked-co-handled-security-for-wtc-dulles-united.html">Bush Linked Co. Handled Security for WTC, Dulles, United</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/07/a-military-experts-explanation-on-how-the-wtc-collapsed.html">A Military Experts Explanation on How the WTC Collapsed</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/06/toynbee-signs.html">Toynbee Signs</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/06/the-cia-created-the-drug-culture.html">The CIA Created the Drug Culture</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/06/l-ron-hubbard-satanic-disciple-of-aleister-crowley.html">L Ron Hubbard: Satanic Disciple of Aleister Crowley</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/06/witchcraft-and-magic-in-kids-programming.html">Witchcraft and Magic in Kids Programming</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/06/pokemon-indoctrinating-kids-into-the-occult.html">Pokemon - Indoctrinating Kids into the Occult</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/06/nooooooooooo.html">NOOOOOOooooo!</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/05/stegosaur-in-cambodia.html">Stegosaur in Cambodia?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/05/song-of-the-day-e-m-t-e-k-by-flotsam-jetsam.html">Song of the Day: E.M.T.E.K by Flotsam &amp; Jetsam</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/05/a-history-of-us-secret-human-experimentation.html">A History of US Secret Human Experimentation</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/04/the-greaseman.html">The Greaseman</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/04/subliminal-images-in-oliver-stone-s-jfk.html">Subliminal Images in Oliver Stone's JFK</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/04/oliver-stone-movies-to-brainwash.html">Oliver Stone - Movies to Brainwash</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/03/the-kongamato.html">The Kongamato</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/03/wtc-7-a-controlled-demolition.html">WTC 7 A Controlled Demolition?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/03/war-crimes-in-iraq-a-gallery-of-dishonor.html">War Crimes in Iraq - A Gallery of Dishonor</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/03/operation-chaos.html">Operation Chaos</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/03/the-seahawks-helmet-will-win-the-super-bowl.html">The Seahawks Helmet will Win the Super Bowl!</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/03/israel-s-attack-of-the-u-s-s-liberty.html">Israel's Attack of the U.S.S Liberty</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/03/brokeback-propaganda.html">Brokeback Propaganda</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/03/the-sports-mascots-hall-of-fame.html">The Sports Mascots Hall of Fame</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/03/what-really-happened-cindy-sheehan-arrested.html">What Really Happened/Cindy Sheehan Arrested</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/02/is-john-s-hopkins-university-pushing-for-a-n-ew-w-orld-o-rder.html">Is John's Hopkins University Pushing for a N.ew W.orld O.rder?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/02/superheroes-you-never-heard-of-skull-the-slayer.html">Superheroes you never heard of:Skull the Slayer</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/02/black-dogs.html">Black Dogs</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/02/chips-the-war-dog.html">Chips the War Dog</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/01/my-hall-of-fame-top-100-cool-movies-picks.html">My Hall of Fame Top 100 Cool Movies Picks</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/01/the-ronald-reagan-cigarette-ad.html">The Ronald Reagan Cigarette Ad</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/01/n-w-o-quotes.html">N.W.O Quotes</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/01/the-blue-people-of-kentucky.html">The Blue People of Kentucky</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/01/red-sonja-5.html">Red Sonja #5</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/01/chemtrail-alert-for-central-maryland.html">CHEMTRAIL ALERT FOR CENTRAL MARYLAND!</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/01/does-carlos-santana-channel-his-music-from-a-demon.html">Does Carlos Santana Channel His Music From A Demon?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/01/the-satanic-roots-of-rock.html">The Satanic Roots of Rock</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/02/01/massive-sighting-of-ufo-fleet-over-xalapa-mexico.html">Massive Sighting of UFO Fleet Over Xalapa, Mexico</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/31/man-summons-u-f-o-on-live-television.html">Man Summons U.F.O On Live Television</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/31/vimanas-ancient-flying-machines-of-india.html">Vimanas - Ancient Flying Machines of India</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/31/the-burlingame-pez-museum-in-san-francisco.html">The Burlingame Pez Museum in San Francisco</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/31/no-plane-at-the-pentagon.html">No Plane at the Pentagon</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/30/bush-and-kerry-are-related-to-dracula.html">Bush and Kerry are Related....to Dracula</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/30/is-george-bush-secretly-jewish.html">Is George Bush Secretly Jewish?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/30/the-pentagon-vs-the-world-wide-web.html">The Pentagon vs. The World Wide Web</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/30/princess-diana-cover-up.html">Princess Diana Cover-up</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/29/zippy-the-weirdest-comic-strip-ever.html">Zippy: The Weirdest Comic Strip Ever</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/29/the-miracles-of-jesus.html">The Miracles of Jesus</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/28/fate-magazine.html">FATE MAGAZINE</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/28/psychic-pets.html">Psychic Pets</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/28/ricky-k.html">Ricky K.</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/28/chupacabras-the-goat-sucker.html">Chupacabras - The Goat Sucker</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/28/war-of-the-worlds-a-mind-control-experiment-from-the-n-w-o.html">War of the Worlds - A Mind Control Experiment from the N.W.O</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/27/devil-companies-products-logos.html">Devil Companies, Products, Logos?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/27/manson-the-son-of-sam-and-the-church-of-satan.html">Manson, The Son of Sam and the Church of Satan</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/27/the-haunted-castle-of-berkeley-west-virginia.html">The Haunted Castle of Berkeley West Virginia</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/27/superheroes-you-never-heard-of-devil-slayer.html">Superheroes you never heard of: Devil-Slayer</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/27/is-there-an-alien-buried-in-an-aurora-texas-cemetery.html">Is There an Alien Buried in an Aurora, Texas Cemetery?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/27/song-of-the-day-3-days-in-darkness-in-2012-by-testament.html">Song of the Day:3 Days In Darkness in 2012 by Testament</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/27/will-the-world-end-on-december-21-2012.html">Will the World End on December 21, 2012?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/26/remote-viewing.html">Remote Viewing</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/26/american-gothic.html">American Gothic</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/26/list-of-dates-predicted-for-the-end-of-the-world.html">List of Dates Predicted for the End of the World</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/26/racist-looney-tunes.html">Racist Looney Tunes</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/26/still-lost-on-lost.html">Still Lost on Lost</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/26/conan-the-barbarian-9.html">Conan the Barbarian #9</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/25/the-mysterious-moving-coffins-of-barbados.html">The Mysterious Moving Coffins of Barbados</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/25/was-mothman-a-real-creature.html">Was Mothman a Real Creature?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/24/jimmy-carter-s-u-f-o-sighting.html">Jimmy Carter's U.F.O Sighting</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/24/everything-you-ever-wanted-to-know-about-godzilla-but-were-afraid-to-ask.html">Everything you ever wanted to know about Godzilla but were afraid to ask</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/24/top-russian-general-says-international-terrorism-is-a-ruse.html">Top Russian General Says International Terrorism is a Ruse</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/24/champ-the-lake-champlain-creature.html">Champ - The Lake Champlain Creature</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/23/fortean-times.html">Fortean Times</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/23/the-davinci-code-fraud.html">The DaVinci Code FRAUD</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/22/8-signs-the-end-of-the-world-is-near-1-steelers-make-the-superbowl.html">8 Signs the End of the World is Near:#1 Steelers make the Superbowl</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/22/chessie-the-sea-serpent-of-the-chesapeake-bay.html">Chessie the Sea Serpent of the Chesapeake Bay</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/22/haunted-maryland.html">Haunted Maryland</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/22/die-steelers-die.html">DIE, STEELERS, DIE</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/21/more-than-you-ever-wanted-to-know-about-saturn.html">More than you ever wanted to know about Saturn</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/21/evidence-of-a-stolen-2004-election.html">Evidence of a Stolen 2004 Election</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/21/the-best-movie-of-all-time.html">The Best Movie of All Time</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/21/giant-human-remains.html">Giant Human Remains</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/21/gloomy-sunday-the-suicide-song.html">GLOOMY SUNDAY - The Suicide Song</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/21/giants-walked-the-earth.html">Giants Walked the Earth</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/21/the-amazing-crystal-skulls.html">The Amazing Crystal Skulls</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/21/song-of-the-day-the-american-way-by-sacred-reich.html">Song of the Day:THE AMERICAN WAY by SACRED REICH</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/20/bush-s-grandfather-stole-geronimo-s-skull-from-its-grave.html">Bush's grandfather stole Geronimo's skull from its grave</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/20/lost-on-lost.html">Lost on LOST</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/20/roadside-oddities.html">Roadside Oddities</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/20/the-nazi-bush-regime.html">The Nazi Bush Regime</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/20/was-an-underground-city-found-beneath-the-grand-canyon.html">Was an underground city found beneath the Grand Canyon?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/19/noah-s-ark-found-on-mt-ararat-in-turkey.html">Noah's Ark Found on Mt. Ararat in Turkey</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/19/dubya-s-grandfather-funded-hitler-s-rise-to-power.html">Dubya's Grandfather funded Hitler's rise to power</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/19/happy-birthday-poe.html">Happy Birthday Poe</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/19/the-sith-have-taken-over-the-u-s.html">The Sith have taken over the U.S</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/19/more-than-you-ever-wanted-to-know-about-venus-flytraps.html">More Than you Ever Wanted to Know About Venus Flytraps</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/19/the-winchester-mystery-house.html">The Winchester Mystery House</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/19/the-pentagram-in-the-street-design-of-d-c.html">The Pentagram in the Street Design of D.C</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/18/classic-arcade-machines-zoo-keeper.html">Classic Arcade Machines:Zoo Keeper</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/18/was-james-dean-a-satanist.html">Was James Dean a Satanist?</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/18/dio-spelled-upside-down-is-devil.html">Dio spelled upside down is Devil</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/18/radiskull-and-devil-doll-funny-flash-animation.html">Radiskull and Devil Doll - funny flash animation</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/18/the-georgia-guidestones.html">The Georgia Guidestones</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/18/edgar-allen-poe-alone.html">Edgar Allen Poe:ALONE</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/18/song-of-the-day-the-bell-witch-by-mercyful-fate.html">Song of the Day:The Bell Witch by Mercyful Fate</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/18/the-bell-witch-hauntings.html">The Bell Witch Hauntings</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/18/a-camel-has-3-eyelids-and-other-weird-factoids.html">A Camel has 3 eyelids and other weird factoids</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/18/the-mysterious-crosses-of-light.html">The Mysterious Crosses of Light</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/17/the-best-ghost-video-i-ever-saw.html">The Best Ghost Video I Ever Saw</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/17/fangoria.html">FANGORIA</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/17/the-gulf-of-tonkin-hoax-was-used-to-start-the-vietnam-war.html">The Gulf of Tonkin Hoax was used to start the Vietnam War</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/17/cat-urine-glows-under-a-blacklight-and-other-weird-factoids.html">Cat Urine Glows Under a Blacklight and other Weird Factoids</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/17/the-sirius-mystery.html">The Sirius Mystery</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/16/the-lone-gunmen-pilot-episode-warned-of-911.html">THE LONE GUNMEN pilot episode warned of 911</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/16/yahoo-is-spying-on-you.html">Yahoo is spying on you</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/16/the-savage-sword-of-conan-12.html">The Savage Sword of Conan #12</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/16/king-conspiracy-theories.html">King Conspiracy Theories</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/16/martin-luther-king-quotes.html">Martin Luther King Quotes</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/16/a-duck-s-quack-doesn-t-echo-and-other-weird-factoids.html">A Duck's quack doesn't echo - and other weird factoids</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/16/pterosaur-sightings.html">Pterosaur Sightings</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/15/carnival-of-souls.html">Carnival of Souls</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/15/ufo-s-in-ancient-artwork.html">UFO's In Ancient Artwork</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/15/satanic-video-games.html">Satanic Video Games</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/15/pearl-harbor-the-mother-of-all-conspiracies.html">Pearl Harbor, the Mother of All Conspiracies</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/14/political-splash-art.html">Political Splash Art</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/14/the-curse-of-johnny-unitas-why-the-colts-will-never-win-another-superbowl.html">The Curse of Johnny Unitas - Why the Colts will never win another SuperBowl</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/14/the-craziest-thing-that-ever-happened-to-me.html">The Craziest Thing that Ever Happened to Me</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/14/the-bush-hinckley-connection.html">The Bush / Hinckley Connection</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/13/sky-sparklies.html">SKY SPARKLIES</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/13/odds-against-all-these-men-dying-in-30-months-14-billion-to-1.html">Odds against all these men dying in 30 months:14 Billion to 1</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/13/i-see-dead-people.html">I See Dead People</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/13/chemtrails.html">Chemtrails</A></LI>
<LI><A href="http://fromthedarkstream.bloghi.com/2006/01/12/from-the-dark-stream.html">From the Dark Stream</A></LI></UL>]]></content:encoded>
		<wfw:commentRSS>http://mcquire.bloghi.com/2006/03/15/the-dark-stream.html#comments</wfw:commentRSS>
	</item>
	<item>
		<title>Universities</title>
		<link>http://mcquire.bloghi.com/2006/03/13/universities.html</link>
		<comments>http://mcquire.bloghi.com/2006/03/13/universities.html#comments</comments>
		<pubDate>Mon, 13 Mar 2006 20:51:35 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/03/13/universities.html</guid>
		<description> 

                                                                                                                                                                                                                                                      </description>
		<content:encoded><![CDATA[<iframe allowtransparency="true" src="http://www.dpolls.com/DisplayPoll.aspx?PollID=3289" frameborder="0" height="150" scrolling="no" width="250"></iframe><br><a href="http://www.dpolls.com/" target="_blank" title="Create polls and vote for free. dPolls.com"><img src="http://www.dpolls.com/dPollsLink.aspx" alt="Create polls and vote for free. dPolls.com" border="0"></a>

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		<wfw:commentRSS>http://mcquire.bloghi.com/2006/03/13/universities.html#comments</wfw:commentRSS>
	</item>
	<item>
		<title>Anime world</title>
		<link>http://mcquire.bloghi.com/2006/03/13/anime-world.html</link>
		<comments>http://mcquire.bloghi.com/2006/03/13/anime-world.html#comments</comments>
		<pubDate>Mon, 13 Mar 2006 20:43:21 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/03/13/anime-world.html</guid>
		<description> 
                       ENTER:         Main Site | Forum | AE-Nisei Site  
                                                                                                                                                                             </description>
		<content:encoded><![CDATA[
<img style="background-color: rgb(51, 102, 255);" src="http://www.anime-empire.net/ae-shadow_blue.gif" alt="Anime-Empire opening logo" height="293" width="283"><br style="background-color: rgb(51, 102, 255);">       <br style="background-color: rgb(51, 102, 255);">       <span style="background-color: rgb(51, 102, 255);" class="txt">         ENTER:<br>         <a href="http://www.anime-empire.net/anime-empire">Main Site</a> | <a href="http://www.anime-empire.net/forum">Forum</a> | <a href="http://www.anime-empire.net/nisei">AE-Nisei Site</a><br></span><iframe allowtransparency="true" src="http://www.dpolls.com/DisplayPoll.aspx?PollID=3287" frameborder="0" height="150" scrolling="no" width="250"></iframe><br><a href="http://www.dpolls.com/" target="_blank" title="Create polls and vote for free. dPolls.com"><img src="http://www.dpolls.com/dPollsLink.aspx" alt="Create polls and vote for free. dPolls.com" border="0"></a><br>  
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		<wfw:commentRSS>http://mcquire.bloghi.com/2006/03/13/anime-world.html#comments</wfw:commentRSS>
	</item>
	<item>
		<title>my words.....</title>
		<link>http://mcquire.bloghi.com/2006/03/13/my-words.html</link>
		<comments>http://mcquire.bloghi.com/2006/03/13/my-words.html#comments</comments>
		<pubDate>Mon, 13 Mar 2006 20:41:11 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/03/13/my-words.html</guid>
		<description> Everything if you wants dips I by the sea without air to get many a thousand times and more only for you flies I over the country has two stars stolen puts it into your hand I does everything which one only dream can everything does I for you I...</description>
		<content:encoded><![CDATA[Everything if you wants dips I by the sea without air to get many a thousand times and more only for you flies I over the country has two stars stolen puts it into your hand I does everything which one only dream can everything does I for you I believes in you notices you it not I does everything of which you sometimes thinks becomes was, because I it to you give everything which it give in the world of everything which you pleases in such a way where always it is find I I go for you everywhere it be pleased me where I are all the same on the instant you wait fortunately for me I go for you whether with darkness or&nbsp; Sunlight none away is me too far only for you I everything would do on travels goes without ever resting I does everything which one only dream can everything does I for you I believes in you notices you it not I does everything of which you sometimes thinks becomes was, because I it to you give everything which it give in the world of everything which you pleases in such a way where always it is find I I go for you everywhere it be pleased me where I are all the same on the instant you wait for me everything which it give in the world of everything which you pleases in such a way where always it is find I I go for you&nbsp; everywhere it make me happy where I are all the same on the instant you wait fortunately.<br><br>&nbsp;Everything which it give in the world of everything which you pleases in such a way where always it is find I I go for you everywhere it be pleased me where I are all the same on the instant you wait for me.<br><br><br>Your time will end to end you is long awaked, emerged from the eternal night, who can still escape you, as can you into the deep pull, your heart is so empty, you is the shade from the sea, your realm to offense, you never more up-purchases in the depth in the darkness, evening nights with you united, you comes more near to to the daylight, ever more near one escapes from you not your time, your time is not your time will end long past, your time is your time will end long past, your time is your time will long past end, your time is long&nbsp; past half humans half creature, lie control your nature, you remain eternally cold, you to fight and the force, and if you call us, you slam shut soon again umbarmherzig, but you will see us, if we stand like a rock in the surf in the depth in the darkness, evening nights itself united with you, you come more near to to the daylight, ever more near one escape from you not your time will end...<br>&nbsp;(out and past) your time will end....<br>&nbsp;(your time will end)<br><br><br>I become as you if I on tomorrow already on the horizon already sun see, then think back of the promise that always counts, I wants to become as you, but there is, as much still so much to do I as you that you will already see, even if it will go with difficulty will it, if I want to find One Piece then must I all evening-expensive on the Grand LINE project I become like you, I white it exactly, even if I only few trust, because also this day will come, and with your assistance I will soon over-look this world I become a Pirat I&nbsp; become a Pirat I carry ne hat which I before long time of you got, now have I zuversicht and strength for a long day, because I want to become as you, but but there is still so much, as much to do I will already see as you that you, even if it will go heavily will it, if I want to find One Piece then must I all evening-expensive on the Grand LINE project I become like you I white it exactly, even if I only few trust, because also this day will come, and with your assistance I will soon over-look this world I become a Pirat I&nbsp; will a Pirat I will a Pirat I wants to become as you, but but it gives still so much, as much to do I will already see as you that you, even if it will go with difficulty will it, if I want to find One Piece then must I all evening-expensive on the Grand LINE project I become like you, I white it exactly, even if I only few trust, because also this day will come, and with your assistance will I will soon over-look this world I a Pirat I become a Pirat<br><br><br><table cellpadding="8" cellspacing="0"><tbody><tr><th class="split">Romaji Lyrics</th> <th>English Translation</th></tr>
<tr><td class="split"><pre class="jlyrics"><i>anata dake mitsumete'ru<br>deatta hi kara &nbsp; ima demo zutto<br>anata sae soba ni ireba &nbsp;  hoka ni nannimo iranai<br>yume no</i> high tension</pre></td>
<td><pre class="jlyrics">I've got my eyes only on you.<br>Since the day we met - now and forever -<br>when you're next to me, I don't need anything else<br>Dream's high tension</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><b>[Instrumental]</b></pre></td>
<td><pre class="jlyrics"><b>[Instrumental]</b></pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>negaigoto &nbsp; kanatta no<br>yawaraka na fuyu no hi<br>utsumuki &nbsp; hazukashi-sou na</i> special driving date</pre></td>
<td><pre class="jlyrics">All of my wishes came true<br>on a gentle winter day,<br>on a shy, timid, special driving date.</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>anata ga sou &nbsp;  yorokobu kara<br>kesho mo mazu yameta wa<br>doko ni ite mo &nbsp; tsukamaru you ni &nbsp; POKEBERU motta wa</i></pre></td>
<td><pre class="jlyrics">Since it seemed to please you,<br>I quit using makeup<br>and carried a pager so you could reach me anywhere.</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>kuruma mo kuwashikunatta shi<br>SAKKA- sae mo suki ni natta wa<br>mayotte-iru kedo<br>kono hito ni isshou tsuite yukou to kimeta</i></pre></td>
<td><pre class="jlyrics">I got to know about cars<br>I even got to like soccer<br>I'm still a little hesitant, but<br>I'm set on following you for all my life.</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>anata dake mitsumete'ru<br>deatta hi kara &nbsp;  ima demo zutto<br>anata sae soba ni ireba &nbsp;&nbsp;  hoka ni nannimo iranai<br>ai no</i> high tension</pre></td>
<td><pre class="jlyrics">I've got my eyes only on you<br>Since the day we met - now and forever -<br>When you're next to me, I don't need anything else<br>Love's high tension</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>anata ga sou &nbsp; nozomu kara<br>massugu kaeru you ni natta<br>ZATSU datta &nbsp; kotobadzukai teinei ni natta</i></pre></td>
<td><pre class="jlyrics">Since you seemed to want me to,<br>I started heading straight home,<br>and I straightened out the rough way I used to talk.</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>anata ga sou &nbsp; utsumuku kara<br>nagadenwa mo yameta wa<br>benri datta &nbsp; otoko-no-ko-tachi &nbsp; katazuketa</i></pre></td>
<td><pre class="jlyrics">Since it seemed to bother you,<br>I stopped talking on the phone for so long,<br>and got rid of all the easily-available guys</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>kami mo fuku mo medatanaku<br>o-ryouri mo GANBARU kara<br></i>Party<i> ni wa ikitai na...<br>iyagatte'ta ano ko to mo zekkou shita wa</i></pre></td>
<td><pre class="jlyrics">My hair and clothes aren't eye-catching<br>Try my best at cooking, so...<br>I wish I could go to a party...<br>I even broke it off with that girl you didn't like.</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>anata dake mitsumete'ru<br>mukashi mitai ni warawanaku natta<br>nigate datta</i> spicy your mama<br><i>ima de wa ocha shite'ru<br>YABAI</i> high tension</pre></td>
<td><pre class="jlyrics">I've got my eyes only on you<br>I don't smile like I used to.<br>I was so bad at it - spicy your mama<br>Now here I am just serving you tea<br>Dangerous High Tension</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><b>[Bridge &nbsp; (Spoken)]</b><br>I love you<br>It's an entrance to the paradise in the hill<br>Changing my mind, and my dream,<br>and keeps on running in my heart<br>Like you will know how<br>I'm crazy for you</pre></td>
<td><pre class="jlyrics"><b>[Bridge &nbsp; (Spoken)]</b><br>I love you<br>It's an entrance to the paradise in the hill<br>Changing my mind, and my dream,<br>and keeps on running in my heart<br>Like you will know how<br>I'm crazy for you</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>anata dake mitsumete'ru<br>soshite hoka ni daremo inaku natta<br>jimi ni ikite-yuku no<br>anatagonomi no onna<br>mezase</i>!! love power &nbsp; Wow wow wow!</pre></td>
<td><pre class="jlyrics">I've got my eyes only on you<br>And now there is no one else.<br>I want to live simply,<br>and be<br>your kind of woman!! &nbsp; Love power &nbsp; Wow wow wow!</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>anata dake mitsumete'ru<br>hitori de matsu   futari dake no heya<br>anata no hohoemi wa &nbsp;&nbsp;  bara-iro no kusari<br>yuke!! yume miru yume nashi onna!!</i><br>Oh, wow wow wow!<br></pre></td>
<td><pre class="jlyrics">I've got my eyes only on you<br>Waiting alone in a room for two<br>Your smile is like a rose-colored chain<br>Go on!! Dreaming woman without dreams!!<br>Oh, wow wow wow!<br></pre></td></tr></tbody></table><table cellpadding="8" cellspacing="0"><tbody><tr><th class="split">Romaji Lyrics</th> <th>English Translation</th></tr>
<tr><td class="split"><pre class="jlyrics"><i>mabushii hizashi wo se ni<br>hashiridasu machi no naka<br>tatakareta &nbsp; itsumo no you ni &nbsp; kata wo<br>kimi ni muchuu na koto ni<br>wake nante nai no ni </i> <sup>[1]</sup><i><br>sono ude wa &nbsp; karamu koto wa nai</i> <sup>[2]</sup></pre></td>
<td><pre class="jlyrics">Starting my run in the middle of town,<br>bright sunlight at my back,<br>as always, [you] tapped my shoulder<br>I'm so enthralled by you<br>- yet for reasons unknown <sup>[1]</sup><br>your arm won't be linked to mine. <sup>[2]</sup></pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>itsu no ma ni ka &nbsp; hitomi<br>ubawarete hajimatta<br>hanasanai &nbsp;  yuru ga nai</i> <sup>[3]</sup><br>Crazy for you</pre></td>
<td><pre class="jlyrics">Before I realized it,<br>you stole my gaze, and it began.<br>I won't let you go.  I won't have any doubts.<br>Crazy for you. <sup>[3]</sup></pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>kimi ga suki da to sakebitai<br>ashita wo kaete miyou<br>kooritsuite'ku toki wo &nbsp;  buchikowashitai<br>kimi ga suki da to sakebitai<br>yuuki de fumidasou<br>kono atsui &nbsp; omoi wo &nbsp; uketomete hoshii</i></pre></td>
<td><pre class="jlyrics">I want to shout "I love you."<br>Let's try to change tomorrow.<br>I want to smash this freezing (moment in) time.<br>I want to shout "I love you."<br>Let's be brave and take a step forward.<br>I want you to receive these warm emotions.</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>zawameita FUROA ni<br>nigiwau TE-BURU goshi<br>nanigenai &nbsp;  kimi no shisen ni &nbsp; yoishire<br>koi wo shite-iru you de<br>odoraserete'ru yo na<br>takanaru kodou ni &nbsp; mou uso wa tsukenai</i></pre></td>
<td><pre class="jlyrics">On the noisy floor,<br>across from me at the crowded table,<br>I'm lost in your casual glance.<br>It feels like I'm in love with you,<br>yet it's like I'm being toyed with.<br>I can't lie to my soaring hearbeat (emotions) anymore.</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>itsu ni nareba &nbsp; kawaru<br>kono modokashii &nbsp; yuujou<br>todoketai &nbsp; tashikametai</i><br>I take you away</pre></td>
<td><pre class="jlyrics">When will it change,<br>this frustrating friendship?<br>I want to tell you. &nbsp; I want to make sure.<br>I take you away.</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>kimi ga suki da to sakebitai<br>nanimokamo nugisute<br>kokoro tokasu kotoba wo &nbsp; mitsuke dashitai<br>kimi ga suki da to sakebitai<br>kon'ya wa kaesanai</i> <sup>[4]</sup><i><br>mitsumeru dake no &nbsp; hibi nante &nbsp; owari ni shiyou</i><br>I wanna cry for you</pre></td>
<td><pre class="jlyrics">I want to shout "I love you."<br>Let's leave everything behind.<br>I want to find the words to melt your heart.<br>I want to shout "I love you."<br>I won't let you leave me tonight. <sup>[4]</sup><br>Let's end the days we don't get past just gazing at eachother<br>I wanna cry for you</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><b>[Instrumental]</b></pre></td>
<td><pre class="jlyrics"><b>[Instrumental]</b></pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>kimi ga suki da to sakebitai<br>ashita wo kaete miyou<br>kooritsuite'ku toki wo &nbsp;  buchikowashitai<br>kimi ga suki da to sakebitai<br>yuuki de fumidasou<br>kono atsui &nbsp; omoi wo &nbsp; uketomete hoshii</i><br>I wanna cry for you<br></pre></td>
<td><pre class="jlyrics">I want to shout "I love you."<br>Let's try to change tomorrow.<br>I want to smash this freezing (moment in) time.<br>I want to shout "I love you."<br>Let's bravely take a step forward.<br>I want you to receive these warm emotions.<br>I wanna cry for you<br></pre></td></tr></tbody></table>

<table style="width: 861px; height: 632px;" cellpadding="8" cellspacing="0"><tbody><tr><th class="split">Romaji Lyrics</th> <th>English Translation</th></tr>
<tr><td class="split"><pre class="jlyrics"><i>daitokai ni &nbsp; boku wa mou hitori de<br>nagesuterareta &nbsp; akikan no you da<br>tagai no subete wo &nbsp; shiritsukusu made ga<br>ai naraba &nbsp; isso towa ni nemurou ka...</i></pre></td>
<td><pre class="jlyrics">I'm all alone in the big city,<br>thrown away like an empty can.<br>If love is love until we know everything about each other<br>Then let's sleep forever...</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>sekai ga owaru made wa &nbsp; hanareru koto mo nai<br>sou negatte-ita &nbsp; ikusen no yoru to<br>modoranai toki dake ga &nbsp; naze kagayaite wa<br>yatsurekitta  &nbsp; kokoro made mo kowasu...<br>hakanaki omoi... &nbsp; kono</i> tragedy night</pre></td>
<td><pre class="jlyrics">Until the world come to an end, we won't be apart.<br>I wished it for countless nights<br>Why does the past destroy<br>even the worn-out heart that shines?<br>Melancholically fleeting thoughts... on this tragedy night</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>soshite hito wa &nbsp;  kotae wo motomete<br>kakegae no nai &nbsp; nanika wo ushinau<br>yokubou darake no &nbsp; machi ja yozora no<br>hoshikuzu mo &nbsp; bokura wo tosenai</i></pre></td>
<td><pre class="jlyrics">And so, people seek an answer<br>And lose something that's irreplaceable<br>A city filled with desires, even the stardust<br>in the night skies doesn't shine on us</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>sekai ga owaru mae ni &nbsp; kikasete okure yo<br>mankai no hana ga &nbsp; niai no KATASUTOROFI-<br>daremo ga nozomi nagara &nbsp; eien wo shinjinai<br>...na no ni &nbsp; kitto ashita wo yume mite'ru<br>hakanaki hibi to &nbsp; kono</i> tragedy night</pre></td>
<td><pre class="jlyrics">Before the world comes to an end, please make me listen.<br>A catastrophy well suited to a flower in full bloom...<br>While everyone wishes, no one believes in eternity.<br>...Even so, they certainly dream about tomorrow.<br>Short-lived days and... this tragedy night</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><b>[Instrumental]</b></pre></td>
<td><pre class="jlyrics"><b>[Instrumental]</b></pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>sekai ga owaru made wa &nbsp; hanareru koto mo nai<br>sou negatte-ita &nbsp; ikusen no yoru to<br>modoranai toki dake ga &nbsp; naze kagayaite wa<br>yatsurekitta &nbsp; kokoro made mo kowasu...<br>hakanaki omoi... &nbsp;  kono</i> tragedy night<br><i>kono</i> tragedy night<br><br></pre></td>
<td><pre class="jlyrics">Until the world come to an end, we won't be apart.<br>I wished it for countless nights<br>Why does the past destroy<br>even the worn-out heart that shines?<br>Melancholically fleeting thoughts... on this tragedy night<br>This tragedy night<br><br></pre></td></tr><tr><td style="vertical-align: top;"><br><table cellpadding="8" cellspacing="0"><tbody><tr><th class="split">Romaji Lyrics</th> <th>English Translation</th></tr>
<tr><td class="split"><pre class="jlyrics">	<i>moteamasu kodou ni</i><br><br>	<i>tsukinukete'ku</i> BAD NEWS (BAD NEWS)<br><br>	<i>midarenai &nbsp;&nbsp;  machi no kokyuu </i><sup>[1]</sup><i><br><br>	mune no naka no koukishin dake ga &nbsp;sawagidasu</i><br><br></pre></td>
<td><pre class="jlyrics">	Bad news comes piercing through<br><br>	this throbbing heartbeat that's out of my control.<br><br>	The breathing of the undisturbed city... <sup>[1]</sup><br><br>	Only the curiosity in my heart disturbs the quiet.<br><br></pre></td></tr>
<tr><td class="split"><pre class="jlyrics">	<i>zettai ni daremo &nbsp; ayatsurenai<br><br>	yume wo  daite &nbsp;&nbsp;  ashita wo tataku<br><br>	toki no nagare  &nbsp;&nbsp; hamidashite<br><br>	kaze wo kanji &nbsp;&nbsp; ikite-itai</i> <sup>[2]</sup><br><br></pre></td>
<td><pre class="jlyrics">	Embracing the dream that will absolutely not be manipulated<br><br>	by anyone, I'll strike at tomorrow.<br><br>	Surpassing the flow of time,<br><br>	I want to live, feeling the wind. <sup>[2]</sup><br><br></pre></td></tr>
<tr><td class="split"><pre class="jlyrics">	<b>[Short Instrumental]</b><br><br></pre></td>
<td><pre class="jlyrics">	<b>[Short Instrumental]</b><br><br></pre></td></tr>
<tr><td class="split"><pre class="jlyrics">	<i>michitarite'ku sekai<br><br>	chouwa no torenai</i> MORAL (MORAL)<i><br><br>	SHIGUNARU ni &nbsp;&nbsp; tsumazuku tabi<br><br>	kanashiku warau kimi e no aijou &nbsp;tashikameru</i><br><br></pre></td>
<td><pre class="jlyrics">	A world that is being filled up<br><br>	Morals that can't be harmonized<br><br>	Each time that I stumble in the signal,<br><br>	I make certain of my love for you, who's smiling sadly.<br><br></pre></td></tr>
<tr><td class="split"><pre class="jlyrics">	Set me free &nbsp; <i>towa no &nbsp; nemuri e to<br><br>	tadoritsuku ni wa &nbsp;&nbsp;  mada haya-sugite </i><sup>[3]</sup><i><br><br>	shakunetsu iro no &nbsp; manazashi de<br><br>	</i>BOROBORO<i> ni naru made &nbsp;&nbsp; kakenukete yaru</i> <sup>[4]</sup><br><br></pre></td>
<td><pre class="jlyrics">	Set me free. It's still too soon<br><br>	for me to reach the eternal sleep [e.g. death] <sup>[3]</sup><br><br>	With a look in my eyes the color of red heat,<br><br>	even to the point I'm worn out, I <u>will</u> make my way through! <sup>[4]</sup><br><br></pre></td></tr>
<tr><td class="split"><pre class="jlyrics">	<b>[Instrumental]</b><br><br></pre></td>
<td><pre class="jlyrics">	<b>[Instrumental]</b><br><br></pre></td></tr>
<tr><td class="split"><pre class="jlyrics">	<i>zettai ni daremo &nbsp; ayatsurenai<br><br>	yume wo  daite &nbsp;&nbsp;  ashita wo tataku<br><br>	toki no nagare  &nbsp;&nbsp; hamidashite<br><br>	kaze wo kanji &nbsp;&nbsp; ikite-itai</i><br><br></pre></td>
<td><pre class="jlyrics">	Embracing the dream that will absolutely not be manipulated<br><br>	by anyone, I'll strike at tomorrow.<br><br>	Surpassing the flow of time,<br><br>	I want to live, feeling the wind.<br><br></pre></td></tr>
<tr><td class="split"><pre class="jlyrics">	<b>[Short Instrumental]</b><br><br></pre></td>
<td><pre class="jlyrics">	<b>[Short Instrumental]</b><br><br></pre></td></tr>
<tr><td class="split"><pre class="jlyrics">	Set me free &nbsp; <i>towa no &nbsp; nemuri e to<br><br>	tadoritsuku ni wa &nbsp;&nbsp;  mada haya-sugite<br><br>	shakunetsu iro no &nbsp; manazashi de<br><br>	</i>BOROBORO<i> ni naru made &nbsp;&nbsp; kakenukete yaru</i><br><br><br>   </pre></td>
<td><pre class="jlyrics">	Set me free. It's still too soon<br><br>	for me to reach the eternal sleep [e.g. death]<br><br>	With a look in my eyes the color of red heat,<br><br>	even to the point I'm worn out, I <u>will</u> make my way through!<br></pre></td></tr></tbody></table><table cellpadding="8" cellspacing="0"><tbody><tr><th class="split">Romaji Lyrics</th> <th>English Translation</th></tr>
<tr><td class="split"><pre class="jlyrics"><i>sanzan na yume ni<br>me wo samasu<br>hizashi no tsuyoi asa</i></pre></td>
<td><pre class="jlyrics">Awakening<br>from an intense dream<br>to the strongly sunlit morning.</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>oki ni iri no kyoku<br>kiki nagara<br>araitate no SHATSU &nbsp; ude wo toosu</i></pre></td>
<td><pre class="jlyrics">While listening<br>to my favorite tune<br>I toss the shirt I'm washing over my arm.</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>yuube no aitsu &nbsp;&nbsp; tsukareta koe datta<br>"shigeki ga hoshii" &nbsp; "ima wa kowashitai"<br>ochiburanaide</i></pre></td>
<td><pre class="jlyrics">A guy last night said in a tired voice,<br>"I want some excitement" &nbsp; "I want to break up now."<br>Please don't be down.</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>kirameku toki ni &nbsp; toraware &nbsp;&nbsp;muchuu de itai<br>koukai suru suteki ja nai<br>hitori ja nai shi</i> &nbsp; Woah</pre></td>
<td><pre class="jlyrics">Caught by the glittering moment, 	I want to be enthralled<br>Repenting isn't wonderful,<br>but after all you're not alone. &nbsp; Woah</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>afuredasu &nbsp; namida ga &nbsp;&nbsp;	utsukushi karaba<br>hito wa mata owaranu tabi ni<br>toki wo tsuiyaseru kara</i></pre></td>
<td><pre class="jlyrics">The tears starting to overflow	are beautiful<br>People will, once again, be able to spend time<br>on an unending journey.</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><b>[Short Instrumental]</b></pre></td>
<td><pre class="jlyrics"><b>[Short Instrumental]</b></pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>kyou wa sukoshi dake<br>toomawari shite<br>eki made mo arukou</i> &nbsp; Woah</pre></td>
<td><pre class="jlyrics">Today, let's take<br>just a little detour,<br>and walk to the station. &nbsp; Woah</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>minarenai keshiki ga<br>ureshikute<br>kado no furugiya e &nbsp; futo haitte miru</i></pre></td>
<td><pre class="jlyrics">Delighting in<br>the unfamiliar scenery,<br>on a whim, we entered the corner thrift shop for a look.</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>itsumo to chigau &nbsp;&nbsp; kakudo de tatami wo<br>nozoite miru &nbsp; kitto soko ni<br>atarashii nanika ga...</i></pre></td>
<td><pre class="jlyrics">Something's unusual... Looking across the <i>tatami</i> mat<br>at an angle, there's definitely<br>something new over there...</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>kirameku toki ni &nbsp; toraware &nbsp;&nbsp;muchuu de itai<br>koukai suru suteki ja nai<br>hitori ja nai shi</i> &nbsp; Woah</pre></td>
<td><pre class="jlyrics">Caught by the glittering moment, I want to be enthralled<br>Repenting isn't wonderful,<br>but after all you're not alone. &nbsp; Woah</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>afuredasu &nbsp; namida ga &nbsp;&nbsp;utsukushi karaba<br>hito wa mata owaranu tabi ni<br>toki wo tsuiyaseru kara</i></pre></td>
<td><pre class="jlyrics">The tears starting to overflow are beautiful<br>People will, once again, be able to spend time<br>on an unending journey.</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><b>[Instrumental]</b></pre></td>
<td><pre class="jlyrics"><b>[Instrumental]</b></pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>kirameku toki ni &nbsp; toraware &nbsp;&nbsp;muchuu de itai<br>koukai suru suteki ja nai<br>hitori ja nai shi</i> &nbsp; Woah</pre></td>
<td><pre class="jlyrics">Caught by the glittering moment, I want to be enthralled<br>Repenting isn't wonderful,<br>but after all you're not alone. &nbsp; Woah</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>afuredasu &nbsp; namida ga &nbsp;&nbsp;utsukushi karaba<br>hito wa mata owaranu tabi ni<br>toki wo tsuiyaseru kara</i>
</pre></td>
<td><pre class="jlyrics">The tears starting to overflow	are beautiful<br>People will, once again, be able to spend time<br>on an unending journey.<br></pre></td></tr><tr><td style="vertical-align: top;"><br></td><td style="vertical-align: top;"><table style="width: 1192px; height: 944px;" cellpadding="8" cellspacing="0"><tbody><tr><th class="split">Romaji Lyrics</th> <th>English Translation</th></tr>
<tr><td class="split"><pre class="jlyrics"><i>anata wo omou dake de &nbsp; kokoro wa tsuyoku nareru<br>zutto mitsumete'ru kara<br>hashiri-tsudzukete</i></pre></td>
<td><pre class="jlyrics">Just thinking of you, my heart can be stronger<br>Since I've always got my eye on you,<br>I'm still running</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><b>[Instrumental]</b></pre></td>
<td><pre class="jlyrics"><b>[Instrumental]</b></pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>hitamuki datta &nbsp;&nbsp;  tooi hi no yume wa<br>ima demo mabushii<br>donna ni fuan ga &nbsp;&nbsp;  ippai demo massugu<br>jibun no michi wo shinjite</i></pre></td>
<td><pre class="jlyrics">That far-away day's dream was sincere,<br>and shines even now.<br>Whatever anxiety you may be full of,<br>believe sincerely in your own path.</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>kazaranai &nbsp;&nbsp; sugao no anata ga suki<br>kawatte shimau koto ga kanashii</i></pre></td>
<td><pre class="jlyrics">I love you, since you show your unmade-up, true face<br>It'd be sad if it ends up changing</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>itsumo kagayaita ne &nbsp; shounen no mama<br>hitomi wa </i>my friend<i><br>anata ga soba ni iru to &nbsp;&nbsp; nazeka sunao ni nareta<br>kono kyori toorinukeru<br>kaze ni naritai</i></pre></td>
<td><pre class="jlyrics">Your eyes, like a young boys,'<br>are always shining, my friend.<br>Somehow, I could be candid when you're close to me.<br>I want to become the wind,<br>that can cut through this distance.</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><b>[Short Instrumental]</b></pre></td>
<td><pre class="jlyrics"><b>[Short Instrumental]</b></pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>hontou no ai nara &nbsp;&nbsp; kitto ironna koto<br>norikoerareta no ni<br>hoshi no BARE-DO &nbsp;&nbsp; namida ga koborenai you ni<br>ookiku iki wo sutta</i></pre></td>
<td><pre class="jlyrics">If it's real love, then although it was surely able to<br>overcome many things...<br>Ballad of the stars... To keep the tears from falling,<br>I took a big breath.</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>hitori de iru  &nbsp;&nbsp; toki no sabishisa yori futari de<br>iru toki no &nbsp; kodoku no hou ga kanashii</i></pre></td>
<td><pre class="jlyrics">The loneliness [separation] when we're together is<br>sadder than the loneliness [desolation] when we're apart</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>itsumo waratte-ita ne &nbsp;  ano koro futari<br>setsunai</i> my friend<i><br>anata wo omou dake de &nbsp;  kokoro wa tsuyoku nareru<br>zutto mitsumete'ru kara<br>hashiri-tsudzukete</i></pre></td>
<td><pre class="jlyrics">The two of us were always laughing back then;<br>it hurts to think about, my friend<br>Just thinking of you, my heart can be stronger<br>Since I've always got my eye on you,<br>I'm still running</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><b>[Instrumental]</b></pre></td>
<td><pre class="jlyrics"><b>[Instrumental]</b></pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>itsumo kagayaite-ita ne &nbsp; shounen no mama<br>hitomi wa </i>my friend<i><br>anata wo omou dake de &nbsp; kokoro wa tsuyoku nareta<br>zutto mitsumete'ru kara<br>hashiri-tsudzukete<br>hashiri-tsudzukete...</i>
</pre></td>
<td><pre class="jlyrics">Your eyes, like a young boys',<br>are always shining, my friend.<br>Just thinking of you, my heart became stronger<br>Since I've always got my eye on you,<br>I'm still running<br>I'm still running...<br></pre></td></tr><tr><td style="vertical-align: top;"><table cellpadding="8" cellspacing="0"><tbody><tr><th class="split">Romaji Lyrics</th> <th>English Translation</th></tr>
<tr><td class="split"><pre class="jlyrics"><i>tada kimi wo &nbsp; aishitai<br>tashika na mono nado &nbsp; nanimo nai keredo,<br>sou chikau yo<br>nandomo &nbsp; tomadoi &nbsp; kabe ni butsukari nagara<br>motomeau &nbsp; futari dakara &nbsp; eien ni</i></pre></td>
<td><pre class="jlyrics">I just want to love you<br>Although I can offer no proof of that,<br>I swear it.<br>It's forever, because no matter the doubts &amp; hardships,<br>we long for each other</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>tomedonai ai dake ga &nbsp;  ima kimi ni tokete-yuku<br>mada katachi no nai &nbsp; ashita wo mitsume nagara<br>toki ga sugi itsu no hi mo &nbsp; bokura wa hitori ja nai<br>hateshinai michi wo &nbsp; kimi to aruite yukou</i><br>I believe in our endless chain</pre></td>
<td><pre class="jlyrics">Everflowing love is melting into your heart now<br>While you keep your eyes on the still undetermined future<br>Time goes by, but we are never alone.<br>Let's walk together down the unending street<br>I believe in our endless chain</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>nanimokamo kawarazu ni &nbsp;  ikite wa yukenai kedo<br>futari no ashiato &nbsp; miushinawanai you ni<br>dakishimetai</i></pre></td>
<td><pre class="jlyrics">Though we can't go on living without changing anything,<br>I want to hold you, so that I don't lose sight of<br>our footprints, together.</pre></td></tr>
<tr><td class="split"><pre class="jlyrics"><i>hateshinai michi wo  &nbsp; kimi to aruite yukou</i><br>I believe in our endless chain<br></pre></td>
<td><pre class="jlyrics">Let's walk together down the unending street<br>I believe in our endless chain<br></pre></td></tr></tbody></table></td><td style="vertical-align: top;"><br></td></tr></tbody></table></td></tr></tbody></table></td><td style="vertical-align: top;"><br></td></tr></tbody></table>]]></content:encoded>
		<wfw:commentRSS>http://mcquire.bloghi.com/2006/03/13/my-words.html#comments</wfw:commentRSS>
	</item>
	<item>
		<title>A Movie Review</title>
		<link>http://mcquire.bloghi.com/2006/03/13/a-movie-review.html</link>
		<comments>http://mcquire.bloghi.com/2006/03/13/a-movie-review.html#comments</comments>
		<pubDate>Mon, 13 Mar 2006 20:04:53 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/03/13/a-movie-review.html</guid>
		<description> 
  &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Halfway through Constantine, a fully clad Keanu Reeves steps into a shallow pail of water, sits on a chair next to it and holds a cat in his lap. Any actor who can retain his charisma in this weird-silly...</description>
		<content:encoded><![CDATA[
  <p class="MsoNormal">&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; Halfway through <st1:city w:st="on"><st1:place w:st="on">Constantine</st1:place></st1:city>, a fully clad Keanu Reeves steps into a shallow pail of water, sits on a chair next to it and holds a cat in his lap. Any actor who can retain his charisma in this weird-silly moment—can keep us watching, and admiring his dutiful nonchalance--deserves to be called a movie star.</p>  <p class="MsoNormal"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>In this adaptation of a renowned graphic novel, Reeves is an <st1:city w:st="on"><st1:place w:st="on">L.A.</st1:place></st1:city> detective whose job involves casting devils out of Angelenos. (He’s the detexorcist!) He has to deal with both demons and angels, who in the normal state of affairs influence of a long-lost artifact—the spear that killed Jesus on Cavalry—the familiar rules don’t apply, and an Armagedon-like battle is on.</p>  <p class="MsoNormal"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>Taking the Da Vinci Code’s obsession with Catholic arcane a step further, <st1:city w:st="on"><st1:place w:st="on">Constantine</st1:place></st1:city> is one-of-a-kind hybrid: a theological noir action film. And until it goes irrevocably goofy at the end, it’s a smart ride—and smart-looking too, with rich browns predominant.</p>  <p class="MsoNormal"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>Director Francis Lawrence (from music videos, of course) shoots a scene from every possible angle—curbside, bird’s-eye view-so that the cameramen have to be stuntmen. There’s both eye and mind candy in this cleverly berserk spawn of Blade Runner.</p>  <p class="MsoNormal"><span style="">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>Surrounded by real actors (Tilda Swinton at her most immaculately decadent as the angel Gabriel, pinwheeling Peter Stormare as Satan, Rachel Weisz as the Girl), Reeves holds his own, creating a force field around his watchful entropy. In his early years, he may have been only a nerd’s idea of a hip guy. Now, at 40, he has achieved a Freon—cool satori, which makes him the perfect, still center of a visually agitated, intellectually restless movie.</p>  <br><br>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; A medio camino a través de Constantina, un Keanu completamente revestido laborea pasos en un cubo bajo de agua, se sienta en una silla al lado de él y sostiene un gato en su regazo. Cualquier agente que pueda conservar su carisma en este extraño-tonto momento-puede guardarnos el mirar, y el admirar de su nonchalance dutiful -- merece ser llamado una estrella de cine.<br>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; En esta adaptación de una novela gráfica renombrada, laborea es un detective de L.A. que trabajo implica a diablos del bastidor fuera de angelinos. (él es el detexorcist!) Él tiene que tratar de los demonios y los ángeles, que en la influencia normal de la situación de una lanza largo-perdida del artefacto-que mató a Jesús en reglas familiares de la Caballeri'a-no aplique, y Armagedon-como batalla están encendido.<br>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; Tomando el Da Vinci cifraron la obsesión con arcane católico un paso más lejos, Constantina es híbrido uno-de-uno-bueno: una película teológica de la acción del noir. Y hasta ella va irrevocablemente goofy en el extremo, él es también un elegante montar-y el elegante-mirar, con los marrones ricos predominantes.<br>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; Director Francis Lorenzo (de videos de la música, por supuesto) tira a una escena de cada a'ngulo-curbside posible, vista-tan del pa'jaro-ojo que los cameramanes tienen que ser stuntmen. Hay ojo y caramelo de la mente en esta freza listo berserk del corredor de la lámina.<br>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; Rodeado por los agentes verdaderos (Tilda Swinton en ella lo más inmaculadamente posible decadente como el ángel Gabriel, Peter pinwheeling Stormare como Satan, Rachel Weisz como la muchacha), laborea asimientos sus el propios, creando un campo de la fuerza alrededor de su entropía watchful. En sus años, él pudo haber sido solamente idea de un nerd de un individuo de la cadera. Ahora, en 40, él ha alcanzado un satori Freo'n-fresco, que le hace el centro perfecto, inmóvil de un haber agitado visualmente, película intelectual agitada.<br><br><iframe allowtransparency="true" src="http://www.dpolls.com/DisplayPoll.aspx?PollID=3280" frameborder="0" height="150" scrolling="no" width="250"></iframe><br><a href="http://www.dpolls.com/" target="_blank" title="Create polls and vote for free. dPolls.com"><img src="http://www.dpolls.com/dPollsLink.aspx" alt="Create polls and vote for free. dPolls.com" border="0"></a><br>  
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		<title>reminiscence</title>
		<link>http://mcquire.bloghi.com/2006/03/13/reminiscence.html</link>
		<comments>http://mcquire.bloghi.com/2006/03/13/reminiscence.html#comments</comments>
		<pubDate>Mon, 13 Mar 2006 19:46:23 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/03/13/reminiscence.html</guid>
		<description> 
  Mountaineers for a Day  The rain hammered heavily on the roof and so I slept with a heavy heart. The next morning brought no better luck for though the rain stopped, a thick fog hang on the mountains. Today's supposed to be the day for our...</description>
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  <p class="MsoNormal"><b>Mountaineers for a Day<br> <br> The rain hammered heavily on the roof and so I slept with a heavy heart. The next morning brought no better luck for though the rain stopped, a thick fog hang on the mountains. Today's supposed to be the day for our mountaineering and it seems it's going to be cancelled after all for look at the weather! I dare say it's not a good one for an outing. But as if hearing my muttering, the sun peeped and the curtain of clouds parted to reveal the glorious mountain. Nature, here we come!!!!<br> The third year students couldn't hide their excitement even as the teacher was saying his final instructions and precautions for the activity. Finally prepared---clad in our hiking clothes and rugged shoes and our bulging packs, we began our trek to the mountains.<br> The journey's first part took us to a narrow, steep road which never seemed to end. Instantly, I was sweating profusely and for a moment----just for a flicker of moment----the thought of going back crossed my mind. But come on, I wouldn't dare miss whatever lies before us.<br> ...ninety-eight, ninety-nine, phew! Are we already there?----Oh my God! This is fantastic! The honey colored grass, the air's crisp sweetness, the sights welcome to <st1:place w:st="on"><st1:placetype w:st="on">Mt.</st1:placetype> <st1:placename w:st="on">Ampacao</st1:placename></st1:place>. <br> The tower loomed gigantically above us and those who still had their strengths climbed nearer to it. But I was among the few who stayed behind. Seeing it that near was enough for me.<br> <br> <br> Spanish<br> <br> Mountaineers por un día<br> <br> La lluvia martilló pesadamente en la azotea y así que dormí con un corazón pesado.&nbsp; La mañana próxima no trajo ninguna suerte mejor para aunque la lluvia paró, una caída gruesa de la niebla en las montañas.&nbsp; ¡Supuesto de hoy ser el día para nuestro mountaineering y él se parece que va a ser cancelado después de todos para <st1:city w:st="on"><st1:place w:st="on">la   mirada</st1:place></st1:city> en el tiempo!&nbsp; Me atrevo la opinión que no es buen para una excursión.&nbsp; Pero como si oyó mi murmuración, miró furtivamente el sol y la cortina de las nubes divididas para revelar la montaña gloriosa.&nbsp; ¡Naturaleza, aquí venimos!!!!<br> &nbsp;Los terceros estudiantes <st1:state w:st="on"><st1:place w:st="on">del</st1:place></st1:state> año no podrían ocultar su entusiasmo incluso mientras que el profesor decía sus instrucciones y precauciones finales para la actividad.&nbsp; Finalmente preparar-revestido en nuestras ropas que iban de excursión y zapatos rugosos y nuestros paquetes que se bombeaban, comenzamos nuestro viaje dificultoso a las montañas.<br> &nbsp;La primera pieza <st1:state w:st="on"><st1:place w:st="on">del</st1:place></st1:state> viaje nos llevó a un estrecho, el camino escarpado, que nunca se parecía terminar.&nbsp; Inmediatamente, sudaba profusamente y por un momento-apenas para un parpadeo <st1:state w:st="on">del</st1:state> pensamiento <st1:state w:st="on"><st1:place w:st="on">del</st1:place></st1:state> momento-de ir backcrossed mi mente.&nbsp; Pero adelantado, no me atrevería falta lo que miente antes de nosotros.<br> &nbsp;¡... ninety-eight, noventa y nueve, phew!&nbsp; ¡Estamos ya there?-There?----Oh mi dios!&nbsp; ¡Esto es fantástico!&nbsp; La miel coloreó la hierba, el dulzor quebradizo <st1:state w:st="on">del</st1:state> aire, la recepción de las vistas a <st1:place w:st="on"><st1:placetype w:st="on">Mt.</st1:placetype><br> <st1:placename w:st="on">Ampacao</st1:placename></st1:place>.&nbsp; La torre asomó gigantically sobre nosotros y las que todavía tenían sus fuerzas subieron más cerca a ella.&nbsp; Pero estaba entre el pocos que permanecían detrás.<br> &nbsp;La veía que cerca bastante para mí.</b></p>    
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		<title>El Código De Da Vinci: the Spanish Version of the Da Vinci Code</title>
		<link>http://mcquire.bloghi.com/2006/03/09/el-ca-digo-de-da-vinci-the-spanish-version-of-the-da-vinci-code.html</link>
		<comments>http://mcquire.bloghi.com/2006/03/09/el-ca-digo-de-da-vinci-the-spanish-version-of-the-da-vinci-code.html#comments</comments>
		<pubDate>Thu, 09 Mar 2006 23:02:21 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/03/09/el-ca-digo-de-da-vinci-the-spanish-version-of-the-da-vinci-code.html</guid>
		<description> &quot;el Priory de Sion&quot; - - una sociedad secreta europea fundada en 1099 -- es una organización verdadera.&amp;nbsp;En 1975, Bibliotheque Nationale de París descubrió los pergaminos conocidos como secretos de los expedientes de Les, identificando a...</description>
		<content:encoded><![CDATA["el Priory de Sion" - - una sociedad secreta europea fundada en 1099 -- es una organización verdadera.<br>&nbsp;En 1975, Bibliotheque Nationale de París descubrió los pergaminos conocidos como secretos de los expedientes de Les, identificando a miembros numerosos del Priory de Sion, incluyendo el da Vinci de sir Isaac Newton, de Botticelli, del vencedor Hugo, y de Leonardo.<br>&nbsp;El prelature de Vatican conocido como Opus Dei es una secta profundamente devota del católico que ha sido el asunto del dúo reciente de la controversia a los informes de lavar el cerebro, de la coerción, y de una práctica peligrosa conocida como "Mortification corporal."&nbsp; Opus Dei acaba de terminar la construcción de las jefaturas nacionales $47 millones en la avenida de 243 Lexington en New York City.<br><br>El prólogo <br>Sauniere será asesinado por un hombre que sea lookin ' para la clave ocultada que revelará el secreto ocultado del mundo...<br>&nbsp;Antes de Sauniere, sus tres inferiores fueron asesinados también, diciendo la sombra sirven la misma respuesta a su pregunta para engañarlo.&nbsp; ¿Pero cuál está este secreto todo alrededor?&nbsp; Sauniere murió pero a la izquierda un rastro en su muerte.<br><br>El capítulo 1 <br>Roberto Langdon fue despertado por la llamada telefónica de los cuartos principales para el misterio de la muerte de Juan Sauniere.&nbsp; Él estaba a punto de resolver Sauniere para una cierta materia importante.&nbsp; ¿Cuál está esta materia todo alrededor?&nbsp; ¿Tiene conexión con el secreto más grande que el hombre de la sombra buscaba?<br><br>Capítulo 6<br>Reunión de Langdon el capitán del policía Fache que conduce la investigación bajo muerte del misterio de Sauniere.&nbsp; Encontraron el símbolo, un pentacle (una estrella que representa Venus) en el abdomen de Sauniere.&nbsp; ¿Cuál es la conexión?&nbsp; Uno más, el cuerpo muerto de Sauniere formó una estrella, y estaba desnudo.&nbsp; Para conseguir más pistas, Fache dado vuelta de las luces de la galería y usado el STYLO DE LUMIERE NOIRE, una pluma de la Negro-luz o filigrana encontrar y podía leer las escrituras que pueden solamente ser visibles bajo luz negra.&nbsp; Y bajo oscuridad del lugar, encontraron un mensaje de Sauniere.&nbsp; Es como una criba que se escriba esta manera:<br><br>13-3-2-21-1-1-8-5
<br>O, Draconian devil!
<br>Oh, lame saint!
<br><br>Capitulo 8<br>El mensaje seguía siendo de desconcierto.&nbsp; Para solucionar el misterio, analizaban todo que descubrieron, el pentacle, el cuerpo de Sauniere en la formación de la estrella, y el mensaje él a la izquierda con.&nbsp; ¿Tiene conexiones con el hombre de Vitruvian de Da Vinci, la imagen perfecta de un cuerpo del hombre y de la hembra en un círculo perfecto que simbolice Paganism en Da Vinci de Art. Was cristiano un pagan?&nbsp; Todo conduce a la vida secreta de Da Vinci, pero e nunca realmente practicó cualquier arte oscuro.&nbsp; Él era un hombre excepcionalmente espiritual, no obstante uno en conflicto constante con la iglesia.<br><br>Capitulo 9<br>El criptógrafo, agente Sophie Neveu, granddaughter de Sauniere fue dentro de la galería a buscar Langdon.&nbsp; Fache estaba contra ella que entraba en la galería, pero ella insistió.&nbsp; Ella encontró Langdon con Fache, y dar a Langdon un mensaje, ella le dijo que él tenga una llamada de los cuartos principales.&nbsp; Ella dio el teléfono con el código de 3 dígitos para él al dial para recibir el mensaje.&nbsp; Langdon fue atontado con el mensaje de Sophie, diciendo que él estaba en peligro porque él era el sospechoso primario de Fache en la muerte de Sauniere.&nbsp; Él controló su emoción y continuó escuchando el mensaje.&nbsp; Él descubrió que los números revueltos en el mensaje de Sauniere estaban en la secuencia de Fibonacci.&nbsp; Fibonacci fue inventado por Leonardo Fibonacci, él es una progresión en la cual el término es igual a la suma de los dos términos precedentes.&nbsp; Sophie hizo una oferta adiós y después de que Langdon oyera todo en el teléfono, él pidió ir al cuarto de los hombres.<br><br>Capitulo 12<br>En el cuarto de los hombres, Langdon lanzó su emoción con el hecho de que él era un sospechoso primario en la investigación.&nbsp; Detrás de él, estaba el agente Neveu.&nbsp; Sophie lo demostró que algo importante él tiene que saber.&nbsp; En el mensaje Sauniere dejado, había otra línea que él no había leído.&nbsp; ¿Pero cómo sucedió?&nbsp; ¿Langdon leyó el mensaje tan cómo sucederá?&nbsp; Sophie tomó un cuadro del cuerpo muerto y de todas las evidencias de su abuelo en su muerte antes de la llegada de Langdon a la escena.&nbsp; Ella le dio el cuadro del mensaje de Sauniere, ella había tomado y a su asombro, lo atontaron.&nbsp; ¿Por qué Sauniere escribiría su nombre en la parte pasada de su mensaje?<br>13-3-2-21-1-1-8-5
<br>O, Draconian devil!
<br>Oh, lame saint!
<br>P.S. find Robert Langdon
<br><br>Capitulo 13<br>Langdon era confuso porqué era su nombre escrito en la parte pasada del mensaje y porqué hizo la piel de Fache él de él.&nbsp; ¿Qué P.S. significa?&nbsp; ¿Escritura Del Poste?&nbsp; Pero no dicho de Sophie.&nbsp; Está parado para su nombre, Princesse Sophie, dado por Sauniere, su abuelo.&nbsp; Sauniere quizás quisiera que el hallazgo Langdon de Sophie solucionara para el misterio.<br><br>Capitulo 16<br>Sophie preguntó a Langdon porqué era él en Francia y para qué propósito.&nbsp; Langdon dijo que a la secretaria de Sauniere lo telefonó que fijó la fecha para su rendezvous.<br><br>Capitulo 19<br>Silas fue a la iglesia de Santo Sulpice, tarde en la noche.&nbsp; ¿Quién eran Silas y porqué él fueron a la iglesia en la medianoche?&nbsp; Silas es un miembro del Opus Dei, un grupo católico terminante que era a cargo de crímenes, de ofensas, de demeanor, y de violencia y se convierta en una edición al mundo entero, especialmente a la iglesia.&nbsp; Él fue a la iglesia para que la clave se recupere lo que tenía la fraternidad de largo hace robado del fiel.&nbsp; El Opus Dei lavó el cerebro, fuerza a mucha gente con una práctica peligrosa conocida como "Mortification corporal."<br><br>Capitulo 20<br>Langdon y Sophie, hecho un estudio de las evidencias los tienen.&nbsp; Sophie dijo Langdon que el pentacle fuera un símbolo especial entre su y su abuelo, de que que era justo una pequeña broma, una broma interior apropos del juego de la tarjeta llamado "juego de Tarot."&nbsp; Este juego es consiste en 22 nombres del alesaje de las tarjetas como el papa femenino, los empress, y la estrella, mientras que su juego del indicador para el divinity femenino es pentacles.&nbsp; De Sophie solamente, Langdon recordó la proporción divina, el PHI.&nbsp; De su soPHIe conocido, PHI puede ser encontrado.&nbsp; ¡Una qué platija!&nbsp; ¿Cuál es PHI y porqué él fueron integrados con el misterio?&nbsp; PHI se considera "la mayoría del número importante en arte especialmente en el universo.&nbsp; En arte es bonito.&nbsp; Simboliza a hombre de Vitruvian nombrado para Marcus Vitruvius, la arquitectura romana brillante que elogió la proporción divina en su texto De Architectura.&nbsp; PHI se deriva de la secuencia de Fibonacci y fue anunciado pues la proporción divina es igual a 1,618.&nbsp; Es el cociente de términos adyacentes.&nbsp; Las plantas, los animales e incluso los seres humanos todos poseyeron las características dimensionales que adhirieron con exactitud misteriosa a la ración de PHI a 1.&nbsp; PHI es ubicuidad en naturaleza.&nbsp; Los ejemplos de PHI son los siguientes:&nbsp; Las abejas femeninas exceden en número siempre las abejas masculinas.&nbsp; Las abejas femeninas se dividieron por el número de las abejas masculinas en cualquier colmena en el mundo, consiguen siempre el mismo número que 1,618.&nbsp; Un nautilus, un molusco del cefalópodo que las bombas proveen de gas en su cáscara "chambré"para ajustar su flotabilidad.&nbsp; Su cociente del diámetro de cada espiral al siguiente es igual a PHI.<br>&nbsp;La medida de la distancia de la extremidad de la cabeza al piso, dividida por la medida de la distancia del vientre al piso es igual a PHI.&nbsp; La medida de la distancia del hombro a las extremidades del dedo divididas por la medida de la distancia del codo a las yemas del dedo es igual a PHI.<br>&nbsp;La medida de la distancia de la cadera al piso dividido por la distancia de la rodilla al piso es igual a PHI.<br>&nbsp;PHI fue revelado en las dimensiones arquitectónicas del Parthenon griego, las pirámides de Egipto, e incluso de los Naciones Unidas que construían en York nueva.<br>&nbsp;También apareció en las estructuras de organización de los sonatas de Mozart, quinto sinfonía de Beethoven, así como los trabajos de Bartok, de Debussy y de Schubert.<br><br>&nbsp;El pentacle o líneas de los pentagram cinco se divide automáticamente en segmentos según la proporción divina.&nbsp; Simboliza belleza, la perfección con la diosa y el femenino sagrado.<br>&nbsp;Anagrams vino de la palabra "magna de los ars" que significa, el gran arte.&nbsp; El pentacle.....Fibonacci numera.....Da Vinci.....<br>PHI.....&nbsp; Éstos tienen conexiones el uno al otro para solucionar el misterio.....&nbsp; ¿Qué más?&nbsp; Del mensaje a la izquierda de Sauniere, la secuencia revuelta de Fibonacci tiene que hacer algo con las palabras, él es una pista.&nbsp; Los números de Fibonacci eran jumbled, así que significa que eran las letras en cada palabra del mensaje jumbled también.<br><br>13-3-2-21-1-1-8-5
<br>O, Draconian devil!
<br>Oh, lame saint!
<br>
<br>Is an anagram of
<br>
<br>Leonardo da Vinci!
<br>The Mona Lisa!
<br><br>Capitulo 21<br>Del rompecabezas solucionado, Sophie recordó algo a partir del pasado.&nbsp; Él recordó la entrevista a su abuelo sobre la obra maestra de Picasso.&nbsp; Él dijo doodles los "sin setido" de Vile de las palabras antes en su entrevista que eran un anagram para "Les De Moiselles d ' Avignon."&nbsp; Langdon y ella miraban el estilo del sfumato de la pintura de Mona Lisa que midió 31 pulgadas por 21 pulgadas.&nbsp; ¿En su pintura, por qué Mona Lisa está sonriendo?<br><br>Capitulo 23<br>Fueron en la puerta de DES Etats de Salle. Langdon la pidió a Sophie acerca cualquier cosa y su abuelo sabía sobre las iniciales P.S. pero Sophie recordó antes de lo que le dijo su abuelo, para no decir su secreto a cualquier persona sobre la muestra de P.S. en la llave del oro. ¿Cuál es esta llave todo el combate? ¿Tiene algo hacer con el Silas trapezoidal buscaba?<br>Flor de lis….flor de Lisa….Mona Lisa…. Suena igual a Langdon. Él recordó algo alrededor de un grupo, un viejo <br>asociación, fraternidad con la flor de lis, combinada con las iniciales P.S. como un dispositivo oficial, y su insignia de brazos. A su intuición, Sauniere era un miembro de esta muy vieja fraternidad secreta, de la sociedad secreta llamada Prieure de Sion o del priorato de Sion. Tan él preguntó a Sophie acerca de lo que ella sabía sobre este culto Pagan de la adoración de la diosa. Pero atontaron a Sophie también sobre el culto su abuelo contratado pulg. Los líderes y los miembros de esta fraternidad de largo plazo hace eran Botticelli,<br>Da Vinci de sir Isaac Newton, del vencedor Hugo, y de Leonardo. Da Vinci presidió el priorato entre 1510 y 1519 como el amo magnífico de la fraternidad. ¿Es Da Vinci homosexual? Intente encontrarlo hacia fuera en el capítulo siguiente.<br><br>Capitulo 26<br>En el DES Etats de Salle, estudian la pintura de Mona Lisa.&nbsp; Lo más recientemente posible en 1911, la pintura fue robada dos veces.&nbsp; Langdon miraba la pintura y él recordó la lección que él enseñó a sus estudiantes sobre la pintura de Mona Lisa.&nbsp; El Mona Lisa (la Jaconde en francés) tiene un fondo desigual.&nbsp; Da Vinci pintó la línea del horizonte a la izquierda perceptiblemente más baja que la derecha.&nbsp; Él hizo la mirada de Mona Lisa mucho más grande del lado izquierdo que del derecho, era uno de sus trucos con una broma adentro.&nbsp; Históricamente, los conceptos del varón y la hembra han asignado lados la izquierda es femenina y derecho es masculino.&nbsp; Porque Da Vinci era un ventilador grande de principios femeninos, él hizo Mona Lisa más majestuoso de la izquierda que la derecha.&nbsp; Da Vinci estaba en consonancia con el equilibrio entre el varón y la hembra.&nbsp; Él creyó que un alma humana no podría ser aclarada a menos que tuviera elementos masculinos y femeninos de la imagen de hermafrodita.&nbsp; Por lo tanto, Da Vinci era conocido para ser homosexual.<br>&nbsp;¿Es verdad que Mona Lisa es un cuadro en la fricción?<br>&nbsp;Es absolutamente posible.&nbsp; Da Vinci era un prankster y el análisis automatizado de los self-portraits de Mona Lisa y de Da Vinci confirma algunos puntos startling del congruency en sus caras.&nbsp; Cualquier Da Vinci era hasta, su Mona Lisa es ni varón ni hembra.&nbsp; Lleva un mensaje sutil de androgyny.&nbsp; Es una fusión de ambos.&nbsp; Da Vinci dejó una pista grande que la pintura fue supuesta para ser andrógina.&nbsp; ¿Cómo es la mirada de la pintura andrógina?&nbsp; El dios egipcio nombró a Amon, dios de la fertilidad masculina, representado como hombre con la cabeza de un espolón, y su promiscuity y cuernos curvados se relacionan con nuestro argot sexual moderno "córneo".&nbsp; ¿Y quién era la pieza contraria de Amon, la diosa egipcia de la fertilidad?&nbsp; Era Isis, que pictogram antiguo una vez fue llamado Lisa.&nbsp; El nombre de Amon, y Lisa eran un anagram para Mona Lisa.&nbsp; No solamente la cara de la mirada de Mona Lisa andrógina, pero su nombre es un anagram de la unión divina del varón y de la hembra.&nbsp; Y ése es poco secreto de Da Vinci, varita la razón de la sonrisa el saber de Mona Lisa.<br><br>Capitulo 28<br>Langdon y Sophie encontraron algo en el Plexiglás de la pintura de Mona Lisa, el escribir de seis palabras.<br><br>So Dark the Con of Man
<br><br>El análisis de Langdon en la inscripción, es que la tradición de los priory de la adoración de la diosa de la perpetuación está basada en una creencia que los hombres de gran alcance en la iglesia cristiana temprana ' conned ' el mundo propagando las mentiras que desvaloraron a hembra e inclinaron las escalas en el favor del masculino.&nbsp; El priory cree que Constantina y sus sucesores masculinos convirtieron con éxito el mundo del paganism matriarchal al cristianismo patriarchal emprendiendo una campaña de la propaganda que demonized el femenino sagrado, borrando a la diosa de la religión moderna por siempre.&nbsp; En el plazo de 300 años de la bruja busca, la iglesia quemado en la estaca las 5.000.000 mujeres que asombran.<br>&nbsp;Después de que él entregara su propio estudio, Claude Grouard fue dentro del museo y del Langdon acentuado su arma y le ordenó a que hiciera frente al piso con sus brazos y los pies de extensión.&nbsp; Mientras que Sophie hacía su movimiento, ella está buscando la pintura de la Virgen Maria con Uriel, el bebé Juan y el bebé Jesús.<br><br>Capitulo 30<br>En el último él encontró la pintura arriba y la trajo abajo lentamente delante de ella.&nbsp; Ella asustó a policía que ella caerá la pintura la hace destruida si él no pone su arma abajo.&nbsp; Con su miedo para perder millones de dinero con la pintura, él cayó su arma y Langdon se levantó.&nbsp; Langdon le preguntó que qué entró a su mente hacerla, y Sophie dijo simplemente que estaba con "Madonna de las rocas," la pintura que ella estaba a punto de caer.&nbsp; Ahora ella sabía que lo que dijeron los soportes del mensaje para el She Langdon a que el mensaje en el Plexiglás fuera un anagram para Madonna de la obscuridad de rocks.So el Con del ofMadonna del anagram de ManAn del rocksLangdon fue sorprendido por su inteligencia.&nbsp; Sophie consiguió la llave del oro en la parte posteriora en una de la esquina inferior de la pintura.<br><br>Capitulo 31<br>La hermana Sandrine intentaba alcanzar a las cuatro personas sobre el incidente para advertirlas pero la línea era contestar tan ocupado y ningún su al teléfono.&nbsp; Repentinamente, Silas consiguió dentro de su sitio y pidiendo le acerca de todo la sabía sobre lo que él buscaba, pero ella no le dijo el secreto y no lo mantuvo su sepulcro.<br><br>Capitulo 32<br>Hace tiempo largo, las monjas dieron Leonardo Da Vinci dimensiones de un específico, y a tema deseado para la pintura la Virgen Maria, bebé San Juan Bautista, Uriel, y bebé Jesús que abriga en una cueva.&nbsp; Pero Da Vinci pintado era una Virgen azul-robed Maria que se sentaba con su brazo alrededor de un niño infantil, probablemente bebé Jesús.&nbsp; Maria opuesta sentó Uriel, también con un infante, probablemente bebé Juan.&nbsp; Extrañamente a través, más bien que el panorama generalmente de Jesu's-bendicio'n-Juan, era el bebé Juan que era bendición Jesús...<br>y Jesús sometía a su autoridad.&nbsp; El más todavía preocupar, Maria llevaba a cabo una mano cinco altos la cabeza del infante, Juan y hacía decididamente amenazarla gesto- los dedos que parecían las garras del águila, agarrando una cabeza invisible.&nbsp; Finalmente, la imagen más obvia y más amenazadora, apenas debajo de los dedos encrespados de Maria, Uriel hacía gesto del corte con el suyo mano-como si resbaló el cuello de la cabeza invisible agarrado por Maria garra-como la mano.<br><br>Capitulo 33<br>En su Elegante-coche, Sophie demostró a Langdon lo que su izquierda de abuelo ella detrás de Madonna de pintar de las rocas.&nbsp; Langdon tomó el objeto y lo examinó.&nbsp; Era pesado y formado como un cruciforme.&nbsp; Pero entonces él observó el eje que resaltaba del cruciforme era prismático y triangular.&nbsp; El eje era también pockmarked con centenares de los hexágonos minúsculos que aparecían ser fileteados y ser dispersados finalmente al azar.&nbsp; Sophie le dijo que fuera laser-cortara llave y eso esos hexágonos son leídos por un ojo eléctrico y que la llave abre una caja donde su abuelo guardó muchos secretos.&nbsp; Langdon le dijo que sea un dispositivo oficial del Priory de Sion de mundos antiguos y modernos.&nbsp; Sophie le preguntó que si él tiene un efectivo y las tarjetas de crédito y cuando él dijo él tiene, ella aceleró el coche hacia la estación de tren más cercana que se está moviendo de París, puesto que es demasiado difícil que él pida ayuda a la embajada de ESTADOS UNIDOS.&nbsp; Langdon tuvo gusto la idea menos y menos.<br><br>Capitulo 35<br>Interior de la estación de tren de Gare Santo-Lazare, compraron dos boletos usando la tarjeta de la visa de Langdon que se puede remontar posiblemente por el policía.&nbsp; Después de comprar boletos, escurr la estación y montaron en un taxi.&nbsp; Interior, Sophie rasgado los boletos, el dinero $70 no fue utilizado sino fue lanzado.&nbsp; Langdon está intentando comprobar la llave cruciforme para buscar cualquier pista, con todo él no vio nada.&nbsp; Intentando calcular fuera algo, él olía la llave y él olía algo, como un alcohol del frotamiento.&nbsp; Huele como alguien lo pulió con un limpiador.&nbsp; Intentando encontrar algo en la llave, él utilizó la pluma-luz ultra violeta, y afortunadamente, él vio algo escrito en él.&nbsp; Es una dirección.<br><br>24 Rue Haxo
<br><br>Pidieron que el conductor los trajera al lugar, pensando qué clase de lugar es él.<br><br>Capitulo 37<br>Langdon comenzó a decir a Sophie la historia de la fraternidad que atravesó más que un milenio...&nbsp; un chronicle asombroso de secretos, del chantaje, de la traición, e incluso de la tortura brutal en las manos de un papa enojado.&nbsp; El Priory de Sion fue fundado en Jerusalén en 1099 por un rey francés nombrado Godefroi de Bouillon, inmediatamente después que él había conquistado la ciudad.&nbsp; Rey Godefroi era alegado el poseedor de un secreto de gran alcance de los secret---a que había estado en su familia desde la época de Cristo.&nbsp; El temer que este secreto pudiera ser perdido cuando estuviera muerto, él fundó a fraternidad-secreta Priory de Sion-y los cargó con la protección de él encendido contra la generación a la generación.&nbsp; Durante sus años en Jerusalén, el Priory aprendió de un stash de los documentos ocultados enterrados debajo de las ruinas del templo de Herod, que habían sido construidas encima de las ruinas anteriores del templo de Solomon.&nbsp; Estos documentos, creyeron, el secreto de gran alcance de Godefroi corroborado y eran tan explosivos en la naturaleza que la iglesia pararía en que nada t las consigue.&nbsp; La hecho voto anteriormente que no importa cómo duró, estos documentos deben ser recuperados del escombro debajo del templo y ser protegidos por siempre, así que verdad nunca moriría.&nbsp; ¿Para recuperar los documentos dentro de las ruinas, el Priory creó a grupo militar del brazo-uno de nueve caballeros llamados la orden de los caballeros pobres de Cristo y el templo de Solomon, conocido más comunmente como el academics de los caballeros Templar.For, historia de s del Templar ' era un precario&nbsp; donde el hecho, el lore, y la información falsa se habían convertido así que intertwined eso que extraía una verdad prístina casi eran impossible.Were que los caballeros Templar fundaron por el Priory de Sion para recuperar una colección de documentos secretos?&nbsp; O, era el Templar creado para proteger la idea santa de Land?The de la protección de peregrinos era el modo bajo el cual el Templar funcionó su misión.&nbsp; Su meta verdadera en la tierra santa era recuperar los documentos debajo de las ruinas del temple.Did que encuentran them?Nobody saben para seguro, pero la una cosa en la cual todo el academics conviene es ésta:&nbsp; Los caballeros descubrieron que algo abajo allí en las ruinas... algo que las hizo ricas y de gran alcance más allá de cualquier persona los caballeros más salvajes de imagination.The era en la tierra santa durante el segundo crusade y dijeron a rey Baldwin II que estuvieran allí proteger a peregrinos cristianos en los caminos.&nbsp; Aunque esta' sin pagar y jurado a la pobreza, los caballeros dijeron a rey requirieron el abrigo básico y solicitaron su permiso de tomar la residencia en los establos debajo de las ruinas del templo.&nbsp; Rey Baldwin concedió la petición y los caballeros tomaron su residencia pobre dentro de los caballeros devastados de shrine.The creyeron que de los documentos buscados anteriormente fueron enterrados profundamente debajo de arruinar-debajo del santo de Holies, un compartimiento sagrado donde creyeron al dios mismo residir, literalmente, el mismo centro de la fe judía.&nbsp; Por casi una década, los nueve caballeros vivieron en las ruinas, excavando en totalsecreto con rock.Had sólido que descubrieron que lo hizo el something?They ciertamente. Los caballeros finalmente habían encontrado para lo que habían estado buscando. Tomaron el tesoro del templo y viajaron a Europa, en donde su influencia se parecía solidificar durante la noche. Nadie estaba seguro si los caballeros habían chantajeado el Vatican o si la iglesia intentó simplemente comprar el silencio del caballero, pero papa Innocent II publicó inmediatamente un toro papal sin precedente que produjo el límite de Templar de los caballeros menos energía y los declaró "una ley a independiente autónoma themselves"---an del ejército de toda la interferencia de los reyes y de los prelates, religiosos y de political.With su nueva carta blanca del Vatican, los caballeros que Templar se amplió en una tarifa de escalonamiento, en números y la fuerza política, amontonando estados extensos adentro sobre docena countries.They comenzó a ampliar crédito a los royals arruinados y a cargar interés en vuelta, allí todavía estableciendo actividades bancarias modernas y ensanchando su abundancia e influencia further.By el 1300s, la sanción de Vatican había ayudado a los caballeros a amontonar tanto energía que el papa Clement V decidía que algo tuvo que ser funcionamiento hecho en concierto con rey Philippe de Francia IV, el papa ideó una operación ingenioso prevista de la picadura para quash el Templar y para agarrar su tesoro, así tomar el control de secretos sostuvo sobre el Vatican.<br>En la maniobra militar digna de la Cia, papa Clement publicó las órdenes selladas secreto que se abrirán simultáneamente por sus soldados todos a través de Europa el viernes, de octubre el 13, del amanecer 1307.At del décimotercero, los documentos eran contenido sin sellar y su espantoso revelado. La letra clemente demandó que el dios lo había visitado en una visión y lo había advertido que los caballeros Templar fueran heretics culpables de la adoración del diablo, homosexualidad, profanando la cruz, la sodomía, y el otro comportamiento blasfemo. Habían preguntado papa Clement cerca y torturándolos hasta que confesaron sus crímenes contra la operación de Machiavellian de God. Clement's salieron con la precisión del mecanismo. En ese día, capturaron a los caballeros incontables, torturado sin piedad, y finalmente quemado en la cultura de la estaca, a este día, viernes los décimotercero eran considerados desafortunados. ¿Borraron a los caballeros Templar?&nbsp; Haga las fraternidades de Templar existen today?They , bajo nombres de la variedad.&nbsp; A pesar de cargas falsas clementes y los mejores esfuerzos de suprimirlos, los caballeros tenían aliados de gran alcance, y algunos manejados para escapar el Vatican purgan.&nbsp; El trove potente del tesoro del Templar de los documentos, que habían sido al parecer su fuente de la energía, era objetivo verdadero clemente, pero él se deslizó a través de sus dedos.&nbsp; Los documentos habían sido confiados de largo desde entonces a los arquitectos vagos del Templar, el Priory de Sion, en las cuales velo del secreto los había guardado con seguridad fuera de la gama del impacto del Vatican, como el Vatican cerrado, el Priory pasó de contrabando sus documentos de los preceptors de una París por noche sobre las naves de Templar en el la Rochelle.Where hizo los documentos que respuesta del misterio del go?That se sabe solamente al Priory de Sion.&nbsp; Porque los documentos siguen siendo la fuente de la investigación constante y especulación incluso hoy, se creen para haber sido movidos y re-para haber sido ocultados varias veces.&nbsp; La especulación actual pone los documentos en alguna parte en el Kingdom.From unido mil años, leyendas de este secreto se ha pasado encendido.&nbsp; La colección entera de documentos, de su energía, y del secreto que revela se ha sabido por un solo nombre-Sangreal.&nbsp; ¡Los centenares de libros se han escrito sobre él, y pocos misterios han causado tanto interés entre historiador como el Sangreal.The Sangreal!&nbsp; Hace la palabra tienen cualquier cosa hacer con la palabra francesa "cantó" o el "sangre"-significado español BLOOD?Blood era espina dorsal del Sangreal, pero no de la manera Sophie imaginado.&nbsp; ¿La leyenda es complicada, pero la cosa importante a recordar es que el Priory guarda la prueba, y presumiblemente está aguardando el momento derecho en historia para revelar la verdad de truth.What?&nbsp; Qué secreto podría posiblemente estar esa palabra Sangreal del powerful?The es una palabra antigua.&nbsp; Ha desarrollado sobre años en otro término...<br>un nombre más moderno.&nbsp; Cuando le digo su nombre moderno, usted realizará que usted sabe ya mucho sobre él.&nbsp; En hecho, casi cada uno en la tierra ha oído la historia del Sangreal;&nbsp; es llamado por el ' Grail santo conocido '.<br><br>Capitulo 38<br>Grail santo es el significado literal de Sangreal.&nbsp; La frase deriva del Sangreal francés, que se desarrolló a SanGreal, y estuvo partida eventual en dos palabras San Greal.&nbsp; Sangreal es una colección de documentos que revela un cierto secreto oscuro, pero algunos documentos de Sangreal son solamente mitad del tesoro santo de Grail.&nbsp; Se entierran con el Grail sí mismo... y revelan su significado verdadero.&nbsp; Los documentos dieron a caballeros la energía de Templar tanto porque las páginas revelaron la naturaleza verdadera de la naturaleza verdadera de Grail.The del Grail?The que Grail santo era la taza que Jesús bebió de la cena pasada y con qué José de Arimathea cogió más adelante su sangre en el crucifixion.&nbsp; Es la taza de Cristo.&nbsp; Pero según el Priory de Sion, el Grail santo no es una taza en todos.&nbsp; Demandan el Grail leyenda-que de a chalice-es realmente una alegoría ingeniously concebida.&nbsp; Es decir, que la historia de Grail utiliza el chalice como metáfora para el algo más, algo lejos más powerful.But cuál si el Grail santo no es una taza, cuál es el it?The Grail santo es discutible el la mayoría buscar-despue's del tesoro en historia humana.&nbsp; ¿El Grail ha frezado las leyendas, guerras, y guests.Does de por vida que tiene sentido que es simplemente un cup?If así pues, entonces otras reliquias debe generar ciertamente similar o mayor corona del intere's-de las espinas, de la cruz verdadera del Crucifixion, Titulus-y todavía, él no&nbsp; a través de la historia, el Grail santo ha sido la mayoría de los special.Why era él sabido no extensamente aunque fue escrito en muchos libros books?<br>These no puede competir posiblemente con siglos de la historia establecida, especialmente cuando esa historia es endosada por el último mejor vendedor de todo el libro de time.The del potter de Harry?&nbsp; No, pero la biblia.<br><br>INCOMPLETO......<br>


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href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Chat">Chat</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Vacations">Vacations</a></td></tr></tbody></table></td></tr><tr><td><img src="http://www.world-mystery.com/images/blank.gif" height="5" width="1"></td></tr><tr><td valign="top"><table border="0" cellpadding="0" cellspacing="0" width="100%"><tbody><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Real+Estate"><font color="#2a629d" size="2"><b>Real Estate</b></font></a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Mortgages">Mortgages</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Home+Insurance">Home Insurance</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Home+Equity+Loans">Home Equity Loans</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=For+Sale+by+Owner">For Sale by Owner</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Credit+Score">Credit Score</a></td></tr></tbody></table></td><td valign="top"><table border="0" cellpadding="0" cellspacing="0" width="100%"><tbody><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Autos"><font color="#2a629d" size="2"><b>Autos</b></font></a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Car+Insurance">Car Insurance</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Used+Cars">Used Cars</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Car+Loans">Car Loans</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Auto+Parts">Auto Parts</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Car+Hire">Car Hire</a></td></tr></tbody></table></td><td valign="top"><table border="0" cellpadding="0" cellspacing="0" width="100%"><tbody><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Business"><font color="#2a629d" size="2"><b>Business</b></font></a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Bankruptcy">Bankruptcy</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Business+Cards">Business Cards</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Affiliate+Programs">Affiliate Programs</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Conference+Calls">Conference Calls</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=CRM">CRM</a></td></tr></tbody></table></td><td valign="top"><table border="0" cellpadding="0" cellspacing="0" width="100%"><tbody><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Fun"><font color="#2a629d" size="2"><b>Fun</b></font></a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Music">Music</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Guitar">Guitar</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=DVD+Rental">DVD Rental</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Casino">Casino</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Poker">Poker</a></td></tr></tbody></table></td></tr><tr><td><img src="http://www.world-mystery.com/images/blank.gif" height="5" width="1"></td></tr><tr><td valign="top"><table border="0" cellpadding="0" cellspacing="0" width="100%"><tbody><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Personal+Finances"><font color="#2a629d" size="2"><b>Personal Finances</b></font></a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Jobs">Jobs</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Student+Loans">Student Loans</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Work+from+Home">Work from Home</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Personal+Loans">Personal Loans</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Checks">Checks</a></td></tr></tbody></table></td><td valign="top"><table border="0" cellpadding="0" cellspacing="0" width="100%"><tbody><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Computers"><font color="#2a629d" size="2"><b>Computers</b></font></a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Laptops">Laptops</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Software+Training">Software Training</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=High+Speed+Internet">High Speed Internet</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Data+Recovery">Data Recovery</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=DSL">DSL</a></td></tr></tbody></table></td><td valign="top"><table border="0" cellpadding="0" cellspacing="0" width="100%"><tbody><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Health+Care"><font color="#2a629d" size="2"><b>Health Care</b></font></a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Contact+Lenses">Contact Lenses</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Vitamins">Vitamins</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Health+Insurance">Health Insurance</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Cosmetic+Surgery">Cosmetic Surgery</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Laser+Eye+Surgery">Laser Eye Surgery</a></td></tr></tbody></table></td><td valign="top"><table border="0" cellpadding="0" cellspacing="0" width="100%"><tbody><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Shopping"><font color="#2a629d" size="2"><b>Shopping</b></font></a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Flowers">Flowers</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Gifts">Gifts</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Gift+Baskets">Gift Baskets</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Jewelry">Jewelry</a></td></tr><tr><td><b>·&nbsp;</b></td><td width="150"><a class="popular_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=5&amp;keyword=Books">Books</a></td></tr></tbody></table></td></tr><tr><td><img src="http://www.world-mystery.com/images/blank.gif" height="5" width="1"></td></tr><tr><td valign="top"><table border="0" cellpadding="0" cellspacing="0" width="100%"></table></td></tr></tbody></table></td></tr></tbody></table>
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                                                                                        </tr><tr><td><a class="related_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=3&amp;keyword=ancient+art"><img src="http://www.world-mystery.com/images/arrow_xml.jpg" border="0" height="5" width="10"></a></td><td><img src="http://www.world-mystery.com/images/blank.gif" height="1" width="6"></td><td align="left"><a class="related_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=3&amp;keyword=ancient+art">Ancient Art</a></td></tr><tr><td colspan="3"><img src="http://www.world-mystery.com/images/blank.gif" height="3" width="100%"></td></tr><tr><td><a class="related_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=3&amp;keyword=ancient+battery"><img src="http://www.world-mystery.com/images/arrow_xml.jpg" border="0" height="5" width="10"></a></td><td><img src="http://www.world-mystery.com/images/blank.gif" height="1" width="6"></td><td align="left"><a class="related_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=3&amp;keyword=ancient+battery">Ancient Battery</a></td></tr><tr><td colspan="3"><img src="http://www.world-mystery.com/images/blank.gif" height="3" width="100%"></td></tr><tr><td><a class="related_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=3&amp;keyword=ancient+civilizations"><img src="http://www.world-mystery.com/images/arrow_xml.jpg" border="0" height="5" width="10"></a></td><td><img src="http://www.world-mystery.com/images/blank.gif" height="1" width="6"></td><td align="left"><a class="related_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=3&amp;keyword=ancient+civilizations">Ancient Civilizations</a></td></tr><tr><td colspan="3"><img src="http://www.world-mystery.com/images/blank.gif" height="3" width="100%"></td></tr><tr><td><a class="related_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=3&amp;keyword=crop+circle"><img src="http://www.world-mystery.com/images/arrow_xml.jpg" border="0" height="5" width="10"></a></td><td><img src="http://www.world-mystery.com/images/blank.gif" height="1" width="6"></td><td align="left"><a class="related_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=3&amp;keyword=crop+circle">Crop Circle</a></td></tr><tr><td colspan="3"><img src="http://www.world-mystery.com/images/blank.gif" height="3" width="100%"></td></tr><tr><td><a class="related_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=3&amp;keyword=gnostic+religion"><img src="http://www.world-mystery.com/images/arrow_xml.jpg" border="0" height="5" width="10"></a></td><td><img src="http://www.world-mystery.com/images/blank.gif" height="1" width="6"></td><td align="left"><a class="related_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=3&amp;keyword=gnostic+religion">Gnostic Religion</a></td></tr><tr><td colspan="3"><img src="http://www.world-mystery.com/images/blank.gif" height="3" width="100%"></td></tr><tr><td><a class="related_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=3&amp;keyword=mystery"><img src="http://www.world-mystery.com/images/arrow_xml.jpg" border="0" height="5" width="10"></a></td><td><img src="http://www.world-mystery.com/images/blank.gif" height="1" width="6"></td><td align="left"><a class="related_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=3&amp;keyword=mystery">Mystery</a></td></tr><tr><td colspan="3"><img src="http://www.world-mystery.com/images/blank.gif" height="3" width="100%"></td></tr><tr><td><a class="related_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=3&amp;keyword=mystery+school"><img 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height="1" width="6"></td><td align="left"><a class="related_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=3&amp;keyword=Egyptian+Artifacts">Egyptian Artifacts</a></td></tr><tr><td colspan="3"><img src="http://www.world-mystery.com/images/blank.gif" height="3" width="100%"></td></tr><tr><td><a class="related_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=3&amp;keyword=Babylon"><img src="http://www.world-mystery.com/images/arrow_xml.jpg" border="0" height="5" width="10"></a></td><td><img src="http://www.world-mystery.com/images/blank.gif" height="1" width="6"></td><td align="left"><a class="related_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=3&amp;keyword=Babylon">Babylon</a></td></tr><tr><td colspan="3"><img src="http://www.world-mystery.com/images/blank.gif" height="3" width="100%"></td></tr><tr><td><a class="related_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=3&amp;keyword=Assyrian"><img src="http://www.world-mystery.com/images/arrow_xml.jpg" border="0" height="5" width="10"></a></td><td><img src="http://www.world-mystery.com/images/blank.gif" height="1" width="6"></td><td align="left"><a class="related_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=3&amp;keyword=Assyrian">Assyrian</a></td></tr><tr><td colspan="3"><img src="http://www.world-mystery.com/images/blank.gif" height="3" width="100%"></td></tr><tr><td><a class="related_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=3&amp;keyword=Ancient+Egypt"><img src="http://www.world-mystery.com/images/arrow_xml.jpg" border="0" height="5" width="10"></a></td><td><img src="http://www.world-mystery.com/images/blank.gif" height="1" width="6"></td><td align="left"><a class="related_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=3&amp;keyword=Ancient+Egypt">Ancient Egypt</a></td></tr><tr><td colspan="3"><img src="http://www.world-mystery.com/images/blank.gif" height="3" width="100%"></td></tr><tr><td><a class="related_new" href="http://www.world-mystery.com/index/search/search57.php?search_link=3&amp;keywo]]></content:encoded>
		<wfw:commentRSS>http://mcquire.bloghi.com/2006/03/08/world-mystery.html#comments</wfw:commentRSS>
	</item>
	<item>
		<title>Language Translator</title>
		<link>http://mcquire.bloghi.com/2006/03/08/language-translator.html</link>
		<comments>http://mcquire.bloghi.com/2006/03/08/language-translator.html#comments</comments>
		<pubDate>Wed, 08 Mar 2006 20:51:34 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/03/08/language-translator.html</guid>
		<description> 
                                           MultiTranse is an online Korean translator that allow you to translate Korean to English and English to Korean. The program can translate Korean words, phrases, sentences or even small texts, up to 6000...</description>
		<content:encoded><![CDATA[
 <table border="0" cellpadding="0" cellspacing="0" height="100%" width="98%"><tbody><tr><td><font class="myown"><p align="justify">                                          <b>MultiTranse</b> is an online Korean translator that allow you to translate Korean to English and English to Korean. The program can translate Korean words, phrases, sentences or even small texts, up to 6000 symbols at a time. So if you want to translate to/from Korean MultiTranse is one software application you absolutely must have. MultiTranse is not only online Korean translator - also supports online translation with 13 different languages that include English, Spanish, Italian, Portuguese, Korean, Dutch, French, Russian, Chinese, Greek, Japanese and Norwegian (only English-Norwegian is available). The program is 100% Unicode compatible, automatically determines font, encodes Unicode text into any ANSI format and the other way around. If the font is not found in the user's computer, the program offers an option to download it from the Microsoft's official website. The program comes with a multilingual user interface that is very simple and easy to use. First, you insert text, either by typing it, copying from the clipboard or opening a file. Then, press the button that identifies the language of the original. The next step is to choose the language the word, phrase, sentence or text needs to be translated to. Press the button to start translation. Important: You must have the Internet connection established! The results will appear in short time. Best of all, MultiTranse is distributed online as shareware, which means you can try it risk free at no cost to you. Download your copy now! <br><br></p></font>                                          <font class="myown"><u><b>Product features:</b></u></font>                                          </td>                                       </tr>                                       <tr>                                         <td>                                           <br>                                            <li><font class="myown">Translation to/from English, Spanish, Italian, Portuguese, Russian, Korean,                                                                    Chinese, Dutch, Greek, French, German, Japanese and Norwegian.</font>                                         </li></td>                                       </tr>                                       <tr>                                         <td>                                                                        <li><font class="myown">100% Unicode compatible. Encodes Unicode text into any ANSI                                                                    format and the other way around.</font>                                         </li></td>                                       </tr>                                                                          <tr>                                         <td>                                                                        <li><font class="myown">The font is set automatically. If the necessary font is not                                                                    found, the program automatically offers an option to download                                                                    it from the Microsoft's website.</font>                                         </li></td>                                       </tr>                                       <tr>                                         <td>                                                                         <li><font class="myown">Option to save or print the processed (translated) text.</font>                                         </li></td>                                       </tr>                                        <tr>                                         <td>                                                                        <li><font class="myown">Multilingual user interface. Now supported English, Catalan, Dutch,                                                                   Russian, Spanish.</font>                                         </li></td>                                       </tr>                                        <tr>                                         <td>                                                                        <li><font class="myown">Works with all versions of Windows including <font color="#669966"><strong>Windows XP</strong></font>! </font>                                         </li></td>                                       </tr>   	                           <tr> 	                              <td> 	                                  <br><br>                                           <table align="center">                                              <tbody><tr>                                                                                                   <td>                                                      						   <table align="left" border="0" cellpadding="0" cellspacing="0" height="17" width="109"> 						   <tbody><tr> 						       <td rowspan="3" height="17" width="5"><img src="http://www.tialsoft.com/img/but.gif" height="17" width="5"></td> 						       <td align="center" background="http://www.tialsoft.com/img/centerbut.gif" height="17" width="100"><a class="button" href="http://www.tialsoft.com/mtranse.exe"><nobr>Download (1068 kb)</nobr></a></td> 						       <td rowspan="3" height="17" width="4"><img src="http://www.tialsoft.com/img/ton.gif" height="17" width="4"></td> 						   </tr> 						   </tbody></table>                                                  </td>                                                                                                   <td>                                                     &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;                                                    </td><td>                                                                        <br></td><td>                                                       <table align="left" border="0" cellpadding="0" cellspacing="0" height="17" width="109"> 						        <tbody><tr> 						          <td rowspan="3" height="17" width="5"><img src="http://www.tialsoft.com/img/but.gif" height="17" width="5"></td> 						          <td align="center" background="http://www.tialsoft.com/img/centerbut.gif" height="17" width="100"><a class="button" href="http://www.tialsoft.com/order/"><nobr>&nbsp;Order ($19.95)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</nobr></a></td>											   						          <td rowspan="3" height="17" width="4"><img src="http://www.tialsoft.com/img/ton.gif" height="17" width="4"></td> 						        </tr> 					             </tbody></table>		                                                  </td><td>                                                <br></td></tr>                                           </tbody></table>                                        </td>                                    </tr>                                        <tr>                                       <td align="center">                                        <br><br>                                                                                  <img alt="MultiTranse" src="http://www.tialsoft.com/img/mt_korean.gif" border="0" height="464" width="517"></td></tr></tbody></table><br>http://www.tialsoft.com/multitranse/<br> 
]]></content:encoded>
		<wfw:commentRSS>http://mcquire.bloghi.com/2006/03/08/language-translator.html#comments</wfw:commentRSS>
	</item>
	<item>
		<title>Hundred Years of War</title>
		<link>http://mcquire.bloghi.com/2006/03/08/hundred-years-of-war.html</link>
		<comments>http://mcquire.bloghi.com/2006/03/08/hundred-years-of-war.html#comments</comments>
		<pubDate>Wed, 08 Mar 2006 19:57:05 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/03/08/hundred-years-of-war.html</guid>
		<description> 






The Hundred Year War




Between England and France.
1337 - 1453








Introduction


What was the reason for the Hundred Year War ?







Battles


The Battle of Sluys (1340)


The Battle of Lanmeur...</description>
		<content:encoded><![CDATA[

<hr style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);" size="2">

<center style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);"><table border="0" width="570">
<tbody><tr>
<td><center><img src="http://www.adhb30.dsl.pipex.com/100war_knight1.gif" height="100"></center></td>
<td><center><h1>The Hundred Year War</h1></center></td>
<td><center><img src="http://www.adhb30.dsl.pipex.com/100war_knight2.gif" height="100"></center></td>
</tr>
</tbody></table></center>

<center style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);"><h2><i>Between England and France.</i></h2></center>
<center style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);"><h2>1337 - 1453</h2></center>

<hr style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);" size="2">

<br style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);">
<br style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);">

<center style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);"><table border="0" cellpadding="5">
<tbody><tr>
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war01.htm">Introduction</a></center></td>
</tr>
<tr>
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war21.htm">What was the reason for the Hundred Year War ?</a></center></td>
</tr>
</tbody></table></center>

<br style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);">
<br style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);">
<br style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);">

<center style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);"><h3><u>Battles</u></h3></center>
<center style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);"><table border="0" cellpadding="5">
<tbody><tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war34.htm">The Battle of Sluys (1340)</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war20.htm">The Battle of Lanmeur (1341)</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war35.htm">The Siege of Calais (1346-1347)</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war13.htm">The Battle of Crécy (1346)</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war14.htm">The Battle of Poitiers (1356)</a></center></td>
</tr>
<tr style="font-weight: bold;"><td><center><a href="http://www.adhb30.dsl.pipex.com/100war24.htm">The Treaty of Brétigny (1360)</a></center></td>
</tr>

<tr style="font-weight: bold;"><td><center><a href="http://www.adhb30.dsl.pipex.com/100war36.htm">The Battle of Najera (1367)</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war08.htm">The Siege of Harfleur (1415)</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war03.htm">The Battle of Agincourt (1415)</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war29.htm">The Siege of Caen (1417)</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war30.htm">The Siege of Rouen (1418-1419)</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war31.htm">The Treaty of Saint-Maur-des-Fosses (1419)</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war32.htm">The Treaty of Troyes (1420)</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war33.htm">The Battle of Baugé (1421)</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war25.htm">The Battle of Cravant (1423)</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war26.htm">The Battle of Verneuil (1424)</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war23.htm">The Siege of Orléans (1428-1429)</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war22.htm">The Battle of Patay (1429)</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war27.htm">The Battle of Formigny (1450)</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war28.htm">The Battle of Castillon (1453)</a></center></td>
</tr>
</tbody></table></center>

<br style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);">
<br style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);">
<br style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);">

<center style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);"><h3><u>English</u></h3></center>
<center style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);"><table border="0" cellpadding="5">
<tbody><tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war10.htm">King Edward III</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war11.htm">The Black Prince</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war04.htm">King Richard II</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war05.htm">King Henry IV</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war06.htm">King Henry V</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war07.htm">King Henry VI</a></center></td>
</tr>
</tbody></table></center>

<br style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);">
<br style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);">
<br style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);">

<center style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);"><h3><u>French</u></h3></center>
<center style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);"><table border="0" cellpadding="5">
<tbody><tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war12.htm">King Charles IV</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war15.htm">King Philip VI</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war19.htm">King John II</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war16.htm">King Charles V</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war17.htm">King Charles VI</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war18.htm">King Charles VII</a></center></td>
</tr>
<tr style="font-weight: bold;">
<td><center><a href="http://www.adhb30.dsl.pipex.com/100war09.htm">Joan of Arc</a></center></td>
</tr>
</tbody></table></center>

<br style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);">
<br style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);">

<a style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);" href="mailto:webmaster@british-history.com"><img src="http://www.adhb30.dsl.pipex.com/e-mail1.gif" wspace="0" align="left" border="0" hspace="3"></a><font style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);" color="brown"><p><b><i>Although
I have tried to cover as much on this subject as possible, but at the
same time trying to keep it simple, I may have left some subjects off.
If you think that I should cover a particular subject during this
period, then I would be open to suggestions.</i></b></p></font>

<br style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);">

<hr style="background-color: rgb(255, 255, 51); color: rgb(255, 0, 0);" size="2">



]]></content:encoded>
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	</item>
	<item>
		<title>War of the Roses: A Historrical Event</title>
		<link>http://mcquire.bloghi.com/2006/03/08/war-of-the-roses-a-historrical-event.html</link>
		<comments>http://mcquire.bloghi.com/2006/03/08/war-of-the-roses-a-historrical-event.html#comments</comments>
		<pubDate>Wed, 08 Mar 2006 18:05:43 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/03/08/war-of-the-roses-a-historrical-event.html</guid>
		<description> 
           [&amp;nbsp;Book/Gifts&amp;nbsp;] [&amp;nbsp;Military&amp;nbsp;Links&amp;nbsp;] [&amp;nbsp;Secure&amp;nbsp;Purchasing&amp;nbsp;] [&amp;nbsp;Join&amp;nbsp;Mailing&amp;nbsp;List&amp;nbsp;] [&amp;nbsp;Ancient&amp;nbsp;History&amp;nbsp;] [&amp;nbsp;Viking&amp;nbsp;History&amp;nbsp;] [&amp;nbsp;Bannockburn&amp;nbsp;]...</description>
		<content:encoded><![CDATA[
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bordercolordark="#999999" bordercolorlight="#CCCCCC" bgcolor="#999999" border="1" width="99%">     <tbody><tr>       <td bgcolor="#000080" width="100%"><!--mstheme--><font face="Times New Roman, Times"><!--mstheme--></font><!--mstheme--><font face="Times New Roman, Times"><!--mstheme--></font><br></td>     </tr>   </tbody></table><!--mstheme--><font face="Times New Roman, Times"><!--mstheme--></font><!--msnavigation--><!--msnavigation--><table dir="ltr" border="0" cellpadding="0" cellspacing="0" width="100%"><tbody><tr><!--msnavigation--><td valign="top"><!--mstheme--><font face="Times New Roman, Times"> </font><div align="center"> <font face="Times New Roman, Times">  </font><center><!--mstheme--><table bgcolor="#336699" border="0" width="90%">   <tbody><tr>     <td width="100%"><!--mstheme--><font face="Times New Roman, Times">       </font><p align="center"><font face="Times New Roman, Times"><b><font color="#ffcc99" face="Monotype Corsiva" size="5">War of the Roses, Battle of Bosworth,       Battle of Barnet medieval prints of Richard III, Richard Duke of       Gloucester.</font></b>       </font></p><p align="center"><font face="Times New Roman, Times">&nbsp;</font></p> <font face="Times New Roman, Times">      </font><div align="center"> <font face="Times New Roman, Times">        <!--mstheme--></font><table bordercolordark="#999999" bordercolorlight="#CCCCCC" bgcolor="#0099cc" border="1" width="100%">           <tbody><tr>             <td colspan="2" width="100%"><!--mstheme--><font face="Times New Roman, Times">               </font><p align="center"><font face="Times New Roman, Times"><b><font face="Arial">The       Battles of the War of the Roses</font></b><!--mstheme--></font></p></td>           </tr>           <tr>             <td width="50%"><!--mstheme--><font face="Times New Roman, Times">               <!--mstheme--></font><!--msthemelist--><table border="0" cellpadding="0" cellspacing="0" width="100%">                 <!--msthemelist--><tbody><tr><td valign="baseline" width="42"><img src="http://www.medieval-art.com/_themes/rice/aricebu1.gif" alt="bullet" height="15" hspace="13" width="15"></td><td valign="top" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b>1455&nbsp;&nbsp;&nbsp;&nbsp; Battle of St Albans</b><!--mstheme--></font><!--msthemelist--></td></tr>                 <!--msthemelist--><tr><td valign="baseline" width="42"><img src="http://www.medieval-art.com/_themes/rice/aricebu1.gif" alt="bullet" height="15" hspace="13" width="15"></td><td valign="top" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b>1459&nbsp;&nbsp;&nbsp;&nbsp; Battle of Blore Heath</b><!--mstheme--></font><!--msthemelist--></td></tr>                 <!--msthemelist--><tr><td valign="baseline" width="42"><img src="http://www.medieval-art.com/_themes/rice/aricebu1.gif" alt="bullet" height="15" hspace="13" width="15"></td><td valign="top" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b>1459&nbsp;&nbsp;&nbsp;&nbsp; Battle of Ludford</b><!--mstheme--></font><!--msthemelist--></td></tr>                 <!--msthemelist--><tr><td valign="baseline" width="42"><img src="http://www.medieval-art.com/_themes/rice/aricebu1.gif" alt="bullet" height="15" hspace="13" width="15"></td><td valign="top" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b>1460&nbsp;&nbsp;&nbsp;&nbsp; Battle of Sandwich</b><!--mstheme--></font><!--msthemelist--></td></tr>                 <!--msthemelist--><tr><td valign="baseline" width="42"><img src="http://www.medieval-art.com/_themes/rice/aricebu1.gif" alt="bullet" height="15" hspace="13" width="15"></td><td valign="top" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b>1460&nbsp;&nbsp;&nbsp;&nbsp; Battle of Northampton</b><!--mstheme--></font><!--msthemelist--></td></tr>                 <!--msthemelist--><tr><td valign="baseline" width="42"><img src="http://www.medieval-art.com/_themes/rice/aricebu1.gif" alt="bullet" height="15" hspace="13" width="15"></td><td valign="top" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b>1460&nbsp;&nbsp;&nbsp;&nbsp;       Battle of Wakefield</b><!--mstheme--></font><!--msthemelist--></td></tr>                 <!--msthemelist--><tr><td valign="baseline" width="42"><img src="http://www.medieval-art.com/_themes/rice/aricebu1.gif" alt="bullet" height="15" hspace="13" width="15"></td><td valign="top" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b>1461&nbsp;&nbsp;&nbsp;&nbsp;       Battle of St Albans</b><!--mstheme--></font><!--msthemelist--></td></tr>                 <!--msthemelist--><tr><td valign="baseline" width="42"><img src="http://www.medieval-art.com/_themes/rice/aricebu1.gif" alt="bullet" height="15" hspace="13" width="15"></td><td valign="top" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b>1461&nbsp;&nbsp;&nbsp;&nbsp;       Battle of Ferrybridge</b><!--mstheme--></font><!--msthemelist--></td></tr>                 <!--msthemelist--><tr><td valign="baseline" width="42"><img src="http://www.medieval-art.com/_themes/rice/aricebu1.gif" alt="bullet" height="15" hspace="13" width="15"></td><td valign="top" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b>1461&nbsp;&nbsp;&nbsp;&nbsp;       Battle of Towton</b><!--mstheme--></font><!--msthemelist--></td></tr>               <!--msthemelist--></tbody></table><!--mstheme--><font face="Times New Roman, Times">             <!--mstheme--></font></td>             <td width="50%"><!--mstheme--><font face="Times New Roman, Times">               <!--mstheme--></font><!--msthemelist--><table border="0" cellpadding="0" cellspacing="0" width="100%">                 <!--msthemelist--><tbody><tr><td valign="baseline" width="42"><img src="http://www.medieval-art.com/_themes/rice/aricebu1.gif" alt="bullet" height="15" hspace="13" width="15"></td><td valign="top" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b>1464&nbsp;&nbsp;&nbsp;       Battle of Hedgeley Moor</b><!--mstheme--></font><!--msthemelist--></td></tr>                 <!--msthemelist--><tr><td valign="baseline" width="42"><img src="http://www.medieval-art.com/_themes/rice/aricebu1.gif" alt="bullet" height="15" hspace="13" width="15"></td><td valign="top" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b>1464&nbsp;&nbsp;&nbsp;       Battle of Hexham</b><!--mstheme--></font><!--msthemelist--></td></tr>                 <!--msthemelist--><tr><td valign="baseline" width="42"><img src="http://www.medieval-art.com/_themes/rice/aricebu1.gif" alt="bullet" height="15" hspace="13" width="15"></td><td valign="top" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b>1469&nbsp;&nbsp;&nbsp;       Battle of Banbury</b><!--mstheme--></font><!--msthemelist--></td></tr>                 <!--msthemelist--><tr><td valign="baseline" width="42"><img src="http://www.medieval-art.com/_themes/rice/aricebu1.gif" alt="bullet" height="15" hspace="13" width="15"></td><td valign="top" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b>1470&nbsp;&nbsp;&nbsp;       Battle of Lose-coat Field</b><!--mstheme--></font><!--msthemelist--></td></tr>                 <!--msthemelist--><tr><td valign="baseline" width="42"><img src="http://www.medieval-art.com/_themes/rice/aricebu1.gif" alt="bullet" height="15" hspace="13" width="15"></td><td valign="top" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b>1471&nbsp;&nbsp;&nbsp;       Battle of Ravenspur</b><!--mstheme--></font><!--msthemelist--></td></tr>                 <!--msthemelist--><tr><td valign="baseline" width="42"><img src="http://www.medieval-art.com/_themes/rice/aricebu1.gif" alt="bullet" height="15" hspace="13" width="15"></td><td valign="top" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b>1471&nbsp;&nbsp;&nbsp;       Battle of Barnet</b><!--mstheme--></font><!--msthemelist--></td></tr>                 <!--msthemelist--><tr><td valign="baseline" width="42"><img src="http://www.medieval-art.com/_themes/rice/aricebu1.gif" alt="bullet" height="15" hspace="13" width="15"></td><td valign="top" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b>1471&nbsp;&nbsp;&nbsp;       Battle of Tewkesbury</b><!--mstheme--></font><!--msthemelist--></td></tr>                 <!--msthemelist--><tr><td valign="baseline" width="42"><img src="http://www.medieval-art.com/_themes/rice/aricebu1.gif" alt="bullet" height="15" hspace="13" width="15"></td><td valign="top" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b>1485&nbsp;&nbsp;&nbsp;       Battle of Bosworth</b><!--mstheme--></font><!--msthemelist--></td></tr>               <!--msthemelist--></tbody></table><!--mstheme--><font face="Times New Roman, Times">             <!--mstheme--></font></td>           </tr>         </tbody></table><!--mstheme--><font face="Times New Roman, Times">       </font></div> <font face="Times New Roman, Times">      </font><p align="center"><font face="Times New Roman, Times"><b>War       of the Roses 1455 - 1485</b></font></p><p align="left"><font face="Times New Roman, Times"><font size="4">E</font><b>ngland       became engulfed in a civil war between the houses, of York and Lancaster.       The reigning monarch the weak Lancastrian King Henry VI (who also suffered       periods of madness) His week leadership developed&nbsp; the rivalry       between the two houses which flared up in warfare in 1455 at the battle of       St Albans. in 1461 King Henry VI was deposed and the Yorkist claimant       Edward IV became king. The fighting still continued and in 1470 Kind Henry       VI was re crowned.</b></font></p><p align="left"><font face="Times New Roman, Times"><b>Edward       IV rallied his Yorkist army at the battle of Tewksbury captured Queen       Margaret, and Killed The Young Edward (son of King Henry and Queen       Margaret). Soon after this battle Henry IV died mysteriously soon       after.&nbsp; This ended the main period of the Civil war.</b></font></p><p align="left"><font face="Times New Roman, Times"><b>Twelve       years later King Edward IV died, his successor being his 13 year old son Edward       V was overthrown by his uncle The Duke of Gloucester, and assumed the crown as       Kind Richard the third. In the&nbsp; Final battle of the Civil war in 1485       at Bosworth, King Richard was killed and the thrown was taken by The Earl       of Richmond King Henry VII.&nbsp;&nbsp; King Henry adopted the flag of a       red and white rose and established the Tudor Dynasty.&nbsp; The Tudor       Dynasty would rule England for over 100 years.</b>       </font></p><p><font face="Times New Roman, Times"><font face="Verdana, Arial, Helvetica" size="2">&nbsp;</font><!--mstheme--></font></p></td>   </tr> </tbody></table><!--mstheme--></center> </div> <div align="center"> <font face="Times New Roman, Times">  </font><center><!--mstheme--><font face="Verdana, Arial, Helvetica">      </font><font face="Verdana, Arial, Helvetica">         </font><font face="Verdana, Arial, Helvetica">         </font><font face="Verdana, Arial, Helvetica">         </font><font face="Verdana, Arial, Helvetica">         </font><font face="Verdana, Arial, Helvetica">         </font><font face="Verdana, Arial, Helvetica">         </font><font face="Verdana, Arial, Helvetica">         </font><font face="Verdana, Arial, Helvetica">         </font><font face="Verdana, Arial, Helvetica">         </font><font face="Verdana, Arial, Helvetica">         </font><font face="Verdana, Arial, Helvetica">         </font><font face="Verdana, Arial, Helvetica">         </font><font face="Verdana, Arial, Helvetica">         </font><table bordercolordark="#999999" bordercolorlight="#CCCCCC" bgcolor="#336699" border="1" height="7512" width="875">   <tbody><tr> <td colspan="2" bgcolor="#00000b" height="18" width="865"><!--mstheme--><font face="Times New Roman, Times">       <p align="center"><font color="#ffffff" face="Verdana, Arial, Helvetica" size="3">&nbsp;<a href="http://www.naval-art.com/best_prices.htm" target="_blank"> <b>ARE       THESE THE BEST PRICES AVAILABLE CLICK HERE TO CONFIRM THE ANSWER YES</b></a></font></p>     <!--mstheme--></font></td>      </tr>   <tr>      <td colspan="2" height="19" width="865"><!--mstheme--><font face="Times New Roman, Times">       <p align="center"><b><a name="War of the Roses"><font face="Arial">War of the Roses</font></a></b></p>     <!--mstheme--></font></td>   </tr>   <tr>     <td colspan="2" bgcolor="#808080" height="57" width="865"><!--mstheme--><font face="Times New Roman, Times">       </font><p align="center"><font face="Times New Roman, Times"><font color="#ffffff"><a href="http://www.chriscollingwood.com/guest_book.htm" target="_blank"><b><font face="Arial">To       order these prints through our secure shopping cart (basket)&nbsp; central website. Click on the text line of print         size required shown below image.</font></b>&nbsp; <b>You can continue shopping in any of our websites and&nbsp;       continue putting items in         your shopping cart. for further details of how our sites work click here</b></a></font><!--mstheme--></font></p></td>   </tr>   <tr>       <td bgcolor="#336699" height="323" width="435"><!--mstheme--><p align="center"><font face="Times New Roman, Times"><b>&nbsp;</b>&nbsp;<a href="http://www.military-art.com/dhm706.htm"><font size="3"><img src="http://www.medieval-art.com/images/dhm_706_small.jpg" alt="dhm_706.gif (1071528 bytes)" border="0" height="114" width="240"></font></a>         &nbsp;         </font></p> <font face="Times New Roman, Times">        </font><div align="center"> <font face="Times New Roman, Times">          <!--mstheme--></font><table bordercolordark="#999999" bordercolorlight="#CCCCCC" border="1" width="80%">             <tbody><tr>               <td bordercolor="#808000" bgcolor="#ffff99" width="100%"><!--mstheme--><font face="Times New Roman, Times">                 </font><p align="center"><font face="Times New Roman, Times"><b><font color="#000000" size="3">Click text                 below to                 view large image or purchase this item in our shop</font></b><!--mstheme--></font></p></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=2452" target="_blank"><font color="#ffffff">Signed                 Limited Edition Art Print</font></a></b><!--mstheme--></font></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=2453" target="_blank"><font color="#ffffff">Signed                 Artist Proof</font></a></b><!--mstheme--></font></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=2454" target="_blank"><font color="#ffffff">Large                 Giclee Canvas Prints</font></a></b><!--mstheme--></font></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=2455" target="_blank"><font color="#ffffff">Original                 Oil Painting&nbsp;</font></a></b><!--mstheme--></font></td>             </tr>           </tbody></table><!--mstheme--><font face="Times New Roman, Times">         </font></div> <font face="Times New Roman, Times">        </font><p align="center"><font face="Times New Roman, Times"><b>&nbsp;</b></font></p> <font face="Times New Roman, Times">      <!--mstheme--></font></td>       <td bgcolor="#336699" height="323" width="436"><!--mstheme--><font face="Times New Roman, Times">         <p><b><font size="3">&nbsp;Battle of Barnet by Chris Collingwood</font></b></p>       <p><b><font size="3">Signed Limited Edition of 1,150 prints plus 50 artists proofs. From       the limited edition 50 are available as Giclee canvas prints at a larger       size of 40" x 25". Canvas print price £660. To know more about       Giclee prints and our range <a href="http://www.battle-of-waterloo.com/canvas_prints.htm">click         here</a>.</font></b></p>       <p><b><font size="3">To view larger picture click image above.</font></b></p>       <p><b><font size="3">Print serial number DHM706. Signed Limited Edition of 1,150 prints plus       50 artists proofs. Image size 34" x 15". Print price £80 ($145).</font></b></p>       <p><b><font size="3">&nbsp;Artists proof price       £115 ($200).</font></b></p>       <p><font size="3">Original oil painting for sale, size 78" x 34", price       £17,000       export.</font><b><font size="3">&nbsp;</font></b></p>       <!--mstheme--></font></td>   </tr>   <tr>      <td colspan="2" height="135" width="865"><!--mstheme--><font face="Times New Roman, Times"><font face="Arial" size="2">Text for the Above Print</font>       </font><p> <font face="Times New Roman, Times"><font face="Arial" size="2"> The Battle of Barnet was fought in a heavy mist, on Easter Sunday 14th       April 1471. Due to a misalignment of the opposing armies, all became       confusion. The centre of the battle (as depicted here) was fought at close       quarters, a mass of struggling knights and men at arms with comrade       fighting comrade, their vision of the battle obscured by mist. The       Yorkist's under the leadership of King Edward IV triumphed, leaving the       Lancastrians with hopes dashed. Their champion and leader, the great       Richard Neville, Earl of Warwick 'The King Maker' lay dead, cut down while       struggling to regain his charger. In the painting Edward IV charges toward       the banner of Henry Holland, Duke of Exeter, while in the foreground       soldiers of the Houses of York and Lancaster hack and slash at each other       in terrified butchery.</font><!--mstheme--></font></p></td>   </tr>   <tr>       <td bgcolor="#336699" height="479" width="435"><!--mstheme--><font face="Times New Roman, Times">       </font><p align="center"><font face="Times New Roman, Times"><img src="http://www.medieval-art.com/images/dhm1315.jpg" border="0" height="265" width="400"></font></p> <font face="Times New Roman, Times">      </font><p align="center"><font face="Times New Roman, Times"><font size="4"><b>Original oil painting for sale       30" x20" price £2,200&nbsp;</b></font><b>&nbsp;</b>&nbsp;&nbsp;         </font></p><div align="center"> <font face="Times New Roman, Times">          <!--mstheme--></font><table bordercolordark="#999999" bordercolorlight="#CCCCCC" border="1" width="80%">             <tbody><tr>               <td bordercolor="#808000" bgcolor="#ffff99" width="100%"><!--mstheme--><font face="Times New Roman, Times">                 </font><p align="center"><font face="Times New Roman, Times"><b><font color="#000000" size="3">Click text                 below to                 view large image or purchase this item in our shop</font></b><!--mstheme--></font></p></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=2892" target="_blank"><font color="#ffffff">Signed                 Limited Edition Art Print</font></a></b><!--mstheme--></font></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=2893" target="_blank"><font color="#ffffff">Signed                 Artist Proof</font></a></b><!--mstheme--></font></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=2894" target="_blank"><font color="#ffffff">Small                 Giclee Canvas Prints</font></a></b><!--mstheme--></font></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=2895" target="_blank"><font color="#ffffff">Large                 Giclee Canvas Prints</font></a></b><!--mstheme--></font></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=2896" target="_blank"><font color="#ffffff">Original                 Oil Painting&nbsp;</font></a></b><!--mstheme--></font></td>             </tr>           </tbody></table><!--mstheme--><font face="Times New Roman, Times">         </font></div> <font face="Times New Roman, Times">      <!--mstheme--></font></td>       <td bgcolor="#336699" height="479" width="436"><!--mstheme--><font face="Times New Roman, Times"><b><span style="font-size: 10pt; font-family: Arial;">Battle       of Bosworth by Brian Palmer</span></b>       </font><p><span style="font-size: 10pt; font-family: Arial;"><font face="Times New Roman, Times"><b>Richard       III is shown about to be unhorsed at the Battle of Bosworth</b></font></span><font face="Times New Roman, Times">.&nbsp;       <span style="font-size: 10pt; font-family: Arial;"><b>Latest       in the series of medieval battles</b></span></font></p> <font face="Times New Roman, Times">      </font><p><font face="Times New Roman, Times"><b>Signed Limited Edition of 1,150 prints plus 50 artists proofs. From       the limited edition 50 are available as Giclee canvas prints at a larger       size of 30" x 20". Canvas print price £420 or 36" x       24" price £550 ($850). To know more about Giclee prints and our       range <a href="http://www.battle-of-waterloo.com/canvas_prints.htm">click       here</a>.&nbsp;</b></font></p> <font face="Times New Roman, Times">      </font><p><font face="Times New Roman, Times"><b>Print Serial Number DHM1315. Print image size 25 x 15". Print       price £80 ($145).&nbsp;</b></font></p> <font face="Times New Roman, Times">      </font><p><font face="Times New Roman, Times"><b>Artists proof price £115 ($200).<font size="2">&nbsp;</font></b><font size="3">&nbsp;</font></font></p> <font face="Times New Roman, Times">        </font><p><font face="Times New Roman, Times"><b><font size="3">&nbsp;</font></b></font></p> <font face="Times New Roman, Times">        </font><p><font face="Times New Roman, Times"><b><font size="3">&nbsp;</font></b><!--mstheme--></font></p></td>   </tr>   <tr>     <td colspan="2" bgcolor="#808080" height="57" width="865"><!--mstheme--><font face="Times New Roman, Times">       </font><p align="center"><font face="Times New Roman, Times"><font color="#ffffff"><a href="http://www.chriscollingwood.com/guest_book.htm" target="_blank"><b><font face="Arial">To       order these prints through our secure shopping cart (basket)&nbsp; central website. Click on the text line of print         size required shown below image.</font></b>&nbsp; <b>You can continue shopping in any of our websites and&nbsp;       continue putting items in         your shopping cart. for further details of how our sites work click here</b></a></font><!--mstheme--></font></p></td>   </tr>   <tr>       <td bgcolor="#006699" height="556" width="434"><!--mstheme--><font face="Times New Roman, Times">         <p><b>Sun in Splendour by Chris Collingwood.</b></p>         <p>Soldiers of the Yorkist cause c.1461.&nbsp; Crossbowman, Man at arms         and knight with the standard of the Sun in Splendour.</p>         <p><b>Signed Limited Edition of 1,150 prints plus 50 artists proofs.         From the limited edition 50 are available as Giclee canvas prints at a         larger size of 36" x 26". Canvas print price £550 or larger         canvas print 40" x 30", price £660.&nbsp; To know         more about Giclee prints and our range <a href="http://www.battle-of-waterloo.com/canvas_prints.htm">click         here</a>.&nbsp;</b> </p>         <p><b>DHM1393. Image size 25" x 17".</b>  <b>Print price £85         ($155).</b> </p>         <p> <b>Artists proof price £120 ($200).</b></p>         <p><b>Original painting oil on canvas available. Size 40" x         30". Price £7,500.</b></p>         <p><font color="#ff0000"><b>&nbsp;</b></font></p>       <!--mstheme--></font></td>       <td bgcolor="#006699" height="556" width="419"><!--mstheme--><font face="Times New Roman, Times">         </font><p align="center"><font face="Times New Roman, Times"><img src="http://www.medieval-art.com/images/dhm1393.jpg" border="0" height="350" width="263"></font></p> <font face="Times New Roman, Times">        </font><div align="center"> <font face="Times New Roman, Times">          <!--mstheme--></font><table bordercolordark="#999999" bordercolorlight="#CCCCCC" border="1" width="80%">             <tbody><tr>               <td bordercolor="#808000" bgcolor="#ffff99" width="100%"><!--mstheme--><font face="Times New Roman, Times">                 </font><p align="center"><font face="Times New Roman, Times"><b><font color="#000000" size="3">Click text below to view                 large image or purchase this item in our shop</font></b><!--mstheme--></font></p></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=8527" target="_blank"><font color="#ffffff">Signed                 Limited Edition Art Print</font></a></b><!--mstheme--></font></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=8528" target="_blank"><font color="#ffffff">Artist                 Proof&nbsp; Prints</font></a></b><!--mstheme--></font></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=8529" target="_blank"><font color="#ffffff">Small                 Giclee Canvas Prints</font></a></b><!--mstheme--></font></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=8530" target="_blank"><font color="#ffffff">Large                 Giclee Canvas Print</font></a></b><!--mstheme--></font></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=8531" target="_blank"><font color="#ffffff">Original                 Oil painting</font></a><font color="#ffffff">&nbsp;</font></b><!--mstheme--></font></td>             </tr>           </tbody></table><!--mstheme--><font face="Times New Roman, Times">         </font></div> <font face="Times New Roman, Times">      <!--mstheme--></font></td>   </tr>   <tr>       <td bgcolor="#336699" height="396" width="435"><!--mstheme--><p align="center"><font face="Times New Roman, Times"><b>&nbsp;</b>&nbsp; <a href="http://www.military-art.com/dhm975.htm"><font size="3"><img src="http://www.medieval-art.com/images/dhm_975_small.jpg" border="0" height="180" hspace="10" vspace="10" width="240"></font></a>         </font></p> <font face="Times New Roman, Times">        </font><div align="center"> <font face="Times New Roman, Times">          <!--mstheme--></font><table bordercolordark="#999999" bordercolorlight="#CCCCCC" border="1" width="80%">             <tbody><tr>               <td bordercolor="#808000" bgcolor="#ffff99" width="100%"><!--mstheme--><font face="Times New Roman, Times">                 </font><p align="center"><font face="Times New Roman, Times"><b><font color="#000000" size="3">Click text                 below to                 view large image or purchase this item in our shop</font></b><!--mstheme--></font></p></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=2445" target="_blank"><font color="#ffffff">Signed                 Limited Edition Art Print</font></a></b><!--mstheme--></font></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=2446" target="_blank"><font color="#ffffff">Signed                 Artist Proof</font></a></b><!--mstheme--></font></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=588" target="_blank"><font color="#ffffff">Small                 Giclee Canvas Prints</font></a><font color="#ffffff"> not in</font></b><!--mstheme--></font></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=2447" target="_blank"><font color="#ffffff">Large                 Giclee Canvas Prints</font></a></b><!--mstheme--></font></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=2448" target="_blank"><font color="#ffffff">Original                 Oil Painting&nbsp;</font></a></b><!--mstheme--></font></td>             </tr>           </tbody></table><!--mstheme--><font face="Times New Roman, Times">         </font></div> <font face="Times New Roman, Times">      <!--mstheme--></font></td>       <td bgcolor="#336699" height="396" width="436"><!--mstheme--><font face="Times New Roman, Times">         <p><b><font size="3">Richard III by Chris Collingwood</font></b></p>         <p align="left"><font size="3">Richard Duke of Gloucester (later Richard III), after            the Battle of Tewkesbury, 4th May 1471. Banners are of Richard Duke            of Gloucesters White Boar and Sir John Stafford Of Mordaunt's (created            Earl of Wiltshire by Edward IV) coat of arms.</font></p>         <p align="left"><b><font size="3">Signed Limited Edition of 1,150 prints plus 50         artists proofs. From the limited edition 50 are available as Giclee         canvas prints at a larger size of 40" x 30". Canvas print         price £660. or a canvas szie 36" x 26" price £550 To know more about Giclee prints and our range <a href="http://www.battle-of-waterloo.com/canvas_prints.htm">click         here</a>.</font></b></p>         <p align="left"><b><font size="3">DHM975. Image size 25" x 17". Print price £80         ($145).&nbsp;</font> </b></p>         <p align="left"><b><font size="3"> Artists proof price £115 ($200).</font> </b></p>         <p align="left"><font size="3"><b>ORIGINAL OIL PAINTING FOR SALE OIL ON CANVAS, 40"            X 30", PRICE £7,500 (EXPORT).&nbsp;</b></font></p>       <!--mstheme--></font></td>   </tr>   <tr>       <td bgcolor="#336699" height="369" width="435"><!--mstheme--><p align="center"><font face="Times New Roman, Times"><img src="http://www.medieval-art.com/images/dhm_255.jpg" height="178" hspace="10" vspace="10" width="270"><b>&nbsp;</b>&nbsp;</font></p> <font face="Times New Roman, Times">        </font><div align="center"> <font face="Times New Roman, Times">          <!--mstheme--></font><table bordercolordark="#999999" bordercolorlight="#CCCCCC" border="1" width="80%">             <tbody><tr>               <td bordercolor="#808000" bgcolor="#ffff99" width="100%"><!--mstheme--><font face="Times New Roman, Times">                 </font><p align="center"><font face="Times New Roman, Times"><b><font color="#000000" size="3">Click text                 below to                 view large image or purchase this item in our shop</font></b><!--mstheme--></font></p></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=919" target="_blank"><font color="#ffffff">Signed&nbsp;                 Edition Art Print</font></a></b><!--mstheme--></font></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=1134" target="_blank"><font color="#ffffff">Signed                 Artist Proof</font></a></b><!--mstheme--></font></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=920" target="_blank"><font color="#ffffff">Small                 Size Print</font></a></b><!--mstheme--></font></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=921" target="_blank"><font color="#ffffff">Original                 40" X 30" Oil Painting</font></a></b><!--mstheme--></font></td>             </tr>           </tbody></table><!--mstheme--><font face="Times New Roman, Times">         </font></div> <font face="Times New Roman, Times">      <!--mstheme--></font></td>       <td bgcolor="#336699" height="369" width="436"><!--mstheme--><font face="Times New Roman, Times">        <p><b><font size="5">Richard III at the Battle of Bosworth, 22nd August       1485 by Mark Churms</font></b></p>       <p><b><font size="5">Print serial number DHM255. Print signed by artist.       Image size 23" x 15". Print price £42 ($75).</font></b></p>         <p><b><font size="5">50 Artist Proof Price £80 ($145)</font></b></p>       <p><b><font size="5">&nbsp;Small image serial number VAR361. Image size       11.5" x 8". Signed Print price £24 ($45).</font></b></p>       <p><b><font size="5">Original oil painting 40" x 30" Price       £6,000 export</font></b></p>       <!--mstheme--></font></td>   </tr>   <tr>     <td colspan="2" height="141" width="865"><!--mstheme--><font face="Times New Roman, Times"><b><font face="Arial" size="2">Background       to the above print:</font></b>       </font><p><font face="Times New Roman, Times"><font face="Arial" size="2">The decisive battle of the War       of the Roses was fought near Market Bosworth. Richard of Gloucester, the       last Plantagenate King of England was to "try consequences" with       Henry Tudor, Earl of Richmond,. The bloody conflict began in the       traditional manner with the opposing armies drawn up in a line, facing one       another, except for the forces of Thomas Neville, Lord Stanley, as yet       uncommitted to either side. King Richard III is seated astride his grey       charger in his fine blued harness. He is accompanied by his personal       standard and the royal standard, alongside that of Lord Zouch to his       right. His herald, trumpet are at his side. To his left Richard's       Chamberlain and Admiral, Viscount Lord Lovel, sits ready, astride his       mount. To the rear, the rest of the household and choice force of cavalry,       kept out of shot to avoid unnecessary casualties amongst the expensive war       horses.</font><!--mstheme--></font></p></td>   </tr>   <tr>         <td height="284" width="418"><!--mstheme--><font face="Times New Roman, Times">           </font><p align="center"><font face="Times New Roman, Times"><img src="http://www.medieval-art.com/images/dhm1134.jpg" border="0" height="181" width="320"></font></p> <font face="Times New Roman, Times">          </font><p align="center"><font face="Times New Roman, Times">&nbsp;</font></p> <font face="Times New Roman, Times">        </font><div align="center"> <font face="Times New Roman, Times">          <!--mstheme--></font><table bordercolordark="#999999" bordercolorlight="#CCCCCC" border="1" width="80%">             <tbody><tr>               <td bordercolor="#808000" bgcolor="#ffff99" width="100%"><!--mstheme--><font face="Times New Roman, Times">                 </font><p align="center"><font face="Times New Roman, Times"><b><font color="#000000" size="3">Click text                 below to                 view large image or purchase this item in our shop</font></b><!--mstheme--></font></p></td>             </tr>             <tr>               <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=7374" target="_blank"><font color="#ffffff">Open&nbsp;                 Edition Art Print</font></a></b><!--mstheme--></font></td>             </tr>           </tbody></table><!--mstheme--><font face="Times New Roman, Times">         </font></div> <font face="Times New Roman, Times">        <!--mstheme--></font></td>         <td height="284" width="434"><!--mstheme--><font face="Times New Roman, Times"><b><font face="Verdana, Arial, Helvetica" size="3">Sanctuary           by Richard Burchett.</font></b>           </font><p><font face="Times New Roman, Times"><font face="Verdana, Arial, Helvetica"><b>Edward IV and Lancastrian           Fugitives at Tewkesbury Abbey.</b></font></font></p> <font face="Times New Roman, Times">          </font><p><font face="Times New Roman, Times"><font face="Verdana, Arial, Helvetica"><b>Open edition print.           Restricted to 800 copies.&nbsp; Image size 25" x 14" (64cm x           36cm).</b></font></font></p> <font face="Times New Roman, Times">          </font><p><font face="Times New Roman, Times"><font face="Verdana, Arial, Helvetica"><b>Order Code           DHM1134.&nbsp;&nbsp;</b></font></font></p> <font face="Times New Roman, Times">          </font><p><font face="Times New Roman, Times"><font face="Verdana, Arial, Helvetica"><b>Price £42.</b></font><!--mstheme--></font></p></td>   </tr>   <tr> <td bgcolor="#006699" height="429" width="435"><!--mstheme--><font face="Times New Roman, Times">           </font><p align="center"><font face="Times New Roman, Times"><img src="http://www.medieval-art.com/images/gt12.jpg" border="0" height="230" width="320"><b>&nbsp;</b>&nbsp;</font></p> <font face="Times New Roman, Times">          </font><div align="center"> <font face="Times New Roman, Times">            <!--mstheme--></font><table bordercolordark="#999999" bordercolorlight="#CCCCCC" border="1" width="80%">               <tbody><tr>                 <td bordercolor="#808000" bgcolor="#ffff99" width="100%"><!--mstheme--><font face="Times New Roman, Times">                   </font><p align="center"><font face="Times New Roman, Times"><b><font color="#000000" size="3">Click text                 below to                 view large imageor purchase this item in our shop</font></b><!--mstheme--></font></p></td>               </tr>               <tr>                 <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><font color="#ffffff"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=1257" target="_blank">Open                   Edition Art Print</a></b></font><!--mstheme--></font></td>               </tr>             </tbody></table><!--mstheme--><font face="Times New Roman, Times">           </font></div> <font face="Times New Roman, Times">        <!--mstheme--></font></td>         <td bgcolor="#006699" height="429" width="436"><!--mstheme--><font face="Times New Roman, Times"><b>The Battle of Wakefield by Graham Turner</b>       </font><p><font face="Times New Roman, Times">On December 30th, 1460, the heirs of the Lancastrian Nobles killed at       St. Albans found themselves able to avenge their father's deaths when       their army trapped the Duke of York and Earl of Salisbury in Sandal       Castle, near Wakefield. Lured out from the safety of the castle walls and       into open battle, York's heavily outnumbered force found themselves       surrounded and in the fierce melee that followed, York and many of his       followers lost their lives, his son, Edmund, amongst them.       </font></p><p><font face="Times New Roman, Times">The Earl of Salisbury was captured and taken to Pontefract by the Duke       of Somerset where he was summarily executed, his head joining those of the       other Yorkist leaders over the gates of York.       </font></p><p><font face="Times New Roman, Times">However, the Lancastrian triumph was to be short lived, for they were       almost totally annihilated three months later at the battle of Towton.       </font></p><p align="center"><font face="Times New Roman, Times"><b>Open edition print.&nbsp; Paper size 15" x       12" (38cm x 31cm).&nbsp; Order code GT12.</b></font>&nbsp;&nbsp; <font face="Verdana, Arial, Helvetica"><b>Price £20<font size="4">&nbsp;</font></b></font></p> <font face="Verdana, Arial, Helvetica">        </font><!--mstheme--></td>   </tr>   <tr> <td bgcolor="#006699" height="269" width="435"><!--mstheme--><font face="Times New Roman, Times">           </font><p align="center"><font face="Times New Roman, Times"><b>&nbsp;</b>&nbsp;<img src="http://www.medieval-art.com/images/gt11.jpg" border="0" height="225" width="320"></font></p> <font face="Times New Roman, Times">          </font><div align="center"> <font face="Times New Roman, Times">            <!--mstheme--></font><font face="Verdana, Arial, Helvetica">         </font><table bordercolordark="#999999" bordercolorlight="#CCCCCC" border="1" width="80%">               <tbody><tr>                 <td bordercolor="#808000" bgcolor="#ffff99" width="100%"><!--mstheme--><font face="Times New Roman, Times">                   </font><p align="center"><font face="Times New Roman, Times"><b><font color="#000000" size="3">Click text                 below to                 view large image or purchase this item in our shop</font></b><!--mstheme--></font></p></td>               </tr>               <tr> <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><font color="#ffffff"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=1256" target="_blank">Open           Edition Art Print</a></b></font><!--mstheme--></font></td>                </tr>             </tbody></table><!--mstheme--><font face="Times New Roman, Times">           </font></div> <font face="Times New Roman, Times">        <!--mstheme--></font></td>         <td bgcolor="#006699" height="269" width="436"><!--mstheme--><font face="Times New Roman, Times"><b><font size="4">&nbsp;</font>The Battle of St Albans - 22nd May 1455 by Graham Turner.</b>       </font><p align="center"><font face="Times New Roman, Times"><b>Open edition print.&nbsp; Paper size 30" x       24" (76cm x 61cm).&nbsp; Order code GT11.</b></font>&nbsp;&nbsp;&nbsp;           <font face="Verdana, Arial, Helvetica"><b>Price £40.</b></font></p> <font face="Verdana, Arial, Helvetica">        </font><!--mstheme--></td>   </tr>   <tr>         <td colspan="2" bgcolor="#006699" height="137" width="871"><!--mstheme--><p align="center"><font face="Times New Roman, Times"><b>Text           for 'The Battle of St Albans'</b></font></p><p align="center"><font face="Times New Roman, Times">On the 22nd May 1455, the struggle for control of the government of England boiled over into armed conflict in the first battle of what would become known as the Wars of the Roses. The following thirty years would see the throne itself become the prize for the rival Royal houses of Lancaster and York.&nbsp; When King Henry VI regained his sanity in January 1455, the Duke of York`s brief protectorate came to an end and his chief rival, the Duke of Somerset, regained his position of influence at court.&nbsp; York withdrew to the north and began mustering men, supported by his brother in law, the Earl of Salisbury, and Salisbury`s son, Richard Neville, the Earl of Warwick, later known as the `Kingmaker`.&nbsp; Advancing towards London, the Yorkist force found the Royal army positioned in the small town of St. Albans. When negotiations for the Duke of Somerset's surrender broke down, York`s men stormed the town`s defences while Warwick broke into the market place through alleys and gardens, attacking the Lancastrian centre.&nbsp; At first the two sides negotiated, with the Yorkists protesting their loyalty to the King but demanding that Somerset be surrendered to them.&nbsp; The Lancastrian's refused and York's men stormed the town's defences while Warwick broke into the market place through alleys and gardens, attacking the Lancastrian centre.&nbsp; Somerset, Northumberland and Clifford were amongst those killed in the fighting and the King was slightly wounded in the neck by an arrow.&nbsp; Pardoned by the King after the battle, the Duke of York became protector once again, but this unstable situation would not last for long before the old rivalries led to further bloodshed.&nbsp;&nbsp;</font></p><p align="center"><font face="Times New Roman, Times">Features from left to right :           Duke of York's Standard; Richard Plantagenet, Duke of York; Earl of           Warwick's coat of arms; Earl of Warwick's Standard; Richard Neville,           Earl of Warwick;Duke of Somerset;'s Standard.<!--mstheme--></font></p></td>   </tr>   <tr>     <td colspan="2" bgcolor="#808080" height="57" width="865"><!--mstheme--><font face="Times New Roman, Times">       </font><p align="center"><font face="Times New Roman, Times"><font color="#ffffff"><a href="http://www.chriscollingwood.com/guest_book.htm" target="_blank"><b><font face="Arial">To       order these prints through our secure shopping cart (basket)&nbsp; central website. Click on the text line of print         size required shown below image.</font></b>&nbsp; <b>You can continue shopping in any of our websites and&nbsp;       continue putting items in         your shopping cart. for further details of how our sites work click here</b></a></font><!--mstheme--></font></p></td>   </tr>   <tr> <td bgcolor="#006699" height="510" width="435"><!--mstheme--><font face="Times New Roman, Times">           </font><p align="center"><font face="Times New Roman, Times"><b>&nbsp;</b>&nbsp;<img src="http://www.medieval-art.com/images/gt10.jpg" border="0" height="187" width="320"></font></p> <font face="Times New Roman, Times">          </font><p align="center"><font face="Times New Roman, Times"><font size="2"><b>&nbsp;</b><b>Features left to           right : Neville Banner; William Stanley's Banner; Maurice Berkeley's           Banner; Duke of Clarence's Standard; Royal Standard; Edward IV;           Standard of Edward IV; Duke of Norfolk's Standard; Duke of           Gloucester's Standard; John Harper's Banner; Christopher Worsley's           Banner; Duke of Somerset's Standard.</b></font></font></p> <font face="Times New Roman, Times">          </font><div align="center"> <font face="Times New Roman, Times">            <!--mstheme--></font><font face="Verdana, Arial, Helvetica">         </font><table bordercolordark="#999999" bordercolorlight="#CCCCCC" border="1" width="80%">               <tbody><tr>                 <td bordercolor="#808000" bgcolor="#ffff99" width="100%"><!--mstheme--><font face="Times New Roman, Times">                   </font><p align="center"><font face="Times New Roman, Times"><b><font color="#000000" size="3">Click text                 below to                 view large image or purchase this item in our shop</font></b><!--mstheme--></font></p></td>               </tr>               <tr> <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><font color="#ffffff"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=1255" target="_blank">Open           Edition Art Print</a></b></font><!--mstheme--></font></td>                </tr>             </tbody></table><!--mstheme--><font face="Times New Roman, Times">           </font></div> <font face="Times New Roman, Times">        <!--mstheme--></font></td>         <td bgcolor="#006699" height="510" width="436"><!--mstheme--><font face="Times New Roman, Times"><b><font size="4">&nbsp;</font>The Battle of Tewkesbury, 4th May 1471 by Graham Turner.</b>       </font><p><font face="Times New Roman, Times">Having reclaimed the throne of England and defeated the Earl of Warwick       at the battle of Barnet, the Yorkist King, Edward IV, marched his forces       from London to intercept those of Margaret of Anjou (wife of the       Lancastrian Henry VI) and her son, Prince Edward, who had landed at       Weymouth and were heading for Wales where supporters awaited them.       </font></p><p><font face="Times New Roman, Times">Denied entry to Gloucester and it's bridge over the River Severn,       Margaret was forced to march her exhausted army to the next crossing point       - at Tewkesbury. Here, with the Royal army hard on their heels and       insufficient time to cross the river, they turned to confront their       pursuers, the two armies meeting on the 4th May 1471.       </font></p><p><font face="Times New Roman, Times">Following a heavy bombardment from the King's artillery, Edmund       Beaufort, Duke of Somerset, led the Lancastrian right wing through the       deep ditches and hedges that intersected the battlefield and attacked the       Yorkist left, under the command of Edward's younger brother Richard, Duke       of Gloucester. However, the other Lancastrian divisions failed to support       the attack and Somerset's men were soon outflanked and routed, the rest of       Margaret's army disintegrating in defeat.       </font></p><p align="center"><font face="Times New Roman, Times"><b>Open edition print.&nbsp; Paper size 34" x       24" (86cm x 61cm).&nbsp; Order code GT10.</b></font>&nbsp;&nbsp; <font face="Verdana, Arial, Helvetica"><b>Price           £40</b></font></p> <font face="Verdana, Arial, Helvetica">        </font><!--mstheme--></td>   </tr>   <tr> <td bgcolor="#006699" height="341" width="435"><!--mstheme--><font face="Times New Roman, Times">           </font><p align="center"><font face="Times New Roman, Times"><img src="http://www.medieval-art.com/images/gt9.jpg" border="0" height="245" width="300"><b>&nbsp;</b>&nbsp;<font size="2"><b>&nbsp;</b></font></font></p> <font face="Times New Roman, Times">          </font><div align="center"> <font face="Times New Roman, Times">            <!--mstheme--></font><font face="Verdana, Arial, Helvetica">         </font><table bordercolordark="#999999" bordercolorlight="#CCCCCC" border="1" width="80%">               <tbody><tr>                 <td bordercolor="#808000" bgcolor="#ffff99" width="100%"><!--mstheme--><font face="Times New Roman, Times">                   </font><p align="center"><font face="Times New Roman, Times"><b><font color="#000000" size="3">Click text                 below to                 view large image&nbsp; or purchase this item in our shop</font></b><!--mstheme--></font></p></td>               </tr>               <tr> <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><font color="#ffffff"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=1254" target="_blank">Open           Edition Art Print</a></b></font><!--mstheme--></font></td>                </tr>             </tbody></table><!--mstheme--><font face="Times New Roman, Times">           </font></div> <font face="Times New Roman, Times">        <!--mstheme--></font></td>         <td bgcolor="#006699" height="341" width="436"><!--mstheme--><font face="Times New Roman, Times"><b><font size="4">&nbsp;</font></b><font size="4"><b>Richard Duke of Gloucester at Middleham Castle by Graham       Turner</b></font>       </font><p><font face="Times New Roman, Times"><b><font size="3">Following the death of the Earl of Warwick at the battle of Barnet in       1471, Richard, Duke of Gloucester, was granted the Lordship of Middleham       in Yorkshire. He had spent many formative years there as a boy, in the       care of Warwick, and it is generally accepted that he preferred Middleham       to his other castles. In 1472 he married Warwick's youngest daughter, Anne       Neville, and their only son, Edward, was born in the castle in c.1473.</font></b></font></p> <font face="Times New Roman, Times">      </font><p><font face="Times New Roman, Times"><font size="4"><b>Open edition print.&nbsp; Paper size 20" x 17" (51cm x       43cm).&nbsp; Order code GT9.</b></font></font></p> <font face="Times New Roman, Times">      </font><p><font face="Times New Roman, Times"><font size="4"><b>Price £30</b></font><!--mstheme--></font></p></td>    </tr>   <tr> <td bgcolor="#006699" height="302" width="435"><!--mstheme--><font face="Times New Roman, Times">           </font><p align="center"><font face="Times New Roman, Times"><b>&nbsp;</b>&nbsp;<img src="http://www.medieval-art.com/images/gt8.jpg" border="0" height="206" width="320"><font size="2"><b>&nbsp;</b></font></font></p> <font face="Times New Roman, Times">          </font><div align="center"> <font face="Times New Roman, Times">            <!--mstheme--></font><font face="Verdana, Arial, Helvetica">         </font><table bordercolordark="#999999" bordercolorlight="#CCCCCC" border="1" width="80%">               <tbody><tr>                 <td bordercolor="#808000" bgcolor="#ffff99" width="100%"><!--mstheme--><font face="Times New Roman, Times">                   </font><p align="center"><font face="Times New Roman, Times"><b><font color="#000000" size="3">Click text                 below to                 view large image or purchase this item in our shop</font></b><!--mstheme--></font></p></td>               </tr>               <tr> <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><font color="#ffffff"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=7170" target="_blank">Open           Edition Art Print</a></b></font><!--mstheme--></font></td>                </tr>             </tbody></table><!--mstheme--><font face="Times New Roman, Times">           </font></div> <font face="Times New Roman, Times">        <!--mstheme--></font></td>         <td bgcolor="#006699" height="302" width="436"><!--mstheme--><font face="Times New Roman, Times"><b><font size="4">&nbsp;</font></b><font size="4">The Battle of Bosworth - King Richard           IIIs Charge by       Graham Turner</font>       </font><p><font face="Times New Roman, Times"><font size="4">With the two armies locked together in fierce hand to hand combat,       Henry, surrounded by only a small body of men, becomes isolated from his       main force. Seeing a chance to end the battle with one decisive stroke,       Richard leads his household knights and retainers in a thunderous charge,       seeking out his adversary.</font></font></p> <font face="Times New Roman, Times">      </font><p><font face="Times New Roman, Times"><font size="4">Open edition print.&nbsp; Paper size 33" x 24" (84cm x       61cm).&nbsp; Order code GT8.</font></font></p> <font face="Times New Roman, Times">          </font><p><font face="Times New Roman, Times"><b><font size="5">Price £</font></b><font size="5"><b>40</b></font><!--mstheme--></font></p></td>    </tr>   <tr>         <td colspan="2" bgcolor="#006699" height="156" width="871"><!--mstheme--><font face="Times New Roman, Times">           </font><p align="center"><font face="Times New Roman, Times"><b>Text for 'Battle of Bosworth' print.</b></font></p> <font face="Times New Roman, Times">          </font><p align="center"><font face="Times New Roman, Times">After three decades of civil strife between the           Royal houses of Lancaster and York, now known as the Wars of the           Roses, the army of the Yorkist King, Richard III, confronted the           invading force of Henry Tudor, the Lancastrian claimant to the English           throne, on the 22nd August 1485 near Market Bosworth in           Leicestershire.&nbsp; With the two armies locked together in fierce           hand to hand combat, Henry, surrounded by only a small body of men,           becomes isolated from his main force.&nbsp; Seeing a chance to end the           battle with one decisive stroke, Richard leads his household knights           in a thunderous charge, seeking out his enemy.&nbsp; The unfortunate           Sir William Brandon is unhorsed by the King's lance and Tudor's Red           Dragon standard falls to the ground.&nbsp; To the left, Sir John           Cheyney spurs his horse on to challenge the King and Henry Tudor's           mount rears up, startled by the deafening noise of battle.&nbsp;           However, the hitherto uncommitted forces of Sir William Stanley can be           seen approaching and their intervention on Tudor's side will lead to           the defeat and death of Richard III, the last Plantagenet King of           England, and the succession of Henry Tudor as Henry VII.</font></p> <font face="Times New Roman, Times">          </font><p align="center"><font face="Times New Roman, Times">Features in print from left to right : Sir John           Cheyney's Banner; Sir John Cheyney; Henry Tudor; Sir William Stanley's           Banner; Sir William Brandon; Henry Tudor's Standard; Richard III;           Richard III's Standard; Sir Richard Ratcliffe's Banner; Sir Richard           Charleton; Sir Thomas Gower's Banner; Sir Robert Brackenbury.<!--mstheme--></font></p></td>   </tr>   <tr> <td bgcolor="#006699" height="331" width="435"><!--mstheme--><font face="Times New Roman, Times">           </font><p align="center"><font face="Times New Roman, Times"><b>&nbsp;</b>&nbsp;<img src="http://www.medieval-art.com/images/gt7.jpg" border="0" height="219" width="320"><font size="2"><b>&nbsp;</b></font></font></p> <font face="Times New Roman, Times">          </font><div align="center"> <font face="Times New Roman, Times">            <!--mstheme--></font><font face="Verdana, Arial, Helvetica">         </font><table bordercolordark="#999999" bordercolorlight="#CCCCCC" border="1" width="80%">               <tbody><tr>                 <td bordercolor="#808000" bgcolor="#ffff99" width="100%"><!--mstheme--><font face="Times New Roman, Times">                   </font><p align="center"><font face="Times New Roman, Times"><b><font color="#000000" size="3">Click text                 below to                 view large image or purchase this item in our shop</font></b><!--mstheme--></font></p></td>               </tr>               <tr> <td align="center" bgcolor="#000000" width="100%"><!--mstheme--><font face="Times New Roman, Times"><font color="#ffffff"><b><a href="http://www.directart.co.uk/mall/more.php?ProdID=1252" target="_blank">Open           Edition Art Print</a></b></font><!--mstheme--></font></td>                </tr>             </tbody></table><!--mstheme--><font face="Times New Roman, Times">           </font></div> <font face="Times New Roman, Times">        <!--mstheme--></font></td>         <td bgcolor="#006699" height="331" width="436"><!--mstheme--><font face="Times New Roman, Times"><b><font size="4">The Battle of Bosworth - the Melee - Norfolk versus       Oxford by Graham Turner</font></b>       </font><p><font face="Times New Roman, Times"><b><font size="4">When Richard III succeeded his brother, Edward IV, in 1483, he found       his throne threatened by the Lancastrian Henry Tudor, who was then exiled       in France. Two years later, Henry landed in Wales with a small force and       on the 22nd August 1485, he confronted the Royal army near Market Bosworth       in Leicestershire.</font></b></font></p> <font face="Times New Roman, Times">      </font><p><font face="Times New Roman, Times"><b><font size="4">Open edition print.&nbsp; Paper size 16" x 12" (41cm x       31cm).&nbsp; Order code GT7.</font></b></font></p> <font face="Times New Roman, Times">      </font><p><font face="Times New Roman, Times"><b><font size="4">Price £20&nbsp;</font></b><!--mstheme--></font></p></td>    </tr>   <tr> <td bgcolor="#006699" height="320" width="435"><!--mstheme--><font face="Times New Roman, Times">           </font><p align="center"><font face="Times New Roman, Times"><b>&nbsp;</b>&nbsp;<img src="http://www.medieval-art.com/images/gt6.jpg" border="0" height="218" width="320"><font size="2"><b>&nbsp;</b></font></font></p> <font face="Times New Roman, Times">          </font><div align="center"> <font face="Times New Roman, Times">            <!--mstheme--></font><font face="Verdana, Arial, Helvetica">         </font><table bordercolordark="#999999" bordercolorlight="#CCCCCC" border="1" width="80%">               <tbody><tr>           ]]></content:encoded>
		<wfw:commentRSS>http://mcquire.bloghi.com/2006/03/08/war-of-the-roses-a-historrical-event.html#comments</wfw:commentRSS>
	</item>
	<item>
		<title>My Ciphers</title>
		<link>http://mcquire.bloghi.com/2006/03/08/my-ciphers.html</link>
		<comments>http://mcquire.bloghi.com/2006/03/08/my-ciphers.html#comments</comments>
		<pubDate>Wed, 08 Mar 2006 04:59:28 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/03/08/my-ciphers.html</guid>
		<description> 
     The &quot;Albanian&quot; Alphabet as preserved in Armenian Tradition (Preliminary account)         Ms. no. 7117, fol. 142r and 142v, from the Erevan Matenadaran          (Reproduced from Annual of Ibero-Caucasian Linguistics 8, 1981, 225-6)      ...</description>
		<content:encoded><![CDATA[
   <br>  <p id="en3" align="center"><b>The "Albanian" Alphabet as preserved in Armenian Tradition</b></p> <p id="en2" align="center"><b>(Preliminary account)</b></p>   <b><br> <br>  </b><div align="center"> <table border="0" cols="2" width="100%"> <tbody><tr> <th id="en1" colspan="2" align="center">Ms. no. 7117, fol. 142r and 142v, from the Erevan Matenadaran<br></th> </tr> <tr> <td align="center" width="50%"> <img src="file:///C:/My%20Documents/albany_files/albschr_data/mat142rk.jpg" alt="Ms. Erev. 142r" width="347"></td> <td align="center" width="50%"> <img src="file:///C:/My%20Documents/albany_files/albschr_data/mat142vk.jpg" alt="Ms. Erev. 142r" width="347"></td> </tr> <tr> <th id="en0" colspan="2" align="center"> (Reproduced from Annual of Ibero-Caucasian Linguistics 8, 1981, 225-6) </th> </tr> </tbody></table> </div>  <b><br> </b><p id="en2" align="center"><b>(Preliminary account)</b></p>   <b><br> <br>  </b><div align="center"> <table border="0" cols="2" width="100%"> <tbody><tr> <th id="en1" colspan="2" align="center">Ms. no. 7117, fol. 142r and 142v, from the Erevan Matenadaran<br></th> </tr> <tr> <td align="center" width="50%"> <img src="http://armazi.uni-frankfurt.de/sinai/alph/mat142rk.jpg" alt="Ms. Erev. 142r" width="347"></td> <td align="center" width="50%"> <img src="http://armazi.uni-frankfurt.de/sinai/alph/mat142vk.jpg" alt="Ms. Erev. 142r" width="347"></td> </tr> <tr> <th id="en0" colspan="2" align="center"> (Reproduced from Annual of Ibero-Caucasian Linguistics 8, 1981, 225-6) </th> </tr> </tbody></table> </div>  <b><br> <br>  </b><table align="center" border="5" width="100%"> <tbody><tr> <th id="en1" colspan="8" align="center" bgcolor="#ffffff">&nbsp;Proposed readings of letters and letter names&nbsp;</th> </tr>  <tr> <td align="center" bgcolor="#ffffff">&nbsp;Letter </td><td align="center" bgcolor="#eeeeee">&nbsp;Name </td><td align="center" bgcolor="#eecccc">&nbsp;Abramyan </td><td align="center" bgcolor="#cceecc">&nbsp;Šaniʒe </td><td align="center" bgcolor="#ccccee">&nbsp;Hewsen </td><td align="center" bgcolor="#eeeecc">&nbsp;Murav'ev </td><td align="center" bgcolor="#cceeee">&nbsp;Gippert </td><td align="center" bgcolor="#eeeecc">&nbsp;  </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/01xalth.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/01zalth.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp;altՙ </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;altՙ </td><td align="center" bgcolor="#ddffff">&nbsp;altՙ </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/02xbeth.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/02zbeth.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp;*betՙ </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;odetՙ </td><td align="center" bgcolor="#ddffff">&nbsp;*betՙ </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/03xgim.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/03zgim.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp;*gim </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;zim </td><td align="center" bgcolor="#ddffff">&nbsp;*gim </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/04xdat.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/04zdat.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp;*dat </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;gaṭ </td><td align="center" bgcolor="#ddffff">&nbsp;*dat </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/05xeb.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/05zeb.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp;*eb </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;ēb </td><td align="center" bgcolor="#ddffff">&nbsp;*eb </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/06xzarl.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/06zzarl.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp;zar̄l </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;zar̄l </td><td align="center" bgcolor="#ddffff">&nbsp;zar̄l </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/07xeen.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/07zeen.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp;*ēn </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;en </td><td align="center" bgcolor="#ddffff">&nbsp;*ēn </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/08xz$il.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/08zz$il.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp;*yil </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;žil </td><td align="center" bgcolor="#ddffff">&nbsp;žil </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/09xthas.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/09zthas.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp;tՙas </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;tՙas </td><td align="center" bgcolor="#ddffff">&nbsp;tՙas </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/10xc$a.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/10zc$a.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;č̣a </td><td align="center" bgcolor="#ddffff">&nbsp;ča </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/11xyowd.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/11zyowd.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;yowd </td><td align="center" bgcolor="#ddffff">&nbsp;yowd </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/12xz$a.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/12zz$a.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;ža </td><td align="center" bgcolor="#ddffff">&nbsp;ža </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/13xirb.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/13zirb.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;irb </td><td align="center" bgcolor="#ddffff">&nbsp;irb </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/14xs$a.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/14zs$a.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;ša </td><td align="center" bgcolor="#ddffff">&nbsp;ša </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/15xlan.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/15zlan.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;lan </td><td align="center" bgcolor="#ddffff">&nbsp;lan </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/16xina.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/16zina.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;ina </td><td align="center" bgcolor="#ddffff">&nbsp;ina </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/17xxeen.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/17zxeen.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;xēn </td><td align="center" bgcolor="#ddffff">&nbsp;xēn </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/18xdan.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/18zdan.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;dan </td><td align="center" bgcolor="#ddffff">&nbsp;dan </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/19xc$arr.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/19zc$arr.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;č̣ar̄ </td><td align="center" bgcolor="#ddffff">&nbsp;čar̄ </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/20xzox.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/20zzox.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;zox </td><td align="center" bgcolor="#ddffff">&nbsp;zox </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/21xkar.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/21zkar.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;ḳar </td><td align="center" bgcolor="#ddffff">&nbsp;kar </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/22xlit.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/22zlit.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;liṭ </td><td align="center" bgcolor="#ddffff">&nbsp;lit </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/23xheet.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/23zheet.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;hēṭ </td><td align="center" bgcolor="#ddffff">&nbsp;hēt </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/24xhay.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/24zhay.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;hay </td><td align="center" bgcolor="#ddffff">&nbsp;hay </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/25xar.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/25zar.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;ar </td><td align="center" bgcolor="#ddffff">&nbsp;ar </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/26xyoy.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/26zyoy.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp;cՙoy </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;yoy </td><td align="center" bgcolor="#ddffff">&nbsp;yoy </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/27xc$i.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/27zc$i.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;č̣i </td><td align="center" bgcolor="#ddffff">&nbsp;či </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/28xc$hay.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/28zc$hay.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;čՙay </td><td align="center" bgcolor="#ddffff">&nbsp;čՙay </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/29xmak.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/29zmak.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;maḳ </td><td align="center" bgcolor="#ddffff">&nbsp;mak </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/30xkarr.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/30zkarr.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;ḳar̄ </td><td align="center" bgcolor="#ddffff">&nbsp;kar̄ </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/31xnowc.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/31znowc.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;nowcՙ </td><td align="center" bgcolor="#ddffff">&nbsp;nowcՙ </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/32xj$ay.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/32zj$ay.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;ǯay </td><td align="center" bgcolor="#ddffff">&nbsp;ǯay </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/33xs$akh.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/33zs$akh.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;šakՙ </td><td align="center" bgcolor="#ddffff">&nbsp;šakՙ </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/34xj$ayn.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/34zj$ayn.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;ǯayn </td><td align="center" bgcolor="#ddffff">&nbsp;ǯayn </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/35xown.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/35zown.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;own </td><td align="center" bgcolor="#ddffff">&nbsp;own </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/36xtay.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/36ztay.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;ṭay </td><td align="center" bgcolor="#ddffff">&nbsp;tay </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/37xxam.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/37zxam.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;xam </td><td align="center" bgcolor="#ddffff">&nbsp;xam </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/38xjay.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/38zjay.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;ʒay </td><td align="center" bgcolor="#ddffff">&nbsp;ʒay </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/39xc$hat.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/39zc$hat.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;čՙaṭ </td><td align="center" bgcolor="#ddffff">&nbsp;čՙat </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/40xpen.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/40zpen.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;ṗen </td><td align="center" bgcolor="#ddffff">&nbsp;pen </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/41xghees.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/41zghees.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;ġēs </td><td align="center" bgcolor="#ddffff">&nbsp;ġēs </td><td align="center" bgcolor="#ffddff">&nbsp;  </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/42xkat.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/42zkat.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;ḳaṭ </td><td align="center" bgcolor="#ddffff">&nbsp;*rat </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/43xseek.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/43zseek.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;sēḳ </td><td align="center" bgcolor="#ddffff">&nbsp;sēk </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/44xveez.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/44zveez.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;vēz </td><td align="center" bgcolor="#ddffff">&nbsp;vēz </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/45xtiwr.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/45ztiwr.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;ṭiwr </td><td align="center" bgcolor="#ddffff">&nbsp;tiwr </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/46xsoy.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/46zsoy.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;soy </td><td align="center" bgcolor="#ddffff">&nbsp;soy </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/47xion.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/47zion.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;ion </td><td align="center" bgcolor="#ddffff">&nbsp;ion </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/48xcaw.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/48zcaw.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;c̣aw </td><td align="center" bgcolor="#ddffff">&nbsp;caw </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/49xchayn.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/49zchayn.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;cՙayn </td><td align="center" bgcolor="#ddffff">&nbsp;cՙayn </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/50xyayd.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/50zyayd.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;yayd </td><td align="center" bgcolor="#ddffff">&nbsp;yayd </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/51xphiwr.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/51zphiwr.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;pՙiwr </td><td align="center" bgcolor="#ddffff">&nbsp;pՙiwr </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr><tr> <td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/52xkhiw.jpg">  </td><td align="center">&nbsp; <img src="http://armazi.uni-frankfurt.de/sinai/alph/52zkhiw.jpg">  </td><td align="center" bgcolor="#ffdddd">&nbsp; </td><td align="center" bgcolor="#ddffdd">&nbsp; </td><td align="center" bgcolor="#ddddff">&nbsp; </td><td align="center" bgcolor="#ffffdd">&nbsp;kՙiw </td><td align="center" bgcolor="#ddffff">&nbsp;kՙiw </td><td align="center" bgcolor="#ffddff">&nbsp; </td></tr></tbody></table>  <b><br> <br>  </b><table border="4" cols="13" width="100%"> <tbody><tr> <th id="en1" colspan="13" align="center" bgcolor="#ffffff">Letters in given order and their presumable meaning</th> </tr>  <tr bgcolor="#ffffcc" valign="middle"> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/01xalth.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/02xbeth.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/03xgim.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/04xdat.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/05xeb.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/06xzarl.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/07xeen.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/08xz$il.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/09xthas.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/10xc$a.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/11xyowd.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/12xz$a.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/13xirb.jpg" width="30"></td> </tr> <tr bgcolor="#eeeebb" valign="top"> <td id="ge1" align="center">A</td> <td id="ge1" align="center">B</td> <td id="ge1" align="center">(G)</td> <td id="ge1" align="center">(D)</td> <td id="ge1" align="center">(E)</td> <td id="ge1" align="center">Z</td> <td id="ge1" align="center">E<sub>2</sub></td> <td id="ge1" align="center">Ž</td> <td id="ge1" align="center">T˓</td> <td id="ge1" align="center">Č</td> <td id="ge1" align="center">Y</td> <td id="ge1" align="center">Ž<sub>2</sub></td> <td id="ge1" align="center">I</td> </tr> <tr bgcolor="#ffcccc" valign="middle"> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/14xs$a.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/15xlan.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/16xina.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/17xxeen.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/18xdan.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/19xc$arr.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/20xzox.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/21xkar.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/22xlit.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/23xheet.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/24xhay.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/25xar.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/26xyoy.jpg" width="30"></td> </tr> <tr bgcolor="#eebbbb" valign="top"> <td id="ge1" align="center">Š</td> <td id="ge1" align="center">L</td> <td id="ge1" align="center">I<sub>2</sub></td> <td id="ge1" align="center">X</td> <td id="ge1" align="center">D<sub>2</sub></td> <td id="ge1" align="center">Č<sub>2</sub></td> <td id="ge1" align="center">Z<sub>2</sub></td> <td id="ge1" align="center">K</td> <td id="ge1" align="center">L<sub>2</sub></td> <td id="ge1" align="center">H</td> <td id="ge1" align="center">H<sub>2</sub></td> <td id="ge1" align="center">A<sub>2</sub></td> <td id="ge1" align="center">C˓<sub>2</sub></td> </tr> <tr bgcolor="#ccffcc" valign="middle"> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/27xc$i.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/28xc$hay.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/29xmak.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/30xkarr.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/31xnowc.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/32xj$ay.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/33xs$akh.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/34xj$ayn.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/35xown.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/36xtay.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/37xxam.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/38xjay.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/39xc$hat.jpg" width="30"></td> </tr> <tr bgcolor="#bbeebb" valign="top"> <td id="ge1" align="center">Č<sub>3</sub></td> <td id="ge1" align="center">Č˓</td> <td id="ge1" align="center">M</td> <td id="ge1" align="center">K<sub>2</sub></td> <td id="ge1" align="center">N</td> <td id="ge1" align="center">Ǯ</td> <td id="ge1" align="center">Š<sub>2</sub></td> <td id="ge1" align="center">Ǯ<sub>2</sub></td> <td id="ge1" align="center">O</td> <td id="ge1" align="center">T</td> <td id="ge1" align="center">X<sub>2</sub></td> <td id="ge1" align="center">Ʒ</td> <td id="ge1" align="center">Č˓<sub>2</sub></td> </tr> <tr bgcolor="#ccccff" valign="middle"> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/40xpen.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/41xphees.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/42xkat.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/43xseek.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/44xveez.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/45xtiwr.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/46xsoy.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/47xion.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/48xcaw.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/49xchayn.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/50xyayd.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/51xphiwr.jpg" width="30"></td> <td align="center"><img src="http://armazi.uni-frankfurt.de/sinai/alph/52xkhiw.jpg" width="30"></td> </tr> <tr bgcolor="#bbbbee" valign="top"> <td id="ge1" align="center">P</td> <td id="ge1" align="center">Ġ</td> <td id="ge1" align="center">(R)</td> <td id="ge1" align="center">S</td> <td id="ge1" align="center">V</td> <td id="ge1" align="center">T<sub>2</sub></td> <td id="ge1" align="center">S<sub>2</sub></td> <td id="ge1" align="center">I<sub>3</sub></td> <td id="ge1" align="center">C</td> <td id="ge1" align="center">C˓</td> <td id="ge1" align="center">W</td> <td id="ge1" align="center">P˓</td> <td id="ge1" align="center">K˓</td> </tr> </tbody></table>  <b><br> </b><hr> <b><br>  </b><p en="1" align="center"><b>For further reading cf. the <a href="http://armazi.uni-frankfurt.de/sinai/albbibl.htm#start">bibliography</a></b></p>  <b><br> <br>  </b><table align="center" cols="2" width="100%"> <tbody><tr> <th id="en1" align="left" width="95%">Further information on the present project:</th> <th width="5%">&nbsp;</th> </tr> <tr> <td id="ge1" align="left" width="95%">&nbsp;<a href="http://armazi.uni-frankfurt.de/sinai/alban1.htm#start" 2=""><b>ზაზა ალექსიძე</b>, ალბანური მწერლობის ძეგლი სინას მთაზე და მისი მნიშვნელობა კავკასიოლოგიისათვის </a>&nbsp;</td> <td align="right"><a href="http://armazi.uni-frankfurt.de/sinai/alban1.htm#start" 2=""><img src="http://armazi.uni-frankfurt.de/arribar.gif" height="20" width="20"></a></td> </tr><tr> <td id="de1" align="left" width="95%">&nbsp;<a href="http://armazi.uni-frankfurt.de/sinai/alban3.htm#start"><b>Заза Алексидзе</b>, ОБНАРУЖЕНА ПИСЬМЕННОСТЬ КАВКАЗСКОЙ АЛБАНИИ </a>&nbsp;</td> <td align="right"><a href="http://armazi.uni-frankfurt.de/sinai/alban3.htm#start"><img src="http://armazi.uni-frankfurt.de/arribar.gif" height="20" width="20"></a></td> </tr> <tr> <td id="en1" align="left" width="95%">&nbsp;<a href="http://armazi.uni-frankfurt.de/sinai/alban2.htm#start"><b>Zaza Aleksidze</b>, A Breakthrough in the Script of Caucasian Albany </a>&nbsp;</td> <td align="right"><a href="http://armazi.uni-frankfurt.de/sinai/alban2.htm#start"><img src="http://armazi.uni-frankfurt.de/arribar.gif" height="20" width="20"></a></td> </tr> <tr> <td id="en1" align="left" width="95%">&nbsp;<a href="http://armazi.uni-frankfurt.de/sinai/prelacc.htm#start"><b>Zaza Aleksidze</b>, Preliminary Account on the Deciphering</a> &nbsp;</td> <td align="right"><a href="http://armazi.uni-frankfurt.de/sinai/prelacc.htm#start"><img src="http://armazi.uni-frankfurt.de/arribar.gif" height="20" width="20"></a></td> </tr> <tr> <td id="en1" align="left" width="95%">&nbsp;<a href="http://armazi.uni-frankfurt.de/sinai/2kor.htm#start"><b>Zaza Aleksidze</b>, First Specimen (2.Cor. 11,25-27)</a>&nbsp;</td> <td align="right"><a href="http://armazi.uni-frankfurt.de/sinai/2kor.htm#start"><img src="http://armazi.uni-frankfurt.de/arribar.gif" height="20" width="20"></a></td> </tr>  </tbody></table> <b><br>  <br> </b><hr> <b><br>  </b><table cols="3" width="100%"> <tbody><tr> <td id="de1" align="left"><a href="http://armazi.uni-frankfurt.de/armazi/armaz3.htm#dProjekt" target="mdo"><img src="http://armazi.uni-frankfurt.de/arribal.gif" height="20" width="20"></a>&nbsp;Zurück zur Startseite des Projekts</td> <td id="en1" align="center"><a href="http://armazi.uni-frankfurt.de/armazi/armaz3.htm#eProjekt" target="mdo"><img src="http://armazi.uni-frankfurt.de/arribal.gif" height="20" width="20"></a>&nbsp;Back to the project homepage</td> <td id="ge1" align="right"><a href="http://armazi.uni-frankfurt.de/armazi/armaz3.htm#gProjekt" target="mdo"><img src="http://armazi.uni-frankfurt.de/arribal.gif" height="20" width="20"></a>&nbsp;პროექტის საწყისი გვერდი</td> </tr> </tbody></table>  <b><br> </b><hr> <b><br>  </b><table cols="3" width="100%"> <tbody><tr> <td id="de1" align="left"><a href="http://armazi.uni-frankfurt.de/armazi/armaz3.htm#dProjekt" target="mdo"><img src="http://armazi.uni-frankfurt.de/arribal.gif" height="20" width="20"></a>&nbsp;Zurück zur Startseite des Projekts</td> <td id="en1" align="center"><a href="http://armazi.uni-frankfurt.de/armazi/armaz3.htm#eProjekt" target="mdo"><img src="http://armazi.uni-frankfurt.de/arribal.gif" height="20" width="20"></a>&nbsp;Back to the project homepage</td> <td id="ge1" align="right"><a href="http://armazi.uni-frankfurt.de/armazi/armaz3.htm#gProjekt" target="mdo"><img src="http://armazi.uni-frankfurt.de/arribal.gif" height="20" width="20"></a>&nbsp;პროექტის საწყისი გვერდი</td> </tr> </tbody></table>   <b><br> </b><hr> <b><br>  </b>  <table border="0" width="100%"><tbody><tr><td id="de0" align="center" width="50%">Achtung: Dieser Text ist mit Unicode / UTF8 kodiert. 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		<title>PHI</title>
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		<pubDate>Mon, 06 Mar 2006 00:41:10 +0000</pubDate>
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		<description> 
     	  	 Summary with PHI 	                      THE CROSSHOUSE AT MIRINGA TE KAKARA…AN    ANCIENT NEW ZEALAND TEMPLE.   'In the course of normal science, it may happen that anomalies begin to accumulate. Some of these may be set aside for...</description>
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    <h3 class="post-title"> 	  	 Summary with PHI 	      </h3>                <div align="center"><b><span style="font-size: 130%;">THE CROSSHOUSE AT MIRINGA TE KAKARA…AN    ANCIENT NEW ZEALAND TEMPLE. </span></b> </div> <p><b>'In the course of normal science, it may happen that anomalies begin to accumulate. Some of these may be set aside for future research. Some may be dismissed as irrelevant. But if a sufficient number of anomalies accumulate, anomalies, which resist solution by the paradigm or incorporation into it, a crisis develops. As the crisis intensifies, scientists begin to offer and promote new paradigms capable of accommodating the anomalies. If one of these paradigms attracts the attention of a sufficient number of members of the research community, a scientific revolution takes place. The research community learns to see things in a different way. It develops a new set of methods and concerns. Kuhn points out that unless there is a recognizable crisis, provoked by an accumulation of crucial anomalies, there will be no movement to a new paradigm. The first step toward movement to a new paradigm is thus recognition of anomalies, of counterinstances to the current paradigm' (Michael Cremo).</b></p> <p>In the United States, as elsewhere, mainstream concepts of history are under assault and there is a growing awareness that the accumulation of archaeological anomalies is forcing a major paradigm shift. Primary resistance to the shift is spearheaded moreso by the academic community than the by the indigenous population, who have attempted for years to tell the mainstream scholars of "other historical factors". </p> <p>North American Indian historian, <b>Vine Deloria jr.</b> is righteously indignant about the hijacking of history by do gooder paternalist Europeans, who are creating a cozy, socially engineered pseudo-history for the Indian tribes of North America. <br>  He sees this as European led condescension toward his people and complains,    <b>'There's no effort to ask the tribes what they remember of things that happened.</b><br>  He goes on to say, <b>'numerous tribes do say that strange people doing this or that came through our land, visited us, and so on. Or they remember that we came across the Atlantic as refugees from some struggle, then came down the St. Lawrence River and so forth. There's a great reluctance among archaeologists and anthropologists to break centuries-old tradition and to take a look at something new...As for the history of this hemisphere from say, five thousand B.C. forward to our time, the mainstream scholars just don't want to deal with that at all. Let me give you an example. Years ago I spoke at an academic archaeological conference, and at the end of my speech I asked, 'Why don't you guys just drop the blinders and get into this diffusionist stuff?' My host, David Hurst Thomas, just about lost it and said, 'Do you know how long and hard we've fought to get members of this profession to admit that Indians could have done some of these things? And now you're saying it was Europeans!'''.</b></p> <p>A similar set of limiting parameters has been foisted onto us in our "New Zealand" interpretation of regional history. Again, social engineers have oftimes discounted as irrelevant and unreliable the oral traditions of the Maori Elders and have taken a paternalist approach to creating pseudo-histories that promote limited, santitised versions of Maori history, to the exclusion of all else that went before.<br> All over the New Zealand landscape we are finding standing stone structures used for astronomy, navigation and land-mapping. There is evidence of "Beehive house villages and a large, former "Stonebuilder" population </p> <p>Local historical interpretation is locked into a mere 800-900 years of human occupation, with a marked reluctance to accept any significant occupation at earlier epochs...in the face of, what many amateur researchers consider to be, dynamic evidence of at least 5000 years of continuous human presence in New Zealand.<br> Regional, social engineering of history is as much a condescending insult to the New Zealand Maori people as it is to Deloria's North American Indian tribes-people, in that it discounts their oral traditions and histories as being of little worth or substance. We seem to be enveloped by an academic attitude of "forced amnesia", which makes us forget truths that were general knowledge and openly discussed up until about 3 decades ago.</p> <p>New Zealand historical resources carry many recorded references related to a large population of pre-Polynesian "red headed, light complexioned Tangata Whenua", albeit mostly in rare, out of vogue books buried in the backrooms or basements of our libraries and archives. One can also source such references, if one asks politely, from the Maori Elders who have memorized the oral traditions of their Iwis (Maori tribal groups).</p> <p><b>THE MAORI WHAREWAENANGA (SCHOOL OF LEARNING).</b></p> <p>It is the purpose of this study to show evidence of an early pre-Polynesian people, resident in New Zealand, whose former presence is attested to by many ancient ruined structures from the pre-Maori epochs. This evidence lies scattered across the length and breadth of New Zealand. It can be demonstrated that aspects of a regionally identifiable, Northern Hemisphere knowledge was handed down, at least in part, and survived within the Maori Wharewaenanga.</p> <p align="center"><img src="http://www.celticnz.org/images/Crosshouse/Crosshouse1.JPG" border="0" height="402" width="600"></p> <p><b>The dilapidated Crosshouse at Miringa Te Kakara, central North Island, New Zealand, shortly before it was burned down in 1983. Photos appearing in this article courtesy of Jan &amp; Ron Raison.</b></p> <p>Let us turn our attention to one such Wharewaenanga, School of Learning, established by the Pao-Mirere or Hau Hau movement at Miringa Te Kakara in the center of the North Island.<br> There appears to be some confusion as to the date of this building's construction and disagreement amongst the Maori Tohungas (sages) as to whether or not Pao-Mirere activity, related to the "Crosshouse", was to construct an entirely new building or simply to renovate to an older existing structure.<br> It is known that a series of Wharewaenanga structures bearing the name Miringa Te Kakara or Waerenga A Kakara had existed for centuries. Similar "temple" structures were located at 3 other regional centers contempory with the era of the Crosshouse.<br>  The building, initiated by <b>King Tawhiao's</b> directive to <b>Chieftainess    Ngaharakeke,</b> is said to have been completed in about 1865. <b>Bishop Thomas    Herangi,</b> guardian of the Crosshouse up until the 1980's, cited evidence of the star temple having been built in 1682, with renovations occurring in 1788 &amp; 1887.</p> <p>The main interest in this building must lie in its geometric and measurement attributes, which code astronomical and navigational knowledge found from Egypt to Great Britain and North America.<br> The key to extracting the international parcel of codes lies in an understanding of the common measurement standard being used internationally by an ancient, highly mobilised migrating group, who set up colonies all over the globe. Many of these colonies appear to have begun as metal ore mining operations.</p> <p>The Crosshouse of Miringa Te Kakara was not some form of "orphan" dwelling, the attributes of which are unique to New Zealand. It was built according to an internationally distributed parcel of astronomical codes, in accordance with a measurement standard that migrated throughout the ancient world and spanned oceans.<br> <br> Careful, in depth surveying research into the dimensions of astronomical sites over several continents shows that the so-called British Standard of measurement isn't originally British at all, but is Egyptian/ Sumerian/ Babylonian. This concept can be severely and finely tested mathematically by trigonometry on internationally distributed structures built to this singular measurement standard… from the Giza Plateau to Stonehenge to the Octagon of Newark Ohio… to the Crosshouse at Miringa Te Kakara.</p> <p><b>THE DIMENSIONS OF THE CROSSHOUSE.</b></p> <p>Over the years several publications have mentioned close approximation measurements of the Crosshouse, like the 1959 Journal of the Polynesian Society article, which gives the following description.<br>  <b>'This building is 54 ft in length along the north-south and east west axes. Each wing is 17 feet wide and the height to the ridge poles is 11 ft. 6in.<br> Each wing has a small open sided porch and entrance to each is gained through a sliding door hewn from one piece of timber 4 ft high, 2 ft wide and 2 ins. thick...Each portal is fitted with two ports to admit light and these are closed by solid wooden slabs about 18 ins. square and 2 ins. thick, which are slid into position....The walls...are about 6 ft. high. Inside the building will be seen 5 uprights, which have been set in the ground to support the ridge poles...the centre pole is about 6 ft. in circumference while the other 4 are 18 ins. in circumference. At the inner corners of the cruciform structure are some L-shaped corner pieces 2 ins. thick... About 6 ft. in from each wall are footboards about 12 ins. wide and 1½ ins thick. </b></p> <p>The most accurate, detailed plan ever made appears to be that of architect    <b>C. G. Hunt</b> in 1958 for his 1959 article in the Journal of the Polynesian Society, 68: 3-7. Hunt's scaled plan has been used in this mathematical analysis of the Crosshouse. The full analysis tests geometry detectible at the Waitapu standing stone circle in Northland, NZ, against similar geometry found at Rennes le Chateau in Southern France by former army surveyor David Wood and his team. Careful work undertaken in the Languedoc Province showed very clear trigonometric evidence of known British Standard measurements like the mile. David Wood's work verified that a Celtic cubit of exactly18 British Standard inches existed in the placement of ancient structures of the Renne's valley and the measurement standard found there was the modern British one.<br> It can now be demonstrated that "slightly drifted" "weights, measures &amp; volumes" of the foremost civilizations of the Mediterranean have stemmed from one common source in Egypt and the British system is the most intact survivor of the original universal system. Even the strange Egyptian cubits are fully a part of the "so-called" British Standard of Measurement.</p> <p align="center"><img src="http://www.celticnz.org/images/Crosshouse/Miringa%20Te%20Kakara%20Template.JPG" border="0" height="863" width="550"></p> <p><b>The Plan of C. G. Hunt was for the perceived purpose of "restoration" of the Crosshouse building and did not take into account the structure's correct orientation within the greater landscape. Hunt's plan shows the building's wings orientating onto North, South, East &amp; West, whereas 2 wings actually lay along the observable rise/ set line of Winter solstice sunrise and Summer solstice sunset at 60-degrees and 240-degrees respectively. The other two wings lie, therefore, at azimuths of 150-degrees &amp; 330-degrees. </b></p> <p>In consideration of the slightly elevated hills to the NE &amp; SW, it's probable that the Winter solstice sunrise and the Summer solstice sunset were observed from the center pole or secondary poles through the open doorways. It's also highly likely that the northern-most Lunar Standstill rise and the southern-most Lunar Standstill set could be observed through the elevated windows, with the observer seated to the front or side of the center pole.<br> <br> The exact position of the Crosshouse's center pole is determined by the distant peak of Mt. Ranginui, which lies directly north and provides the benchmark fix for the structure and its outlying nui poles. The Crosshouse was described as a place for <b>"conducting the rites as in old times". </b><br> The mathematical attributes of the Crosshouse show us very clearly what many of those rites were and how they parallel astronomical and navigational knowledge preservation activities undertaken by priests within the great civilizations of the Northern Hemisphere. The knowledge coded into the Crosshouse at Miringa Te Kakara has a direct pedigree back to Egypt, Great Britain and North America, as elsewhere.</p> <p> </p> <p align="center"><img src="http://www.celticnz.org/images/Crosshouse/MiriAngle1.jpg" border="0" height="405" width="600"></p> <p><br>  <b>The correct orientation of the Crosshouse, using the peak of Mt. Ranginui as the benchmark for true north from the building's center pole. Two wings were set out along the line of the Winter solstice sunrise and the Summer solstice sunset positions, which, in consideration of slightly elevated outer terrain, should have been observable at 60-degrees and 240-degrees respectively.<br> It also appears apparent that an observer seated at the base of centre pole, viewing upward at an angle of about 7.5-degrees through the NE window would observe the Major Northern Standstill position of moonrise and through the SW window the Major Southern Standstill moonset. Alternatively, the observer could sit on seats to the right and left of the pole and watch not only the major standstill rise and set but, plausibly the minor standstill rise and set also through the adjacent window on the other side of the doorway.<br> This concept is supported by a late era tradition of reflecting direct moonlight beams from paua shells onto incised symbols within the building. All indicators suggest that the 18.613-year lunar cycle was being tracked.</b></p> <p align="center"><img src="http://www.celticnz.org/images/Crosshouse/Miringa%20Taylor.jpg" border="0" height="535" width="680"><br> <br></p> <p align="left"> <b>Drawing by W.A. Taylor of how the cruciform building looked    when in pristine condition.</b></p> <p><b>GEOMETRIC PRINCIPLES.</b></p> <p>The 1958 Crosshouse survey plan of C. G. Hunt seems to indicate a slight elongation of two wings, which allows them to sit within a circle of 56 feet and the 90-degrees opposed wings to sit within a circle of 55 feet. These numbers are of extreme importance to navigation or calendar counting systems found from Egypt to Great Britain and North America. Let's now consider some mathematical attributes:</p> <p align="center"><img src="http://www.celticnz.org/images/Crosshouse/MiriPHIUni.jpg" border="0" height="602" width="600"></p> <b>PHI reducing circles and squares define significant positions within the    Crosshouse.<br> From Egypt's Great Pyramid to Stonehenge in Southern England the geometric principle of PHI reducing circles and squares has been observed to be a significant factor in the defining geometry of observatories or code bearing structures.</b> <p align="center"><img src="http://www.celticnz.org/images/Crosshouse/Stonehenge%20PHI.jpg" border="0" height="502" width="500"></p> <p><b>PHI relationships at Stonehenge… Avenue marker, Aubrey Circle, "Y"    Holes circle, Sarsen Circle, etc.</b></p> <p align="center"><img src="http://www.celticnz.org/images/Crosshouse/PyramidPHIUni.jpg" border="0" height="316" width="500"></p> <p><b>The ratio between the upper surface area of the Great Pyramid (assuming a symbolic capstone) to the surface area that the Great Pyramid occupies at its base = 1.6180339 (PHI) to 1. The PHI method for arriving at a side diagonal value of 611.617 feet is: 378 feet (½ the base length) X 1.6180339 (PHI).</b></p> <p><b>SIGNIFICANT DEGREE ANGLE CODES WITHIN THE CROSSHOUSE.</b></p> <p>It is known that the Sumerians, Babylonians, Greeks and other great civilizations of antiquity, used an ancient system of dividing a circle into 360-degrees or 720 calibrations. Their method persists in modern times. The Crosshouse at Miringa Te Kakara (Tiroa) incorporates the same system and clearly encrypts solar, lunar and navigational codes (via the degree angle numbers generated) used universally in the ancient Northern Hemisphere.</p> <p align="center"><img src="http://www.celticnz.org/images/Crosshouse/Miriinner.JPG" border="0" height="402" width="600"></p> <p> </p> <p align="center"><img src="http://www.celticnz.org/images/Crosshouse/MiriAngle2Unitif.jpg" border="0" height="556" width="600"></p> <p><b>A very important code found from Egypt to Great Britain North America and South America is based upon 11.52. Under the ancient Babylonian system of time measurement (days, hours, minutes and seconds) the Heliacal rise of Sirius gave a close approximation of the Solar year @ 365.25-days. From this figure was deducted 11.52 minutes to render the figure 365.2420-days (Mayan Calendar). The red vectors are expressions of 11.52 increasing at intervals of 90-degrees. The second increase in the series designates the azimuth angle to Puriora Mountain, indicating that the Crosshouse was precisely positioned to be (1) due south of Mt. Ranginui and (2) 11.52 + 270-degrees WNW of Puriora Mountain's peak. </b></p> <p><b>Each of the blue vector azimuths produce extremely important astronomical/ navigational numerical codes used over several continents in antiquity. An example of this (288) relates to The Great Pyramid, Menkaure Pyramid, Stonehenge's Aubrey Circle and astronomical codes encrypted into the Bible in Num. Chpt. 7. Code encryption appears to have been the true preoccupation of many biblical writers. <br> The degree angle spread between the two edges of these very prominent, large wrap around corner moldings was obviously intended to convey 6.48-degrees, using the center post as the fulcrum. The 6.48 code is of extreme importance within an ancient mathematical progression, which relates to the duration of the Precession of the Equinoxes…6.48, 12.96 (½ the precessional cycle was 12960-years), 19.44, 25.92 (Precession was calibrated to endure for 25920-years). Another important number associated with this progression includes 51.84 (angle of the Great Pyramid's sides &amp; 1/500th of the duration of Precession in years). It is important to note that the 6.48-degree increment features strongly at the huge Octagon earthworks geometric complex at Newark Ohio and features within the chosen design angles of 8 embankments. One of the embankments resides on an azimuth angle of 64.8-degrees.</b></p> <p align="center"><img src="http://www.celticnz.org/images/Crosshouse/Miriinner2.JPG" border="0" height="402" width="600"></p> <p align="left"><b>A part of a "wrap around" corner molding can be seen to the right hand side of the above picture. It will be noticed that half of a strange geometric design is etched into the timber, with the rest of the design continuing around the corner onto the 90-degrees opposed face. Each large corner molding, as well as the centre post, had either the same (4-pointed star) geometric design carved into it or a variation of the design.</b></p> <p align="center"><img src="http://www.celticnz.org/images/Crosshouse/MiriLunarUnitif.jpg" border="0" height="439" width="600"></p> <p><b>Degree angle codes as they relate to the sides of the windows. All of the numbers shown are highly important to ancient systems of calendar counting, navigation and determining the size of the Earth… or counting days within the 18.613-year lunar nutation cycle.<br> The occurrences of degree angles related to 50.4, 230.4 and 340.2 are especially dynamic, as these are amongst the most important codes of antiquity and are found upon the Great Pyramid, Khafre Pyramid, at Stonehenge or within the Octagon of Newark, Ohio.</b></p> <p><b>STAR &amp; CROSS PATTERN GEOMETRY.</b></p> <p>The work of David Wood and his team in Rennes Le Chateau in the Languedoc Province of Southern France, showed that overland positions of ancient structures situated within the Rennes valley, demonstrated star and cross pattern geometry. A huge hexagram, pentagram, an 8-pointed star and several forms of crosses were clearly identifiable in the carefully surveyed former positions of ancient "Pagan" sites located there.</p> <p>What David Wood identified is repeated in whole or in part at individual observatories of coded structures around the globe. Many aspects of his team's findings are most certainly incorporated into the Crosshouse at Miringa Te Kakara and represent a standard astronomical system taught to initiates. Knowledge of the universal system allowed accurate astronomical/ navigational calculators to be built worldwide.<br> The ancient people were very practical and every star or cross pattern had a prescribed, useful purpose that would aid in the preservation of knowledge and optimization of regional functioning society. </p> <p><b>THE 8-POINTED STAR.</b></p> <p align="center"><img src="http://www.celticnz.org/images/Crosshouse/Miringa8PtUni.jpg" border="0" height="496" width="500"></p> <p><b>During a survey of 1/7/2001 it was discovered that there were 4 additional posts close to the internal corners of each wing, which surveyor C.G. Hunt had not included on his 1958 plan. These were found to reside just over 14 feet from the center in the positions shown. Also the secondary posts shown on Hunt's plan were measured to be a few inches closer in than where Hunt had marked them. This infers "expert consultation" between Hunt and Pao-Marire Kaumatua's as to the correct positioning of those posts.</b></p> <p><b>The 8-pointed star in normal North-South orientation would have its rays extending toward the primary and secondary positions of the compass. In the geometry of the Crosshouse the rays extend to 15, 60 (solstice), 105 (reed), 150, 195 (calendar), 240 (solstice), 285 and 330 (navigation) degrees respectively.</b></p> <p><b>Note how the 8-pointed star geometry relates to positions within the building. Returning lines intersect with the edges and centre of the 4 corner moldings and the 3rd inward PHI circle is perfectly contained within the star. The ends of the walkways terminate widthwise onto the ray lines of the star.</b></p> <p><b>In Egyptian mythology the 8-pointed star is associated with Isis…also    known in the region as Ishtar or Astarte.</b></p> <p><b>THE GRAND CROSS.</b></p> <p><b>Amidst the geometry detected at Rennes Le Chateau by David Wood and his    team was a Grand Cross.<br> This is also clearly in evidence at Miringa Te Kakara, where the width of each cross arm, designated by the extreme positions of the Crosshouse windows, is 24-degrees of arc.<br> There are 8 intersection positions on the 8-pointed star that clearly stipulate how the Grand Cross is constructed and how it overlays the 8-pointed star geometry.<br> This cross remained prominent in the symbolism of many ancient Northern Hemisphere civilizations and developed into the Knight's Cross, the Templar Cross, etc.<br>  This cross, when combined with an overlaying PHI circle is recognizable as the    Celtic Cross. </b></p> <p align="center"><img src="http://www.celticnz.org/images/Crosshouse/MiriGrandUni.jpg" border="0" height="496" width="500"></p> <p><br>  <b>The Grand Cross, clearly designated by extreme window positions within the Crosshouse. Overlaying PHI circles, adding to the geometry, create the Celtic Cross…much displayed in regions like Ireland.</b></p> <p align="center"><img src="http://www.celticnz.org/images/Crosshouse/MiriGrand8PtUni.jpg" border="0" height="495" width="500"></p> <p><br>  <b>The Grand Cross overlaying the 8-pointed star. Note how intersections of the star lock the cross pattern firmly into position. The diagonal vectors numerical values within this cross pattern are highly important to known ancient astronomical/ navigational methodologies.</b></p> <p><b>THE 6-POINTED STAR &amp; THE 12-POINTED STAR.</b></p> <p>These two star patterns were highly important to tracking the sun at the solstice or fixing onto the constellations of the zodiac (12 houses…30-degrees apart).</p> <p align="center"><img src="http://www.celticnz.org/images/Crosshouse/Miri6PtUni.jpg" border="0" height="496" width="500"></p> <p><b>This is a very useful star pattern, especially at latitudes like Miringa Te Kakara, inasmuch as the ray points of the star fix onto the 4 rise and set positions of the solstice sun, with the 2 additional points designating north and south. Near Eastern tradition seems to suggest that this was the star pattern assigned to RA the Sun God, which would make perfect sense.</b></p> <p align="center"><img src="http://www.celticnz.org/images/Crosshouse/Miri12PtUni.jpg" border="0" height="496" width="500"></p> <p> </p> <p><br>  <b>The 6-pointed star doubles out into the 12-pointed star, thus designating the positions of the 12 houses of the zodiac, with a spread of 30-degrees of arc for each house. Note how intersections of this star comply with the internal wall line of the Crosshouse.</b></p> <p><b>THE CROSS OF SET.</b></p> <p><br> David Wood and his team detected a thin cross within the marked positions of Rennes Le Chateau. A central PHI circle and intersections within the layered geometry of the Crosshouse attest to the presence of this thin cross in the geometric design of the Crosshouse. Whereas the Grand Cross has an arm thickness of 24-degrees, the thin cross extends through 12-degrees.</p> <p align="center"><img src="http://www.celticnz.org/images/Crosshouse/MiriSetUni.jpg" border="0" height="496" width="500"></p> <p><br>  <b>THE "ALL IN" GEOMETRY SO FAR. </b></p> <p align="center"><img src="http://www.celticnz.org/images/Crosshouse/MiriAllUni.jpg" border="0" height="496" width="500"></p> <p><b>The Maori religious movement "Ratana", which has a strong affiliation to the Pao-Marire movement of the 1860's, continues to use symbols or patterns borne out of the geometry of the Crosshouse as religious emblems of their faith. These symbols were handed down from the ancient Patu-pai-arehe, some of who were ancestors to the Maori descendants from the Takitimu canoe. The main group of Patu-pai-arehe in residence at Tiroa was finally vanquished from the valley region into the high seclusion of the Rangitoto Ranges.</b></p> <p><b>It becomes evident as to why 4 special post positions were made near the outer corners where each wing began. In the above picture the posts (red) are shown to be major intersections for crossing geometry. This star and cross pattern geometry is steeped in antiquity and both the squatting god (Ammon RA) of the Egyptian Hypocephalus funerary amulet or the squatting god of the New Zealand Moriori people stem from a design created by parts of this geometry. How this occurs is explained in detail within this website (see Article, <span style="color: rgb(0, 0, 255);">Megalithic    New Zealand parts 1-6</span>).</b></p> <p><b>CREATING PHI GEOMETRICALLY AT THE CROSSHOUSE.</b></p> <p align="center"><img src="http://www.celticnz.org/images/Crosshouse/MiriPHIVecsUni.jpg" border="0" height="502" width="500"></p> <p><b>The windows of the Crosshouse provide the necessary 18-degrees of spread to easily create 2 separate sets of PHI relationships between a circles and squares with the diameter of the square ½ PHI less than that of the circle. <br> Ropes strung between the internal corners of the porches gave a reading to create an accurate PHI overlay for the 55 feet circle (blue) and two wings were a ½ PHI reduction to a 55 feet circle. Two additional wings related to an encompassing circle of 56 feet (red) and a square reduced by ½ PHI of that diameter designated the internal length of the building for the wings concerned.</b></p> <p><a href="http://www.celticnz.co.nz/Crosshouse/TheCrosshouseofMiringaTeKakara2.htm"><span style="font-family: Arial,Helvetica,sans-serif; font-size: 85%;"><b>CONTINUE</b>    </span></a></p> <br> <p> <!-- A HREF="http://www.studyweb.com/">   <img src="sw_award.gif" alt="StudyWeb Award" width="73" height="94" align="RIGHT" /></A -->  </p><h1>                  Fibonacci Numbers and Nature </h1>  This page has been split into TWO PARTS.  <p> This, the <b>first</b>, looks at the Fibonacci numbers and why they appear in various "family trees" and patterns of spirals of leaves and seeds.</p><p> The second page then examines why the golden section is used by nature in some detail, including animations of growing plants. </p><h2 align="center">                 Contents of this Page </h2>  <p>The <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/ttdIcon.gif" alt="Things To Do" height="14" width="25"> icon means  there is a <span class="ttd"> Things to do</span> investigation at the end of the section.</p>  <ul class="contentsl1"><li> <a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibnat.html#rabeecow">Rabbits, Cows and Bees Family Trees</a>    <ul class="contentsl2"><li><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibnat.html#Rabbits">             Fibonacci's Rabbits..</a></li><li><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibnat.html#dudeneyscows"> Dudeney's Cows</a></li><li><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibnat.html#bees">              Honeybees and Family Trees</a>      <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/ttdIcon.gif" alt="Things To Do" height="14" width="25"></li></ul></li><li><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibnat.html#golden">Fibonacci Numbers and the Golden Number</a>        <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/ttdIcon.gif" alt="Things To Do" height="14" width="25"></li><li><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibnat.html#spiral">Fibonacci Rectangles and Shell Spirals</a></li><li><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibnat.html#plants">Fibonacci numbers, the Golden Section and plants</a>     <ul class="contentsl2"><li><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibnat.html#petals">Petals on flowers</a></li><li><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibnat.html#seeds">Seed heads</a> <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/ttdIcon.gif" alt="Things To Do" height="14" width="25"></li><li><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibnat.html#pinecones">Pine cones</a>         <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/ttdIcon.gif" alt="Things To Do" height="14" width="25"></li><li><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibnat.html#leaf">Leaf arrangements</a>           <ul class="contentsl3"><li><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibnat.html#leavesperturn">Leaves per turn</a></li><li><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibnat.html#commonplants">Leaf arrangements of some common plants</a>          </li></ul></li><li><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibnat.html#veg">Vegetables and Fruit</a>           <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/ttdIcon.gif" alt="Things To Do" height="14" width="25"></li></ul></li><li><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibnat.html#fingers">Fibonacci Fingers?</a></li><li><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibnat.html#quote">A quote from Coxeter on   Phyllotaxis</a></li><li><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibnat.html#nav">Navigating through this site</a></li><li><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibnat.html#refs">References and Links</a></li></ul><table align="center"><tbody><tr><td style="font-family: monospace; color: rgb(255, 51, 0);" valign="middle">0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610, 987 ..<a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibtable.html">More</a>..</td><td width="34"><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibCalcX.html"><img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/calc.gif" alt="Calculator" align="middle" border="1" height="21" hspace="0" vspace="0" width="34"></a></td></tr></tbody></table>  <a name="rabeecow"></a> <h1>                   Rabbits, Cows and Bees Family Trees </h1> Let's look first at the Rabbit Puzzle that Fibonacci wrote about and then at two adaptations of it to make it more realistic. This introduces you to the Fibonacci Number series and the simple definition of the whole never-ending series. <h2><a name="Rabbits"> </a>                                Fibonacci's Rabbits </h2>  <p>The original problem that Fibonacci investigated (in the year 1202) was about how fast rabbits could breed in ideal circumstances. </p>  <p><img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/manyrab.gif" alt="Fluffy bunnies" align="left" height="161" hspace="20" width="225"> </p>  <p>Suppose a newly-born pair of rabbits, one male, one female, are put in a field. Rabbits are able to mate at the age of one month so that at the end of its second month a female can produce another pair of rabbits. Suppose that our rabbits <b>never die</b> and that the female <b>always</b> produces one new pair (one male, one female) <b>every month</b> from the second month on.   The puzzle that Fibonacci posed was... </p>  <p>How many pairs will there be in one year?<br>  </p>  <ol><li>At the end of the first month, they mate, but there is still    one only 1 pair.</li><li>At the end of the second month the female produces a new pair,    so now there are 2 pairs of rabbits in the field.</li><li>At the end of the third month, the original female produces a    second pair, making 3 pairs in all in the field.</li><li>At the end of the fourth month, the original female has produced yet another new pair, the female born two months ago produces her first pair also, making 5 pairs.</li></ol> <div align="center"> <p><img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibrab.gif" alt="Fluffy bunnies family tree" height="371" hspace="15" width="442"><br> <a name="fibwhy"></a><br>The number of pairs of rabbits in the field at the start of each month is      1, 1, 2, 3, 5, 8, 13, 21, 34, ... </p></div>  <p>Can you see how the series is formed and how it continues? If not, look at <a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibseries.html">the answer</a>! </p>  <p>The <a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibtable.html">first 300 Fibonacci numbers</a> are here and some questions for you to answer.</p>  <p>Now can you see <b>why</b> this is the answer to our Rabbits problem? If not, <a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/rabserieswhy.html"> here's why.</a><br>  Another view of the Rabbit's Family Tree:</p>  <p class="centered"><img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibtree.GIF" alt="Multiples-of-Phi family tree" height="371" width="448"> </p><p>  <!--FIBHR--></p><table bgcolor="#ffff66" border="1" cellspacing="0" width="100%"><tbody><tr><td><table align="center"><tbody><tr><td style="font-family: monospace; color: rgb(255, 51, 0);" valign="middle">0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610, 987 ..<a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibtable.html">More</a>..</td><td width="34"><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibCalcX.html"><img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/calc.gif" alt="Calculator" align="middle" border="1" height="21" hspace="0" vspace="0" width="34"></a></td></tr></tbody></table></td></tr></tbody></table>  <a name="realrab"></a> <h3>            The Rabbits problem is not very realistic, is it? </h3>  <p>It seems to imply that brother and sisters mate, which, genetically, leads to problems. We can get round this by saying that the female of each pair mates with any male and produces another pair.<br>Another problem which again is not true to life, is that each birth is of exactly two rabbits, one male and one female.<br> <a name="dudeneyscows"></a> </p><h2>                                   Dudeney's Cows </h2>  The English puzzlist, Henry E Dudeney (1857 - 1930, pronounced <i>Dude-knee</i>) wrote several excellent books of puzzles (see after this section). In one of them he adapts Fibonacci's Rabbits to cows, making the problem more realistic in the way we observed above. He gets round the problems by noticing that really, it is only the females that are interesting - er - I mean the <i>number</i> of females!    <p>He changes months into years and rabbits into bulls (male) and cows (females) in problem 175 in his book <b>536 puzzles and Curious Problems</b> (1967, Souvenir press): <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/cow.gif" alt="cow!" align="right" height="83" width="128"> </p><blockquote> If a cow produces its first she-calf at age two years and after that produces another single she-calf every year, how many she-calves are there after 12 years, assuming none die? </blockquote>    This is a better simplification of the problem and quite realistic now. <p>But Fibonacci does what mathematicians often do at first, simplify the problem and see what happens - and the series bearing his name does have <i>lots</i> of other interesting and practical applications as we see later.<br>So let's look at another  real-life situation that is exactly modelled by Fibonacci's series - honeybees.</p>  <a name="dudeneybooks"></a>  <h4>               Puzzle books by Henry E Dudeney  </h4>    <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/book.gif" alt="Book:" height="14" width="22">  <a href="http://www.amazon.com/exec/obidos/ASIN/0486204731/fibonacnumbersan">  Amusements in Mathematics</a>, Dover Press, 1958, 250 pages. <br> Still in print thanks to Dover in a very sturdy paperback format at an incredibly inexpensive price. This is a wonderful collection that I find I often dip into. There are arithmetic puzzles, geometric puzzles, chessboard [uzzles, an excellent chapter on all kinds of mazes and solving them, magic squares, river crossing puzzles, and more, all with full soutions and often extra notes! Highly recommended!<p>    <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/book.gif" alt="Book:" height="14" width="22">  <a href="http://www.amazon.com/exec/obidos/ASIN/0684717557/fibonacnumbersan">  536 Puzzles and Curious Problems</a> is now out of print, but you may be able to pick up a second hand version by clicking on this link. It is another collection like <i>Amusements in Mathematics</i> (above) but containing different puzzles arranged in sections: Arithmetical and Algebraic puzzles, Geometrical puzzles, Combinatorial and Topological puzzles, Game puzzles, Domino puzzles, match puzzles and "unclassified" puzzles. Full solutions and index. A real treasure. </p><p> <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/book.gif" alt="Book:" height="14" width="22">  <a href="http://www.amazon.com/exec/obidos/ASIN/0486425584/fibonacnumbersan">  The Canterbury Puzzles</a>, Dover 2002, 256 pages.  More puzzles (not in the previous books)  the first section with some characters from Chaucer's <i>Canterbury Tales</i> and other sections on the Monks of Riddlewell, the squire's Christmas party, the Professors puzzles and so on and all with full solutions of course! </p><h2><a name="bees"></a>                                        Honeybees and Family trees </h2>  <p>There are over 30,000 species of bees and in most of them the bees live solitary lives. The one most of us know best is the honeybee and it, unusually, lives in a colony called a hive and they have an unusual Family Tree. In fact, there are many unusual features of honeybees and in this section we will show how the Fibonacci numbers count a honeybee's ancestors (in this section a "bee" will mean a "honeybee").<br>First, some unusual facts about honeybees such as: not all of them have two parents!<br> <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/miniBee.gif" alt="bee icon" align="bottom" height="33" width="40">In a colony of honeybees there is one special female called the <b>queen</b>.<br> <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/miniBee.gif" alt="bee icon" align="bottom" height="33" width="40"> There are many <b>worker</b> bees who are female too but  unlike the queen bee, they produce no eggs.<br> <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/miniBee.gif" alt="bee icon" align="bottom" height="33" width="40"> There are some <b>drone</b> bees who are male and do no work.<br>Males are produced by the queen's unfertilized eggs, so male bees only  have a mother but no father!<br> <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/miniBee.gif" alt="bee icon" align="bottom" height="33" width="40"> All the females are produced when the queen has mated with a male and so have two parents. Females usually end up as worker bees but some are fed with a special substance called <b>royal jelly</b> which makes them grow into queens ready to go off to start a new colony when the bees form a <b>swarm</b> and leave their home (a <b>hive</b>) in search of a place to build a new nest.<br> <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/beeparts.GIF" alt="Bee Tree Key" align="left" height="144" width="328">  </p><p>So female bees have 2 parents, a male and a female whereas male bees have just one parent, a female.  </p><p> <small> Here we follow the convention of Family Trees that <i>parents appear above their children</i>, so the latest generations are at the bottom and the higher up we go, the older people are.  Such trees show all the <i>ancestors</i> (predecessors, forebears, antecedents) of the person at the bottom of the diagram. We would get quite a different tree if we listed all the <i>descendants</i> (progeny, offspring) of a person as we did in the rabbit problem, where we showed all the descendants of the original pair. </small> <br>    </p><p><img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/beetree.GIF" alt="Bee Tree" align="left" height="188" width="256"> Let's look at the family tree of a male drone bee.</p>  <ol><li>He had <b>1</b> parent, a female.    </li><li>He has <b>2</b> grand-parents, since his mother had    two parents, a male and a female.    </li><li>He has <b>3</b> great-grand-parents: his    grand-mother had two parents but his grand-father had only one.    </li><li>How many great-great-grand parents did he have? </li></ol>  <p>Again we see the <a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibtable.html"> Fibonacci numbers</a> :<br>   </p><pre>                                       great-     great,great   gt,gt,gt<br>                          grand-      grand-     grand         grand<br>Number of       parents:   parents:    parents:   parents:      parents:<br>of a MALE bee:    1           2           3          5             8<br>of a FEMALE bee:  2           3           5          8            13<br> </pre>  <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/openbook.gif" alt="Article:" height="16" width="35">  <b>The Fibonacci Sequence as it appears in Nature</b> by S.L.Basin in <i>Fibonacci Quarterly</i>, vol 1 (1963), pages 53 - 57.     <p> <!--FIBHR--></p><table bgcolor="#ffff66" border="1" cellspacing="0" width="100%"><tbody><tr><td><table align="center"><tbody><tr><td style="font-family: monospace; color: rgb(255, 51, 0);" valign="middle">0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610, 987 ..<a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibtable.html">More</a>..</td><td width="34"><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibCalcX.html"><img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/calc.gif" alt="Calculator" align="middle" border="1" height="21" hspace="0" vspace="0" width="34"></a></td></tr></tbody></table></td></tr></tbody></table>     <div class="ttd">   <h4><img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/ttdIcon.gif" alt="/" height="14" width="25">                            Things to do    <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/ttdIcon.gif" alt="/" height="14" width="25"> </h4>   <ol class="ttd"><li> Make a diagram of your own family tree. Ask your parents and grandparents and older relatives as each will be able to tell you about particular parts of your family tree that other's didn't know. It can be quite fun trying to see how far back you can go. If you have them put old photographs of relatives on a big chart of your Tree (or use photocopies of the photographs if your relatives want to keep the originals). If you like, include the year and place of birth and death and also the dates of any marriages.</li><li>         A brother or sister is the name for someone who has the same two parents as yourself.        What is a <i>half-brother</i> and <i>half-sister</i>?<br>       Describe <i>a  cousin</i> but use simpler words such as <i>brother, sister,         parent, child</i>? <br>          Do the same for <i>nephew</i> and <i>niece</i>.          What is <i>a second cousin</i>?          What do we mean by <i>a brother-in-law, sister-in-law, mother-in-law, etc</i>?          <i>Grand-</i> and <i>great-</i> refer to relatives <i>or your parents</i>.          Thus a <i>grand-father</i> is a father of a parent of yours and <i>great-aunt</i>          or <i>grand-aunt</i> is the name given to an aunt of your parent's.<p> Make a diagram of Family Tree Names so that "Me" is at the bottom and "Mum" and "Dad" are above you. Mark in "brother", "sister", "uncle", "nephew" and as many other names of (kinds of) relatives that you know. It doesn't matter if you have no brothers or sisters or nephews as the diagram is meant to show the relationships and their names. <br> [If you have a friend who speaks a foreign language, ask them what words they use for these relationships.] </p></li><li>  What is the name for <i>the wife of a parent's brother</i>?<br>       Do you use a different name for the sister of your parent's?<br>       In law these two are sometimes distinguished because one is a <i>blood relative</i>        of yours and the other is not, just a relative through marriage.<br>        Which do you think is the <i>blood relative</i>        and which the relation because of marriage?        </li><li>          How many parents does everyone have?<br>        So how many grand-parents will you have to make spaces for in your Family tree?<br>        Each of them also had two parents so how many great-grand-parents of yours will         there be in your  Tree?<br>        ..and how many great-great-grandparents?<br>        What is the pattern in this series of numbers?<br> If you go back one generation to your parents, and two to your grand-parents, how many entries will there be 5 generations ago in your Tree? and how many 10 generations ago?<p> The Family Tree of humans involves a different sequence to the Fibonacci Numbers. What is this sequence called? </p></li><li> <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/images/smiley.gif" alt=":-)" height="15" width="15">                  Looking at your answers to the previous question, your friend         Dee Duckshun   says to you:         <ul><li> You have 2 parents. </li><li> They each have two parents, so that's 4 grand-parents you've got.</li><li> They also had two parents each making 8 great-grand-parents in total ...</li><li> ... and 16 great-great-grand-parents ...</li><li> ... and so on.</li><li> So the farther back you go in your Family Tree              the more people there are.</li><li> It is the same for               the Family Tree of <i>everyone</i> alive in the world today. </li><li> It shows that the farther back in time we go, the more people there must have been. </li><li>  So it is a logical deduction that the population of the world <i>must</i> be              getting smaller and smaller as time goes on!</li></ul> Is there an error in Dee's argument? If so, what is it? Ask your maths teacher or a parent if you are not sure of the answer!</li></ol> </div>          <!--FIBHR--><table bgcolor="#ffff66" border="1" cellspacing="0" width="100%"><tbody><tr><td><table align="center"><tbody><tr><td style="font-family: monospace; color: rgb(255, 51, 0);" valign="middle">0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610, 987 ..<a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibtable.html">More</a>..</td><td width="34"><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibCalcX.html"><img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/calc.gif" alt="Calculator" align="middle" border="1" height="21" hspace="0" vspace="0" width="34"></a></td></tr></tbody></table></td></tr></tbody></table>               <a name="golden"></a>  <h1>                                     Fibonacci numbers and the Golden Number </h1>  <p>If we take the ratio of two successive numbers in Fibonacci's series, (1, 1, 2, 3, 5, 8, 13, ..) and we divide each by the number before it, we will find the following series of numbers:<br> </p>   <sup>1</sup>/<sub>1</sub> = 1,   <sup>2</sup>/<sub>1</sub> = 2,   <sup>3</sup>/<sub>2</sub> = 1·5,   <sup>5</sup>/<sub>3</sub> = 1·666...,   <sup>8</sup>/<sub>5</sub> = 1·6,   <sup>13</sup>/<sub>8</sub> = 1·625,   <sup>21</sup>/<sub>13</sub> = 1·61538... <p>  It is easier to see what is happening if we plot the ratios on a graph:</p>  <p> </p><div align="center"> <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibRatioPlotPOS.gif" alt="fibratio.gif" height="205" width="250"> </div>  <p>The ratio seems to be settling down to a particular value, which we call <b>the golden ratio</b> or <b>the golden number</b>. It has a value of approximately <b>1·618034 </b>,  although we shall find an even more accurate value on  <a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/phi.html#fibratio" target="_blank"> a later page [this link opens a new window]</a> .  </p><div class="ttd">   <h4><img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/ttdIcon.gif" alt="/" height="14" width="25">                            Things to do    <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/ttdIcon.gif" alt="/" height="14" width="25"> </h4>   <ul class="ttd"><li>What happens if we take the ratios the    other way round i.e. we divide each number by the one <i>following</i> it:    1/1, 1/2, 2/3, 3/5, 5/8, 8/13, ..?<br> Use your calculator and perhaps plot a graph of these ratios and see if anything similar is happening compared with the graph above.<br>       You'll have spotted a fundamental property of this ratio when you    find the limiting value of the new series!</li></ul> </div> <p>   <!--FIBHR--></p><table bgcolor="#ffff66" border="1" cellspacing="0" width="100%"><tbody><tr><td><table align="center"><tbody><tr><td style="font-family: monospace; color: rgb(255, 51, 0);" valign="middle">0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610, 987 ..<a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibtable.html">More</a>..</td><td width="34"><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibCalcX.html"><img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/calc.gif" alt="Calculator" align="middle" border="1" height="21" hspace="0" vspace="0" width="34"></a></td></tr></tbody></table></td></tr></tbody></table>     The <b>golden ratio</b> 1·618034  is also called the <b>golden section</b>  or the <b>golden mean</b>  or just the <b>golden number</b>.  It is often represented by a greek letter <b>Phi</b>  <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/phi.gif" alt="phi" height="15" width="11">.   The closely related value which we write as <b>phi</b> with a small "p" is just the decimal part of Phi, namely 0·618034.  <p><a name="spiral"></a></p>  <h2 align="center">                 Fibonacci Rectangles and Shell Spirals </h2>  <p> <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibSpiralANIM.gif" alt="fibspiral" align="left" height="141" width="119"> <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibSpiral.gif" alt="fibspiral" align="right" height="141" width="119"> We can make another picture showing the Fibonacci numbers 1,1,2,3,5,8,13,21,.. if we start with two small squares of size 1 next to each other. On top of both of these draw a square of size 2 (=1+1). <br>    </p><p>We can now draw a new square - touching both a unit square and the latest square of side 2 - so having sides 3 units long; and then another touching both the 2-square and the 3-square (which has sides of 5 units). We can continue adding squares around the picture, <b>each new square having a side which is as long as the sum of the latest two square's sides</b>. This set of rectangles whose sides are two successive Fibonacci numbers in length and which are composed of squares with sides which are Fibonacci numbers, we will call the <b>Fibonacci Rectangles</b>.   <br><br><img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibspiral2.GIF" alt="fibspiral2.GIF" align="left" height="124" hspace="15" width="79"> Here is a spiral drawn in the squares, a quarter of a circle in each square. The spiral is  not a <i>true</i> mathematical spiral (since it is made up of fragments which are parts of circles and does not go on getting smaller and smaller) but it is a good approximation to a kind of spiral that does appear often in nature. Such spirals are seen in the shape of shells of snails and sea shells and, as we see later, in the arrangment of seeds on flowering plants too. The spiral-in-the-squares makes a line from the centre of the spiral increase by a factor of the golden number in each square. So points on the spiral are 1.618 times as far from the centre after a quarter-turn. In a whole turn the points on a radius out from the center are 1.618<sup>4</sup> = 6.854 times further out than when the curve last crossed the same radial line. </p><blockquote> Cundy and Rollett (Mathematical Models, second edition 1961, page 70) say that this spiral occurs in snail-shells and flower-heads referring to D'Arcy Thompson's <i>On Growth and Form</i> probably meaning chapter 6 "The Equiangular Spiral". Here Thompson is talking about a class of spiral with a constant expansion factor along a central line and not just shells with a Phi expansion factor. </blockquote><br> Below are images of cross-sections of a Nautilus sea shell. They show the spiral curve of the shell and the internal chambers that the animal using it adds on as it grows. The chambers provide boyancy in the water. Click on the picture to enlarge it in a new window. Draw a line from the center out in any direction and find two places where the shell crosses it so that the shell spiral has gone round just once between them. The outer crossing point will be about 1.6 times as far from the centre as the next inner point on the line where the shell crosses it. This shows that the shell has grown by a factor of the golden ratio in one turn. <br>On the poster shown here, this factor varies from 1.6 to 1.9 and may be due to the shell not being cut exactly along a central plane to produce the cross-section. <p> Here are some more posters available from AllPosters.com that are great for your study wall or classroom or to go with a science project. Click on the pictures to enlarge them in a new window. </p><table><tbody><tr align="center"><td>  <br></td><td align="center">  <a class="APCAnchor" href="http://affiliates.allposters.com/link/redirect.asp?item=112545&amp;AID=910266&amp;PSTID=1&amp;LTID=2" target="_top"><img src="http://imagecache2.allposters.com/images/EDL/3466.jpg" alt="Nautilus" border="0" height="425" width="320"></a> <img src="http://tracking.allposters.com/allposters.gif?AID=910266&amp;PSTID=1&amp;LTID=2" alt="poster" border="0" height="1" width="1"><br><span style="font-family: verdana,arial,helvetica; font-size: 10px;"> Nautilus<br><a class="APCAnchor" href="http://affiliates.allposters.com/link/redirect.asp?c=c&amp;search=29167&amp;AID=910266&amp;PSTID=1&amp;LTID=2" target="_top">Wampler, Sondra</a><br><a class="APCAnchor" href="http://affiliates.allposters.com/link/redirect.asp?item=112545&amp;AID=910266&amp;PSTID=1&amp;LTID=2" target="_top">Buy this Art Print at AllPosters.com</a><br></span>  </td> <td>  <a href="http://affiliates.allposters.com/link/redirect.asp?item=356711&amp;AID=910266&amp;PSTID=1&amp;LTID=2" target="_top"> <img src="http://imagecache2.allposters.com/images/POE/BM102G.jpg" alt="Nautilus Shell" border="0" height="425" width="339"></a> <img src="http://tracking.allposters.com/allposters.gif?AID=910266&amp;PSTID=1&amp;LTID=2" alt="poster" border="0" height="1" width="1"> <span style="font-family: verdana,arial,helvetica; font-size: 10px;"><br>Nautilus Shell<br><a href="http://affiliates.allposters.com/link/redirect.asp?c=c&amp;search=32693&amp;AID=910266&amp;PSTID=1&amp;LTID=2" target="_top">Myers, Bert</a><br><a href="http://affiliates.allposters.com/link/redirect.asp?item=356711&amp;AID=910266&amp;PSTID=1&amp;LTID=2" target="_top">Buy this Art Print at AllPosters.com</a><br></span>  </td><td>  <a class="APCAnchor" href="http://affiliates.allposters.com/link/redirect.asp?item=380011&amp;AID=910266&amp;PSTID=1&amp;LTID=2" target="_top"><img src="http://imagecache2.allposters.com/images/IMA/20890.jpg" alt="Nautilus" border="0" height="425" width="340"></a> <img src="http://tracking.allposters.com/allposters.gif?AID=910266&amp;PSTID=1&amp;LTID=2" alt="poster" border="0" height="1" width="1"><br><span style="font-family: verdana,arial,helvetica; font-size: 10px;"> Nautilus<br><a class="APCAnchor" href="http://affiliates.allposters.com/link/redirect.asp?c=c&amp;search=28054&amp;AID=910266&amp;PSTID=1&amp;LTID=2" target="_top">Schenck, Deborah</a><br><a class="APCAnchor" href="http://affiliates.allposters.com/link/redirect.asp?item=380011&amp;AID=910266&amp;PSTID=1&amp;LTID=2" target="_top">Buy this Art Print at AllPosters.com</a><br></span>  </td></tr> <!-- tr><td colspan="2" align="center">  <a class="APCAnchor" href="http://affiliates.allposters.com/link/redirect.asp?item=1211473&#038;AID=910266&#038;PSTID=1&#038;LTID=2" target="_top"><img src="http://imagecache2.allposters.com/images/CORPOD/CB036741.jpg" alt="Cross Section of Chambered Nautilus Shell" border="0" height="263" width="350" /></a> <img src="http://tracking.allposters.com/allposters.gif?AID=910266&#038;PSTID=1&#038;LTID=2" border="0" height="1" width="1" /><br /><span style="font-family:verdana,arial,helvetica;font-size:10;"> Cross Section of Chambered Nautilus Shell<br /><a class="APCAnchor" href="http://affiliates.allposters.com/link/redirect.asp?item=1211473&#038;AID=910266&#038;PSTID=1&#038;LTID=2" target="_top">Buy this Giclee Print at AllPosters.com</a><br /></span>  </td></tr>  --> </tbody></table> <p> The curve of this shell is called <a href="http://www-groups.dcs.st-and.ac.uk/%7Ehistory/Curves/Equiangular.html"> Equiangular</a> or  <a href="http://www.notam.uio.no/%7Eoyvindha/loga.html">Logarithmic spirals</a> and are common in nature, though the 'growth factor' may not always be the golden ratio. <br>  </p><blockquote> <h3>                                    Reference </h3>  <p><img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/book.gif" alt="Book:" height="14" width="22"> <a href="http://www.amazon.com/exec/obidos/ASIN/048623701X/fibonacnumbersan"> The Curves of Life</a> Theodore A Cook, Dover books, 1979,  ISBN 0 486 23701 X.<br> A Dover reprint of a classic 1914 book.</p></blockquote>  <p>   <!--FIBHR--></p><table bgcolor="#ffff66" border="1" cellspacing="0" width="100%"><tbody><tr><td><table align="center"><tbody><tr><td style="font-family: monospace; color: rgb(255, 51, 0);" valign="middle">0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610, 987 ..<a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibtable.html">More</a>..</td><td width="34"><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibCalcX.html"><img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/calc.gif" alt="Calculator" align="middle" border="1" height="21" hspace="0" vspace="0" width="34"></a></td></tr></tbody></table></td></tr></tbody></table>  <a name="plants"></a>  <h1>                                    Fibonacci Numbers, the Golden Section and  Plants </h1>  <div align="center"> <table bgcolor="#cccccc"><tbody><tr><td> <img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/sneezewort.GIF" alt="sneezewort.GIF" align="bottom" height="285" hspace="10" width="400"> </td></tr></tbody></table></div>  <p>One plant in particular shows the Fibonacci numbers in the number of "growing points" that it has. Suppose that when a plant puts out a new shoot, that shoot has to grow two months before it is strong enough to support branching. If it branches every month after that at the growing point, we get the picture shown here.</p>  <p>A plant that grows very much like this is the "sneezewort": Achillea ptarmica.</p>  <p>    <!--FIBHR--></p><table bgcolor="#ffff66" border="1" cellspacing="0" width="100%"><tbody><tr><td><table align="center"><tbody><tr><td style="font-family: monospace; color: rgb(255, 51, 0);" valign="middle">0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610, 987 ..<a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibtable.html">More</a>..</td><td width="34"><a href="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fibCalcX.html"><img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/calc.gif" alt="Calculator" align="middle" border="1" height="21" hspace="0" vspace="0" width="34"></a></td></tr></tbody></table></td></tr></tbody></table>     <a name="petals"></a>  <h2>                              Petals on flowers </h2>  <p>On many plants, the number of petals is a Fibonacci number:<br> buttercups have 5 petals; lilies and iris have 3 petals; some delphiniums have 8; corn marigolds have 13 petals; some asters have 21 whereas daisies can be found with 34, 55 or even 89 petals.<br>The links here are to various flower and plant catalogues: </p><ul><li> the Dutch   <a href="http://www.flowerweb.nl/">Flowerweb</a>'s searchable index called        <a href="http://www.flowerbase.com/">Flowerbase</a>.</li><!-- LI> The Helsinki        <a href="http://www.helsinki.fi/kmus/botmenu.html">        Internet Directory for Botany</a> has a wealth of information of        all aspects of Botany and includes a gigantic section on         <a href="http://www.helsinki.fi/kmus/botpics.html">Images</a> with links        to sites about plants all over the world.         <br />      Try searching it to       see where you can spot the golden section occurring and the Fibonacci       numbers.</li> --><li>The US Department of Agriculture's <a href="http://plants.usda.gov/">        Plants Database</a> containing over 1000 images, plant information and        searchable database.</li></ul> <table style="text-align: center;" align="center" cellpadding="3" cellspacing="0"> <tbody><tr valign="bottom"> <td><img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/fuchsia.jpg" alt="fuchsia has 4 sepals" height="149" width="165"><br>Fuchsia</td> <td><img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/pinks.jpg" alt="5 petals on a pink" height="273" width="211"><br>Pinks</td> <td><img src="http://www.mcs.surrey.ac.uk/Personal/R.Knott/Fibonacci/lily.jpg" alt="lily" height="198" width="215"><br>Lily</td> <td><img src="http://images.allposters.com/images/wiz/5046_a.jpg" alt="Mike Bentley - Four Daisies" border="0" height="115" width="115"><br>Daisies <a href="http://affiliates.allposters.com/link/redirect.asp?aid=910266&amp;item=376240" target="_top"><br>available as a<br>poster at AllPosters.com</a></td> </tr></tbody></table>   <b> 3 petals</b>:   lily, iris <br>           <small> Mark Taylor (Australia), a grower of Hemerocallis and Liliums (lilies) points out that although these appear to have 6 petals as shown above, 3 are in fact <i>sepals</i> and 3 are petals.       Sepals form the outer protection of the flower when in bud.      Mark's <a href="http://www.users.on.net/%7Edaylilies/" target="_blank">      Barossa Daylilies  web site (opens in a new window)</a> contains many       flower pictures where the difference      between sepals and petals is clearly visible.</small> <br> <b> 4 petals </b>    Very few plants show 4 petals (or sepals) but some, such as the fuchsia above, do.  4 is <i>not</i> a Fibonacci number!    We return to this point near the bottom of this page.<br> <b> 5 petals</b>:     buttercup, wild rose,   larkspur,  columbine (aquilegia), pinks (shown above)  <br>          <small> The humble buttercup has been bred into a multi-petalled form.</small> <br> <b> 8 petals</b>: delphiniums  <br>  <b>13 petals</b>: ragwort, corn marigold,  cineraria, some daisies   <br>  <b>21 petals</b>:   aster, black-eyed susan, chicory <br> <b>34 petals</b>: plantain,    pyrethrum <br> <b>55, 89 petals</b>: michaelmas daisies,   the asteraceae family.  <br>
Some species are very precise about the number ]]></content:encoded>
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		<title>The Code</title>
		<link>http://mcquire.bloghi.com/2006/03/06/the-code.html</link>
		<comments>http://mcquire.bloghi.com/2006/03/06/the-code.html#comments</comments>
		<pubDate>Mon, 06 Mar 2006 00:04:26 +0000</pubDate>
		<guid>http://mcquire.bloghi.com/2006/03/06/the-code.html</guid>
		<description> 
            	The Da Vinci Code 	                        Thursday, February 16, 2006                                    	  	 The Da Vinci Code: Breaking the Code 	                                   &amp;nbsp;Facts:&quot;The Priory of Sion&quot;--a European secret...</description>
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  <div id="header">    <h1 id="blog-title">      	The Da Vinci Code 	   </h1>      </div>   <!-- Begin #main -->            <h2 class="date-header">Thursday, February 16, 2006</h2>                <!-- Begin .post -->   <a name="114015504207500845"></a>                <h3 class="post-title"> 	  	 The Da Vinci Code: Breaking the Code 	      </h3>                      <p>       </p>&nbsp;<br><br><br><img src="http://img11.imageshack.us/img11/852/1312298971l.jpg" alt="http://img11.imageshack.us/img11/852/1312298971l.jpg" title="http://img11.imageshack.us/img11/852/1312298971l.jpg" border="0"><strong><span style="font-size: 180%;"><br></span></strong><p align="center"><strong><span style="font-size: 180%;"><br></span></strong></p><p align="center"><strong><span style="font-size: 180%;">Facts:</span></strong></p><p align="center"><strong><span style="font-size: 180%;">"The Priory of Sion"--</span></strong></p><div align="center"><strong><span style="font-size: 180%;">a European secret society founded in 1099--</span></strong></div><div align="center"><strong><span style="font-size: 180%;">is a real Organization.</span></strong></div><div align="center"><strong><span style="font-size: 180%;">In 1975, Paris's Bibliotheque Nationale discovered parchments known as Les Dossiers Secrets,</span></strong></div><div align="center"><strong><span style="font-size: 180%;">identifying numerous members of the Priory of Sion,</span></strong></div><div align="center"><strong><span style="font-size: 180%;">including Sir Isaac Newton, Botticelli, Victor Hugo, </span></strong></div><div align="center"><strong><span style="font-size: 180%;">and Leonardo da Vinci.</span></strong></div><div align="center"><strong><span style="font-size: 180%;"></span></strong></div><div align="center"><strong><span style="font-size: 180%;">The Vatican prelature known as Opus Dei is a deeply devout Catholic sect</span></strong></div><div align="center"><strong><span style="font-size: 180%;">that has been the topic of recent controversy duo to reports of </span></strong></div><div align="center"><strong><span style="font-size: 180%;">brain-washing, coercion, and a dangerous practice known as </span></strong></div><div align="center"><strong><span style="font-size: 180%;">"Corporal Mortification."</span></strong></div><div align="center"><strong><span style="font-size: 180%;">Opus Dei has just completed construction of a $47 million </span></strong></div><div align="center"><strong><span style="font-size: 180%;">National Headquarters at 243 Lexington Avenue</span></strong></div><div align="center"><strong><span style="font-size: 180%;">in New York City.</span></strong></div><div align="center"><strong><span style="font-size: 180%;"></span></strong></div><div align="center"><strong><span style="font-size: 180%;"></span></strong></div><div align="center"><strong><span style="font-size: 180%;"></span></strong></div><div align="center"><strong><span style="font-size: 180%;"></span></strong></div><div align="center"><strong><span style="font-size: 180%;"></span></strong></div><div align="center"><strong><span style="font-size: 180%;">“The Da Vinci Code”<br>Breaking the Code<br>From the book of Dan Brown<br>By: Armando Macgui-ing Martin</span></strong><br><br><strong><span style="font-size: 100%;"><span style="font-size: 130%;">Prologue<br></span>Sauniere will be murdered by a man who’s lookin’ for the hidden keystone that will unveil the world’s hidden secret… Before Sauniere, his three inferior were murdered too, telling the shadow man the same answer to his question to mislead him. But what is this secret all about? Sauniere died but left a trace on his death.<br><br><span style="font-size: 130%;">Chapter 1<br></span>Robert Langdon was awakened by the phone call from the head quarters for the mystery of John Sauniere’s death. He was about to meet Sauniere for some important matter. What is this matter all about? Does it have connection with the greatest secret the shadow man was looking for?<br><br><span style="font-size: 130%;">Chapter 6<br></span>Langdon meet the captain of the police Fache leading the investigation under Sauniere’s mystery death. They found symbol, a pentacle (a star that represents Venus) on Sauniere’s abdomen. What’s the connection? One more, the dead body of Sauniere formed a star, and was naked. To get more clues, Fache turned off the lights of the Gallery and used the STYLO DE LUMIERE NOIRE, a Black-light pen or watermark used to find and be able to read writings which can only be visible under the black light. And under the darkness of the place, they found a message of Sauniere. It’s like a riddle that’s written this way:<br><br>13-3-2-21-1-1-8-5<br>O, Draconian devil!<br>Oh, lame saint!<br><br><span style="font-size: 130%;">Chapter 8<br></span>The message remained puzzling. To solve the mystery, they analyzed everything they found out, the pentacle, the body of Sauniere in star formation, and the message he left with. It has connections with Vitruvian Man of Da Vinci, the perfect image of a body of man and female in a perfect circle that symbolizes Paganism in Christian Art. Was Da Vinci a pagan? Everything leads to Da Vinci’s Secret Life, but e never really practiced any dark arts. He was an exceptionally spiritual man, albeit one in constant conflict with the church.<br><br><span style="font-size: 130%;">Chapter 9<br></span>The Cryptographer, Agent Sophie Neveu, Sauniere’s granddaughter went inside the Gallery to look for Langdon. Fache was against her entering the gallery, but she insisted. She found Langdon with Fache, and to give Langdon a message, she told him that he has a call from the head quarters. She gave the phone with the 3 digit code for him to dial to receive the message. Langdon was stunned with the message of Sophie, telling that he was in danger because he was the primary suspect of Fache on Sauniere’s death. He controlled his emotion and continued listening to the message. He found out that the scrambled numbers in Sauniere’s message was in Fibonacci sequence. Fibonacci was invented by Leonardo Fibonacci, it is a progression in which term is equal to the sum of the two preceding terms. Sophie bid goodbye and after Langdon heard everything in the phone, he asked to go to the men’s room.<br><br><span style="font-size: 130%;">Chapter 12<br></span>In the men’s room, Langdon released his emotion with the fact that he was a primary suspect in the investigation. Behind him, was agent Neveu. Sophie showed him something important he has to know. In the message Sauniere left, there was another line he had not read. But how did it happen? Langdon read the message so how will it happen? Sophie took a picture of his grandfather’s dead body and all the evidences on his death before Langdon’s arrival to the scene. She gave him the picture of Sauniere’s message, she had taken and to his astonishment, he was stunned. Why would Sauniere write his name at the last part of his message?<br><br>13-3-2-21-1-1-8-5<br>O, Draconian devil!<br>Oh, lame saint!<br>P.S. find Robert Langdon<br><br><span style="font-size: 130%;">Chapter 13<br></span>Langdon was confused why was his name written at the last part of the message and why did Fache hide it from him. What does P.S. mean? Post Script? But Sophie said no. It stands for her name, Princesse Sophie, given by Sauniere, his grandfather. Sauniere perhaps wanted Sophie find Langdon to solve for the mystery.<br><br><span style="font-size: 130%;">Chapter 16<br></span>Sophie asked Langdon why was he in France and for what purpose. Langdon said that he was phoned by Sauniere’s secretary who set the date for their rendezvous.<br><br><span style="font-size: 130%;">Chapter 19<br></span>Silas went to the Church of Saint Sulpice, late at night. Who was Silas and why did he go to the church in the midnight? Silas is a member of the Opus Dei, a strict catholic group that was in charge of crimes, offenses, demeanor, and violence and become an issue to the whole world, especially to the church. He went to the church for the keystone to recover what the brotherhood had long ago stolen from the faithful. The Opus Dei brainwashed, coerce many people through a dangerous practice known as “Corporal Mortification.”<br><br><span style="font-size: 130%;">Chapter 20<br></span>Langdon and Sophie, made a study of the evidences they have. Sophie told Langdon that the pentacle was a special symbol between her and her grandfather, that it was just a little joke, an apropos inside joke from the card game called “Tarot Game.” This game is consists of 22 cards bore names like the female pope, the empress, and the star, whereas its indicator suit for feminine divinity is pentacles. From Sophie alone, Langdon remembered the Divine Proportion, the PHI. From her name soPHIe, PHI can be found. What a fluke! What is PHI and why was it integrated with the mystery? PHI is considered the “most important number in art especially in the universe. In art it is pretty. It symbolizes the Vitruvian Man named for Marcus Vitruvius, the brilliant Roman architecture who praised the Divine Proportion in his text De Architectura. PHI is derived from the Fibonacci sequence and was heralded as the Divine Proportion is equal to 1.618. It is the quotient of adjacent terms. Plants, animals and even human beings all possessed dimensional properties that adhered with eerie exactitude to the ration of PHI to 1. PHI is ubiquity in nature. The examples of PHI are the following:<br><br>Female bees always outnumber the male bees. The female bees divided by the number of male bees in any beehive in the world, always get the same number as 1.618.<br>A nautilus, a cephalopod mollusk that pumps gas into its chambered shell to adjust its buoyancy. Its ratio of each spiral’s diameter to the next is equal to PHI.<br>The distance measure from the tip of the head to the floor, divided by the distance measure from the belly to the floor is equal to PHI.<br>The distance measure from the shoulder to the finger tips divided by the distance measure from the elbow to the fingertips is equal to PHI.<br>The distance measure from the hip to the floor divided by the distance from the knee to the floor is equal to PHI.<br><br>PHI was unveiled in the architectural dimensions of the Greek Parthenon, the pyramids of Egypt, and even the United Nations Building in New York. It also appeared in the organizational structures of Mozart’s sonatas, Beethoven’s fifth symphony, as well as the works of Bartok, Debussy and Schubert.<br>The pentacle or pentagram’s five lines automatically divide themselves into segments according to the divine proportion. It symbolizes beauty, perfection with the goddess and the sacred feminine. Anagrams came from the word “ars magna” which means, the great art. The pentacle…..Fibonacci numbers…..Da Vinci…..PHI….. These have connections to each other to solve the mystery….. What else? From the message left of Sauniere, the scrambled Fibonacci sequence has to do something with the words, it’s a clue. The Fibonacci numbers were jumbled, so it means that the letters in every word of the message was jumbled too.<br><br>13-3-2-21-1-1-8-5<br>O, Draconian devil!<br>Oh, lame saint!<br><br>Is an anagram of<br><br>Leonardo da Vinci!<br>The Mona Lisa!<br><br><span style="font-size: 130%;">Chapter 21<br></span>From the solved puzzle, Sophie recalled something from the past. He recalled the interview to her grandfather about Picasso’s Masterpiece. He said the words “Vile meaningless doodles” before in his interview which were an anagram for “Les De Moiselles d’ Avignon.” Langdon and she looked at the sfumato style of painting of Mona Lisa that measured 31 inches by 21 inches. In her painting, why is Mona Lisa smiling?<br><br><span style="font-size: 130%;">Chapter 23<br></span>They went at the door of Salle des Etats. Langdon asked Sophie about anything she and her grandfather knew about the initials P.S. but Sophie recalled what her grandfather told her before, not to tell their secret to anyone about the P.S. sign on the gold key. What is this key all bout? Does it have something to do with the keystone Silas was looking for?<br>Fleur-de-lis….flower of Lisa….Mona Lisa…. It sounds the same to Langdon. He remembered something about a group, an old association, a brotherhood with fleur-de-lis, combined with the initials P.S. as an official device, and their logo of arms. To his intuition, Sauniere was a member of this very old covert brotherhood, the Secret Society called Prieure de Sion or the Priory of Sion. So he asked Sophie about what she knew about this Pagan Goddess Worship Cult. But Sophie was stunned too about the cult her grandfather engaged in. The leaders and members of this brotherhood long time ago were Botticelli, Sir Isaac Newton, Victor Hugo, and Leonardo da Vinci. Da Vinci presided over the priory between 1510 and 1519 as the Brotherhood’s Grand Master. Is Da Vinci homosexual? Try to find it out in the next chapter.<br><br><span style="font-size: 130%;">Chapter 26</span><br>At the Salle des Etats, They study the painting of Mona Lisa. Most recently in 1911, the painting was been stolen twice. Langdon looked at the painting and he remembered the lesson he taught to his students about the painting of Mona Lisa. The Mona Lisa (La Jaconde in French) has an uneven background. Da Vinci painted the horizon line on the left significantly lower than the right. He made Mona Lisa look much larger from the left side than from the right side, it was one of his tricks with a joke inside. Historically, the concepts of male and female have assigned sides---- left is female and right is male. Because Da Vinci was a big fan of feminine principles, he made Mona Lisa more majestic from the left than the right. Da Vinci was in tune with the balance between male and female. He believed that a human soul could not be enlightened unless it had both male and female elements from the image of Hermaphrodite. Hence, Da Vinci was known to be Homosexual.<br>Is it true that Mona Lisa is a picture in drag?<br>It is quite possible. Da Vinci was a prankster and computerized analysis of the Mona Lisa and Da Vinci’s self-portraits confirm some startling points of congruency in their faces. Whatever Da Vinci was up to, his Mona Lisa is neither male nor female. It carries a subtle message of androgyny. It is a fusing of both. Da Vinci let a big clue that the painting was supposed to be androgynous. How is the painting look androgynous? Egyptian god named Amon, god of masculine fertility, represented as a man with a ram’s head, and his promiscuity and curved horns are related to our modern sexual slang “horny”. And who was Amon’s counter part, The Egyptian goddess of fertility? It was Isis, whose ancient pictogram was once called Lisa. The name of Amon, and Lisa was an anagram for Mona Lisa. Not only the face of Mona Lisa look androgynous, but her name is an anagram of the divine union of male and female. And that is Da Vinci’s little secret, wand the reason for Mona Lisa’s knowing smile.<br><br><span style="font-size: 130%;">Chapter 28<br></span>Langdon and Sophie found a something on the Plexiglas of Mona Lisa’s painting, a six words writing.</span></strong></div><span style="font-size: 100%;"><div align="center"><br><strong>So Dark the Con of Man<br><br>Langdon’s analysis in the inscription, is that the priory’s tradition of perpetuating goddess worship is based on a belief that powerful men in the early Christian church ‘conned’ the world by propagating lies that devaluated the female and tipped the scales in favor of the masculine. The priory believes that Constantine and his male successors successfully converted the world from matriarchal paganism to patriarchal Christianity by waging a campaign of propaganda that demonized the sacred feminine, obliterating the goddess from modern religion forever. Within 300 years of witch hunts, the church burned at the stake an astounding 5,000,000 women. After he delivered his own study, Claude Grouard went inside the museum and pointed Langdon his gun and commanded him to face the floor with his arms and feet spread. While Sophie was making her move, she’s looking for the painting of the Virgin Mary with Uriel, baby John and baby Jesus.</strong></div><div align="center"><strong></strong></div><div align="center"><span style="font-size: 130%;"><strong></strong></span></div><div align="center"><span style="font-size: 130%;"><strong></strong></span></div><div align="center"><strong><span style="font-size: 130%;"></span></strong></div><div align="center"><strong><span style="font-size: 130%;"></span></strong></div><div align="center"><strong><span style="font-size: 130%;"></span></strong></div><div align="center"><strong><span style="font-size: 130%;"></span></strong></div><div align="center"><strong></strong></div><strong></strong><div align="center"><strong><br><span style="font-size: 130%;">Chapter 30</span><br>At last he found the painting above and brought it down slowly in front of her. She scared the police that she’ll drop the painting make it destroyed if he will not put his gun down. Through his fear to lose millions of money with the painting, he dropped his gun and Langdon got up. Langdon asked her what went in to her mind to do it, and Sophie simply said that it was through “Madonna of the rocks,” the painting she was about to drop. Now she knew what the message stands for .She told Langdon that the message on the Plexiglas was an anagram for Madonna of the rocks.So Dark the Con of ManAn anagram ofMadonna of the rocksLangdon was amazed by her cleverness. Sophie got the gold key at the back on one of the bottom corner of the painting.<br><br><span style="font-size: 130%;">Chapter 31</span><br>Sister Sandrine was trying to reach the four persons about the incident to warn them but the line was so busy and no one’s answering the phone. Suddenly, Silas got inside her room and asking her about everything she knew about what he was looking for, but she didn’t tell him the secret and keep it in her grave.<br><br><span style="font-size: 130%;">Chapter 32</span><br>Long time ago, the nuns gave Leonardo Da Vinci a specific dimensions, and the desired theme for the painting ---- the Virgin Mary, baby John the Baptist, Uriel, and baby Jesus sheltering in a cave. But Da Vinci painted was a blue-robed Virgin Mary sitting with her arm around an infant child, presumably baby Jesus. Opposite Mary sat Uriel, also with an infant, presumably baby John. Oddly through, rather than the usual Jesus---blessing---John scenario, it was baby John who was blessing Jesus…and Jesus was submitting to his authority. More troubling still, Mary was holding one hand high five the head of infant, John and making a decidedly threatening gesture---her fingers looking like eagle’s talons, gripping an invisible head. Finally, the most obvious and threatening image, just below Mary’s curled fingers, Uriel was making cutting gesture with his hand---as if sliding the neck of invisible head gripped by Mary’s claw-like hand.<br><br><span style="font-size: 130%;">Chapter 33</span></strong></div><div align="center"><strong>On her Smart-car, Sophie showed Langdon what her grandfather left her behind Madonna of the Rocks painting. Langdon took the object and examined it. It was heavy and shaped like a cruciform. But then he noted the shaft protruding from the cruciform was prismatic and triangular. The shaft was also pockmarked with hundreds of tiny hexagons that appeared to be finely tooled and scattered at random. Sophie told him it was a laser-cut key and that those hexagons are read by an electric eye and that the key opens a box where her grandfather kept many secrets. Langdon told her it is an official device of the Priory of Sion of ancient and modern worlds. Sophie asked him if he has a cash and credit cards and when he said he has, she accelerated the car toward the nearest train station that’s moving out of Paris, since it’s too difficult for him to ask help to the U.S. Embassy. Langdon liked the idea less and less. </strong></div><div align="center"><strong></strong></div><div align="center"><strong></strong></div><div align="center"><strong></strong></div><div align="center"><strong><span style="font-size: 130%;"></span></strong></div><div align="center"><strong><span style="font-size: 130%;"></span></strong></div><div align="center"><strong><span style="font-size: 130%;">Chapter 35<br></span>Inside of Gare Saint-Lazare train station, they bought two tickets using Langdon’s visa card which</strong></div><div align="center"><strong>can be possibly traced by the police. After buying tickets, they ran off the station and rode on a taxi. Inside, Sophie torn the tickets, the $70 money wasn’t used but thrown. Langdon is trying to check the cruciform key to look for any clue, yet he saw nothing. Trying to figure out something, he smelled the key and he smelled something, like a rubbing alcohol. It smells like somebody polished it with a cleaner. Trying to find something on the key, he used the Ultra Violet pen-light, and fortunately, he saw something written on it. It’s an address.<br><br>24 Rue Haxo<br><br>They asked the driver to bring them to the place, thinking what kind of place is it. </strong></div><div align="center"><strong></strong></div><div align="center"><strong></strong></div><div align="center"><strong><span style="font-size: 130%;"></span></strong></div><div align="center"><strong><span style="font-size: 130%;"></span></strong></div><div align="center"><strong><span style="font-size: 130%;"></span></strong></div><div align="center"><strong><span style="font-size: 130%;">Chapter 37<br></span>Langdon started telling Sophie the brotherhood’s history that spanned more than a millennium…</strong></div><div align="center"><strong>an astonishing chronicle of secrets, blackmail, betrayal, and even brutal torture at the hands of an angry Pope. The Priory of Sion was founded in Jerusalem in 1099 by a French King named Godefroi de Bouillon, immediately after he had conquered the city. King Godefroi was allegedly the possessor of a powerful secret---a secret that had been in his family since the time of Christ. Fearing that this secret might be lost when died, he founded a secret brotherhood---The Priory of Sion---and charged them with protecting it on from generation to generation. During their years in Jerusalem, the Priory learned of a stash of hidden documents buried beneath the ruins of Herod’s temple, which had been built atop the earlier ruins of Solomon’s temple. These documents, they believed, corroborated Godefroi’s powerful secret and were so explosive in nature that the church would stop at nothing t get them. The Prior vowed that no matter how long it took, these documents must be recovered from the rubble beneath the temple and protected forever, so the truth would never die. In order to retrieve the documents from within the ruins, the Priory created a military arm---a group of nine knights called the Order of the Poor Knights of Christ and the Temple of Solomon, more commonly known as the Knights Templar.For academics, the Templar’ s history was a precarious would where fact, lore, and misinformation had become so intertwined that extracting a pristine truth was almost impossible.Were the Knights Templar founded by the Priory of Sion to retrieve a collection of secret documents? Or, were the Templar created to protect the Holy Land?The idea of protection of Pilgrims was the guise under which the Templar ran their mission. Their true goal in the Holy Land was to retrieve the documents from beneath the ruins of the temple.Did they find them?Nobody knows for sure, but the one thing on which all academics agree is this: The Knights discovered something down there in the ruins…something that made them wealthy and powerful beyond anyone’s wildest imagination.The Knights were in the Holy Land during the second crusade and told King Baldwin II that they were there to protect Christian pilgrims on the roadways. Although unpaid and sworn to poverty, the Knights told the king they required basic shelter and requested his permission to take up residence in the stables under the ruins of the temple. King Baldwin granted the request and the Knights took up their meager residence inside the devastated shrine.The Knights believed the documents the Prior sought were buried deep under the ruins---beneath the Holy of Holies, a sacred chamber where God himself was believed to reside, literally, the very center of the Jewish faith. For almost a decade, the nine knights lived in the ruins, excavating in total secrecy through solid rock.Had they discovered something?They certainly did. The Knights had finally found what they had been searching for. They took the treasure from the temple and traveled to Europe, where their influence seemed to solidify overnight. Nobody was certain whether the Knights had blackmailed the Vatican or whether the church simply tried to buy the Knight’s silence, but Pope Innocent II immediately issued an unprecedented papal bull that afforded the Knights Templar limit less power and declared them “a law unto themselves”---an autonomous army independent of all interference from kings and prelates, both religious and political.With their new carte blanche from the Vatican, the Knights Templar expanded at a staggering rate, both in numbers and political force, amassing vast estates in over a dozen countries. They began extending credit to bankrupt royals and charging interest in return, there by establishing modern banking and broadening their wealth and influence still further.By the 1300s, the Vatican sanction had helped the Knights amass so much power that the Pope Clement V decided that something had to be done working in concert with France’s King Philippe IV, the Pope devised an ingeniously planned sting operation to quash the Templar and seize their treasure, thus taking control of secrets held over the Vatican. In military maneuver worthy of the CIA, Pope Clement issued secret sealed orders to be opened simultaneously by his soldiers all across Europe on Friday, October 13, of 1307.At dawn of the 13th, the documents were unsealed and their appalling contents revealed. Clement’s letter claimed that God had visited him in a vision and warned him that the Knights Templar were heretics guilty of devil worship, homosexuality, defiling the cross, sodomy, and other blasphemous behavior. Pope Clement had been asked by and torturing them until they confessed their crimes against God. Clement’s Machiavellian operation came off with clockwork precision. On that day, countless Knights were captured, tortured mercilessly, and finally burned at the stake culture, to this day, Friday the 13th was considered unlucky.Were the Knights Templar obliterated? Do the Fraternities of Templar exist today?They do, under variety names. Despite Clement’s false charges and best efforts to eradicate them, the Knights had powerful Allies, and some managed to escape the Vatican purges. The Templar’s potent treasure trove of documents, which had apparently been their source of power, was Clement’s true objective, but it slipped through his fingers. The documents had long since been entrusted to the Templar’s shadowy architects, the Priory of Sion, whose veil of secrecy had kept them safely out of range of the Vatican’s onslaught, as the Vatican closed in, the Priory smuggled their documents from a Paris preceptors by night onto Templar ships in La Rochelle.Where did the documents go?That mystery’s answer is known only to the Priory of Sion. Because the documents remain the source of constant investigation and speculation even today, they are believed to have been moved and re-hidden several times. Current speculation places the documents somewhere in the United Kingdom.From a thousand years, legends of this secret have been passed on. The entire collection of documents, its power, and the secret it reveals have become known by a single name---Sangreal. Hundreds of books have been written about it, and few mysteries have caused as much interest among historian as the Sangreal.The Sangreal! Does the word have anything to do with the French word “sang” or Spanish “sangre”---meaning BLOOD?Blood the was backbone of the Sangreal, and yet not in the way Sophie imagined. The legend is complicated, but the important thing to remember is that the Priory guards the proof, and is purportedly awaiting the right moment in history to reveal the truth.What truth? What secret could possibly be that powerful?The word Sangreal is an ancient word. It has evolved over years into another term…a more modern name. When I tell you its modern name, you’ll realize you already know a lot about it. In fact, almost everyone on earth has heard the story of the Sangreal; it is called by the name ‘Holy Grail’.</strong></div><div align="center"><strong><br></strong></div><div align="center"><strong><span style="font-size: 130%;">Chapter 38<br></span>Holy Grail is the literal meaning of Sangreal. The phrase derives from the French Sangreal, which evolved to SanGreal, and was eventually split into two words San Greal. Sangreal is a collection of documents that reveals some dark secret, but some Sangreal documents are only half of the Holy Grail treasure. They are buried with the Grail itself…and reveal its true meaning. The documents gave the Knights Templar so much power because the pages revealed the true nature of the Grail.The true nature of the Grail?The Holy Grail was the cup that Jesus drank from the Last Supper and with which Joseph of Arimathea later caught his blood at the crucifixion. It is the cup of Christ. But according to the Priory of Sion, the Holy Grail is not a cup at all. They claim the Grail legend---that of a chalice---is actually an ingeniously conceived allegory. That is, that the Grail story uses the chalice as a metaphor for something else, something far more powerful.But what if the Holy Grail is not a cup, what is it?The Holy Grail is arguably the most sought-after treasure in human history. The Grail has spawned legends, wars, and lifelong guests.Does it make sense that it is merely a cup?If so, then certainly other relics should generate similar or greater interest---the Crown of Thorns, the True Cross of the Crucifixion, the Titulus---and yet, they do not throughout history, the Holy Grail has been the most special.Why was it not widely known even though it was written in many books?These books can’t possibly compete with centuries of established history, especially when that history is endorsed by the ultimate best seller of all time.The book of Harry Potter? No, but the Bible.</strong></div></span>    
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